Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272

Astles, Cariad (2020) The UNIMA Research Commission. Journal of Applied Arts and Health, 11 (1 & 2). pp. 197-199. ISSN 2040-2457

Boenisch, Peter (2015) Directing Scenes and Sense: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester. ISBN 9780719097195

Bryon, Experience (2014) Integrative Performance: Practice and Theory for the Interdisciplinary Performer. Routledge, Abingdon. ISBN 9780415694483

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Damian Martin, Diana (2019) Between Art and Criticism: A Phenomenological Poiesis. In: Performance Phenomenology: The Thing Itself. Routledge, London and New York, pp. 217-236. ISBN 9783319980591

Damian Martin, Diana (2019) Hopeful Acts in Troubled Times: Thinking as Interruption and the Poetics of Nonconforming Criticism. Performance Philosophy Journal, 5 (1). ISSN 2057-7176

Damian Martin, Diana (2019) Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy. Performance Philosophy Journal, 5 (1). ISSN 2057-7176

Damian Martin, Diana (2018) States of Wake: Dedicating Performance. Performance Space, Folkestone, UK. ISBN 9781999607302

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Fisher, Tony (2023) The Aesthetic Exception: Essays on Art, Theatre, and Politics. Manchester University Press, Manchester. ISBN 978-1-5261-7016-3

Fisher, Tony (2021) Arte Político después del Giro Comunicativo. Escritura e Imagen (16). pp. 285-305. ISSN 1885-5687

Fisher, Tony (2017) Chapter 10: On the Performance of ‘Dissensual Speech’. In: Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan, Basingstoke, pp. 187-208. ISBN 9781349950997

Fisher, Tony (2020) Problems of Stasis in My Country: The National Theatre and the Crisis of General Enculturation in Post-Referendum Britain. Performance Research, 24 (8). pp. 125-132. ISSN 1352-8165

Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

Fisher, Tony (2015) Thinking Without Authority: Performance Philosophy as the Democracy of Thought. Performance Philosophy Journal, 1. pp. 175-184. ISSN 2057-7176

Harradine, David (2020) Sheep Pig Goat (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

Harradine, David (2020) This Grief Thing (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-0-0

Naylor, Ben (2018) Advice to the Players: Peter Hall, Shakespeare and Antipathy to the Method. In: John Barton and Peter Hall Memorial Conference, 8/9/2018, Rose Theatre, Kingston. (Unpublished)

Nicholson-Sanz, Michelle (2020) The Performance of Water Governance as Cultural Heritage in Peru. Contemporary Theatre Review, 30 (4). pp. 509-524. ISSN Print ISSN 1048-6801 Online ISSN 1477-2264

Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

Sloane, Catherine (2020) Messy Connections: A Posthumanist Approach to Performance Practice Engaged with Recovery from Addiction. Doctoral thesis, The Royal Central School of Speech and Drama.

Tony, Fisher (2020) Theatre and its Discontents. In: Play and Democracy, Philosophical Perspectives. Routledge, London, pp. 13-32. ISBN 9780-36764127-6

Tyler, Lucy (2020) English Play Development under Neoliberalism 2000-2019. Doctoral thesis, The Royal Central School of Speech and Drama.