Items where RCSSD Subject Area is "Acting for stage"

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Number of items at this level: 40.

A

Abrams, Joshua (2017) Gloss: Esprit de Corps. In: Imagined Theatre: Writing for a Theoretical Stage. Routledge, Abingdon, p. 75. ISBN 9781138122055

Abrams, Joshua (2017) Gloss: Realism. In: Imagined Theatre: Writing for a Theoretical Stage. Routledge, Abingdon, p. 183. ISBN 9781138122055

Abrams, Joshua (2017) Gloss: Th-Eater. In: Imagined Theatre: Writing for a Theoretical Stage. Routledge, Abingdon. ISBN 9781138122055

Abrams, Joshua (2017) On Scale. In: Imagined Theatre: Writing for a Theoretical Stage. Routledge, Abingdon, p. 156. ISBN 9781138122055

Abrams, Joshua (2017) Th'Eater. In: Imagined Theatres: Writing for a Theoretical Stage. Routledge, Abingdon, p. 200. ISBN 9781138122055

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Alexander, Catherine (2008) The Boy from Centreville. [Performance]

Alexander, Catherine (2010) The Gypsy Bible. [Performance]

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Alexander, Catherine (2016) The Magic Flute and L’Ecole Jacques Lecoq: A Conversation between William Kentridge and Simon McBurney. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 316-322. ISBN 9781138818422

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Alexander, Catherine (2011) SOLD. [Performance]

Alexander, Catherine (2008) Touching Space. [Performance]

B

Barker, Paul (2013) La Quinta Columna. [Performance]

Brennan, Amanda (2009) Elizabeth. [Performance]

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Brennan, Amanda (2016) The Energetic Performer: An Integrated Approach to Acting for Stage and Screen. Singing Dragon, London. ISBN 9781848190979

Busby, Selina (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

C

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Colman, Geoffrey (2016) A Close Friendship Among the Debris. Acting, Breath and Truth in Jasmin Vardimon's Justitia. In: Justitia: Multidisciplinary Readings of the Work of the Jasmin Vardimon Company. Playtexts . Intellect, Bristol, pp. 159-168. ISBN 9781783205288

Colman, Geoffrey (2012) Introduction: Stephen Berkoff: One-Act Plays. In: Stephen Berkoff: One-Act Plays. Methuen Drama, London. ISBN 9781408182475

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Cornford, Tom (2015) Acting, Skill and Artistry. Shakespeare Studies, 43. pp. 88-98. ISSN 0582-9399

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Cornford, Tom (2017) Backpages: The Editing of Emma Rice. Contemporary Theatre Review, 27 (1). pp. 134-137. ISSN 1048-6801

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Cornford, Tom (2016) Jacques Lecoq and the Studio Tradition. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, 43 -51. ISBN 9781138818422

D

Delgado, Maria M. (2010) Contemporary European Theatre Directors. Routledge, Oxford. ISBN 9780415462501

Delgado, Maria M. (2008) Federico Garcia Lorca. Routledge, Oxford. ISBN 9780415362436

Delgado, Maria M. (2017) Latin American Film Festivals. In: Latin American Film Festivals: A Survey. Wiley Blackwell, London, pp. 99-113. ISBN 9781118552889

Delgado, Maria M. (2003) "Other" Spanish Theatres: Erasure and Inscription on the Twentieth-Century Spanish Stage. Manchester University Press, Manchester. ISBN 9780719059766

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Delgado, Maria M. (2017) Terrassa’s TNT Festival: The New, the Usual and the Ugly. European Stages, 9 (1). ISSN 1050-199X

Delgado, Maria M. and Bradby, David (2004) Introduction (to Bernard Marie Koltes: Plays 2). In: Bernard Marie Koltes: Plays 2. Methuen Drama, London, xiv-lii. ISBN 9780413773753

Delgado, Maria M. and Gies, David T. (2012) A History of Theatre in Spain. Cambridge University Press, Cambridge. ISBN 9780521117692

E

Elswit, Kate (2018) Theatre & Dance. Theatre& . Palgrave Macmillan, Basingstoke. ISBN 9781137605740

F

Farrier, Stephen (2013) It's About Time: Queer Utopias and Theatre Performance. In: A Critical Inquiry Into Queer Utopia. Critical Studies in Gender, Sexuality, and Culture . Palgrave Macmillan, Basingstoke, pp. 47-68. ISBN 9781137308597

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Farrier, Stephen (2015) Playing With TIme: Gay Intergenerational Performance Work and the Productive Possibilities of Queer Temporalities. Journal of Homosexuality, 62 (10). pp. 1398-1418. ISSN 0091-8369

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Farrier, Stephen (2015) That Lip-Syncing Feeling: Drag Performance as Digging in the Past. In: Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Palgrave Macmillan, Basingstoke, pp. 192-209. ISBN 9781137411839

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Farrier, Stephen and Campbell, Alyson (2016) Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Palgrave Macmillan, Basingstoke. ISBN 9781137411839

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Farrier, Stephen and Campbell, Alyson (2015) Queer Practice as Research: A Fabulously Messy Business. Theatre Research International, 40 (1). pp. 83-87. ISSN 0307-8833

G

Green, Debbie and O'Brien, Ita (2012) From Grounded Foot to Leaping Foot. Theatre, Dance and Performance Training, 3 (1). pp. 99-118. ISSN 1944-3927

M

McNamara, Catherine (2007) Transgendered Masculinities in Performance: Subcultural Narratives Laid Bare. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 160-179. ISBN 9781847183064

Moseley, Nick (2005) Acting and Reacting: Tools for the Modern Actor. Nick Hern Books, London. ISBN 9781854598035

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Moseley, Nick (2016) Actioning and How To Do It. Nick Hern Books, London. ISBN 9781848424234

Moseley, Nick (2012) Meisner in Practice. Nick Hern Books, London. ISBN 9781848420878

T

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Tcherkasski, Sergei (2012) The Stanislavsky System of Actor Training and its International Development in the Last 100 Years. In: The Stanislavsky System of Actor Training and its International Development in the Last 100 Years, 6th February 2012, The Royal Central School of Speech and Drama, University of London. (Unpublished)

W

White, Gareth (2010) Devising and Advocacy: The Red Room's 'Unstated'. In: Devising in Process. Palgrave Macmillian, Basingstoke, pp. 93-109. ISBN 9780230573673

This list was generated on Sun Nov 18 18:22:34 2018 UTC.