It's About Time: Queer Utopias and Theatre Performance

Farrier, Stephen (2013) It's About Time: Queer Utopias and Theatre Performance. In: A Critical Inquiry Into Queer Utopia. Critical Studies in Gender, Sexuality, and Culture . Palgrave Macmillan, Basingstoke, pp. 47-68. ISBN 9781137308597
Creators:Farrier, Stephen
Abstract:

This discussion wraps together issues of queer agency, temporality and utopia in order to look at how performance can offer moments of queer agency. Seeing theatre as a temporally queer space, the chapter makes the argument that through a recognition of the material body working to present a virtual character on stage, there perhaps lies an answer to the tension of queer agency. The stage, in its queerly fluid temporalities, plays plurally (it is both material and virtual) and yet can have material impacts in the world. This chapter takes the discussion of the plurality of time, character and materiality to read two performances: Blackout (Twilight of the Gods) by performer Dickie Beau, and The Front Room, a production by Outbox Theatre. Through the readings of two performances the chapter sketches out a strategy for resisting straight time in the theatre and through that resistance find glimmers of queer utopia.

Official URL:http://www.palgrave.com/gb/book/9781137308597
Item Type:Book Section
Additional Information:Library Code: 306.76 JON ----- HBK ISBN: 978-1137308597 ----- PBK ISBN: 978-1349456048 ----- EBK ISBN: 978-1137311979 ----------> Series Editors: Patricia T. Clough and R. Danielle Egan
Uncontrolled Keywords:Dickie Beau, Lipsynch, The Front Room (performance), Queer Utopia, Queer Time/Temporalities, Outbox Theatre
Date:2013
Related URLs:
ID Code:509
Deposited By: Ms Research Administrator
Deposited On:21 Jun 2016 13:02
Last Modified:28 Jun 2017 11:03
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