Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Boenisch, Peter (2020) Marius Von Mayenburg and Roland Schimmelpfennig. In: Contemporary European Playwrights. Routledge, London. ISBN 9781315111940

Busby, Selina and Farrier, Stephen (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

Busby, Selina and McNamara, Catherine (2013) A Theatre for Social Justice Project in the UK. In: Staging Social Justice: Collaborating to Create Activist Theatre. Theater in the Americas . Southern Illinois University Press, Carbondale and Edwardsville, pp. 174-185. ISBN 9780809332380

Bush-Bailey, Gilli (2012) Plays and Performance Text by Women 1880-1930: An Anthology of Plays by British and American Women from the Modernist Period. Manchester University Press, Manchester. ISBN 9780719082047

Delgado, Maria M. (2016) Spain: Runaway Hits and Ephemeral Memorabilia. European Stages, 8. ISSN 1050-199X

Delgado, Maria M., Lease, B and Rebellato, D (2020) Contemporary European Playwrights. Routledge, London. ISBN 9781138084223

Fisher, Tony (2010) Heidegger and the Narrativity Debate. Continental Philosophy Review, 43 (2). pp. 241-265. ISSN 1387-2842

Grochala, Sarah (2017) The Contemporary Political Play: Rethinking Dramaturgical Structure. Bloomsbury Methuen Drama, London. ISBN 9781472588463

Grochala, Sarah (2011) A Form of Ethics: The Disrupted and Misappropriated Story in the Monodramas of Mark Ravenhill. Contemporary Drama in English 18, 18. pp. 141-154.

Grochala, Sarah (2014) Going Straight: The Politics of Time and Space in David Eldridge’s Incomplete and Random Acts of Kindness. Journal of Contemporary Drama in English, 2 (1). pp. 145-158. ISSN 2195-0164

Grochala, Sarah (2009) S-27. Oberon Books, London. ISBN 9781840029307

Grochala, Sarah (2020) The Theatre of Rupert Goold: Radical Approaches to Adaptation and New Writing. Methuen Drama . Methuen Drama, London. ISBN 9781350090736

Grochala, Sarah and Eldridge, David (2021) Introduction. In: Beginning. Modern Classics . Metheun Drama, London. ISBN 978135014617

Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

Radosavljevic, Duska (2020) Biljana Srbljanovic and Ivana Sajko: Voice in the Place of Silence. In: Contemporary European Playwrights. Routledge, London. ISBN 9781315111940

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Radosavljevic, Duska (2012) Sara Kanes's Illyria as the Land of Violent Love: A Balkan Reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1477-2264

Stuart Fisher, Amanda (2011) Trauma, Authenticity and the Limits of Verbatim. Performance Research, 16 (1). pp. 112-122. ISSN 1352-8165