Abrams, Joshua (2020) Towards an Ecological Dramaturgy of Dining: Plate as Landscape Device. Contemporary Theatre Review, 30 (4). pp. 490-508. ISSN 1048-6801

Bowles, Jessica (2008) Theatre Materials Conference. In: Theatre Materials, 17-18 April 2008, The Royal Central School of Speech and Drama.

Brennan, Amanda (2012) A Beautiful Death. [Video]

Brown, Ross (2016) Bruit Pittoresque / Cadres Musicaux. La Composition Pittoresque et Mélodramatique du Son au Théâtre. In: Le Son du Theatre (XIXe-XXle Siecle): Histoire Intermediale D'un Lieu D'ecoute Moderne. CNRS, Paris, France, pp. 135-162. ISBN 9782271093561

Brown, Ross (2015) Changing Technologies of Stage Performance: Sound Design. In: Cambridge Guide to the Worlds of Shakespeare, Volume 2: 1600 to the Present. Cambridge University Press, Cambridge, pp. 1460-1467. ISBN 9781107057258

Brown, Ross (2010) Sound Design: The Scenography of Engagement and Distraction. In: Theatre and Performance Design: A Reader in Scenography. Routledge, Abingdon, pp. 340-347. ISBN 9780415432108

Brown, Ross (2009) Sound: A Reader in Theatre Practice. Readings in Theatre Practice . Palgrave Macmillian, Basingstoke. ISBN 9780230551879

Brown, Ross (2016) Theatre Immersed: Auditorium as an Architecture for Fantastic Space and Aural Vision. In: Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices, 14th July 2016, Stockholm University. (Unpublished)

Cornford, Tom (2020) Katie Mitchell and the Technologies of the Realist Theatre. Contemporary Theatre Review, 30 (2). pp. 168-192. ISSN 1048-6801

Cornford, Tom, Fleming, Cass, Rushe, Sinéad, Oram, Daron, Caoimhe, McAvinchey and Roanna, Mitchell (2020) Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213

Cunningham, Aldona (2009) ‘12 Stages of the Alm’. In: Monitoring Scenography 2: Space and Truth/Raum und Wahreit. The Institute of Design and Techniology at Zurick University of the Arts, Zurich, pp. 128-137. ISBN 9783906437279

Cunningham, Aldona (2011) ‘12 Stages of the Alm’. In: Teatro Do Mundo, A Reescrita Do Mitos No Teatro. Centro de Estudos Teatris da Universidade do Porto, Centro de Literaturas e culturas Lusofonas e Europeias, Porto, pp. 89-98. ISBN 9789899531222

Donger, Simon (2011) Broken Maze. In: Intersection: Intimacy and Spectacle. Arts and Theatre Institute, Czech Republic. ISBN 9788070082591

Donger, Simon (2011) Broken Maze. In: Intersection: Intimacy and Spectacle. Arts and Theatre Institute, Prague, pp. 90-91. ISBN 9788070082614

Donger, Simon (2012) Gloom: Scenography as Praxis of Imperceptibility. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Donger, Simon (2015) Living Light. Form, 262. pp. 60-65. ISSN 0015-7678

Donger, Simon (2011) Oblique Intimacies: The Scenographic Body's Ethics of Desire. In: Space and Desire. Monitoring Scenography (3). Zürich University of the Arts, Zürich, pp. 30-45. ISBN 9783906437354

Donger, Simon (2010) Preface 1: Restless Corporealities. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, xiv-xvi. ISBN 9780415562348

Donger, Simon (2015) Review: Smokey Pokership: Perform the Exhibition Space. Theatre and Performance Design, 1 (1-2). pp. 193-194. ISSN 2332-2551

Donger, Simon (2013) To Set and Not to Set: Destablizing Abstraction in Scenography. Performance Research, 18 (3). pp. 154-160. ISSN 1352-8165

Grochala, Sarah (2020) The Theatre of Rupert Goold: Radical Approaches to Adaptation and New Writing. Methuen Drama . Methuen Drama, London. ISBN 9781350090736

Kendrick, Lynne, Curtin, Adrian and Roesner, David (2015) Scene in the Dark: Sounding Out 'The Scenographic Turn': Eight Position Statements. Theatre and Performance Design, 1 (1-2). pp. 107-125. ISSN 2332-2578

Margolies, Eleanor (2009) Theatre Materials: What is Theatre Made of? In: Theatre Materials. The Royal Central School of Speech and Drama, London, pp. 6-7. ISBN 9780953950157

Oram, Christopher (2010) The Craig Lecture 2010: Design in the Fourth Dimension. In: The Craig Lecture, 5th July 2010, The Royal Central School of Speech and Drama. (Unpublished)

Parker, Joanna (2020) Aida, Opera North 2019 (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-3-1

Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

Shearing, David (2020) Black Rock: From Climbing to Performance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-7-9

Shearing, David (2019) Black Rock: Routes Through Scenographic Translation, from Mountain Climbing to Performance. Performance Research, 24 (2). pp. 36-44. ISSN 1352-8165

Shearing, David (2023) The People's Kitchen. [Show/Exhibition]

Shearing, David (2022) The Rising Sun. [Performance]

Shearing, David and Raza, Khadija (2023) Hello Stranger: East London Exhibition. [Show/Exhibition]

Skourtis, Andreas and Andrianos, Panos (2014) Performing Architectures. Self-Published.

Skourtis, Andreas and Andrianos, Panos (2018) Staging Antigone. [Video]

Young, Dot (2010) Aurality of Objects. In: Aurality of Objects Research Seminar, 3rd November 2010, The Royal Central School of Speech and Drama. (Unpublished)