Boston, Jane (2012) The Physical Voice in the Moving Body. In: The Physical Voice in the Moving Body, November 2012, The Royal Central School of Speech and Drama. (Unpublished)

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Chow, Broderick D.V. and Laine, Eero (2019) Between Antagonism and Eros: The Feud as Couple Form and Netflix’s GLOW. Women & Performance: a journal of feminist theory, 29 (3). pp. 218-234. ISSN 0740-770X

Elswit, Kate (2008) Petrified? Some Thoughts on Practical Research and Dance Historiography. Performance Research, 13 (1). pp. 61-69. ISSN 1352-8165

Elswit, Kate (2013) Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction. Theatre Journal.

Elswit, Kate (2018) Theatre & Dance. Theatre& . Palgrave Macmillan, Basingstoke. ISBN 9781137605740

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Rushe, Sinéad (2018) Loaded. [Performance]

Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)