Anderson, Joel (2019) Royal Central School of Speech and Drama's Joel Anderson on What Dramaturgy Is and How it is Taught. Broadway World.

Astles, Cariad (2020) Walk in/Walk As My Shoes: Puppetry and Prosocial Empathy in Healthcare. Journal of Applied Arts and Health, 11 (1 & 2). pp. 29-47. ISSN 2040-2457

Astles, Cariad, Fisher, Emma, Purcell-Gates, Laura and Sextou, Persephone (2020) Editorial. Journal of Applied Arts and Health, 11 (1 & 2). pp. 3-13. ISSN 2040-2457

Busby, Selina and Farrier, Stephen (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

Bush-Bailey, Gilli (2014) The Gerbini Letters, or, A Tale of Two Mothers. In: Stage Mothers: Women, Work and the Theater 1660-1830. Bucknell University Press, Lewisburg, pp. 233-251. ISBN 9781611486032

Eder, Thomas Fabian and Rowson, James (2023) Documenting crisis: artistic innovation and institutional transformations in the German-speaking countries and the UK. New Theatre Quarterly, 39 (4). pp. 333-354. ISSN 0266-464X

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Elswit, Kate (2009) “Berlin … Your Dance Partner Is Death”. TDR/The Drama Review, 53 (1). pp. 73-92. ISSN 1054-2043

Elswit, Kate (2012) So You Think You Can Dance Does Dance Studies. TDR, 56 (1). pp. 133-142. ISSN 1531-4715

Elswit, Kate (2014) Watching Weimar Dance. Oxford Studies in Dance Theory . Oxford University Press, Oxford. ISBN 9780199844838

Farrier, Stephen and Edward, Mark (2020) Contemporary Drag Practices and Performers: Drag in a Changing Scene Volume 1. Metheun Drama, London. ISBN 97813550082946

Fisher, Emma and Astles, Cariad (2020) Puppet Theatre under Covid-19. Journal of Applied Arts and Health, 11 (1 & 2). pp. 163-170. ISSN 2040-2457

Harradine, David (2020) Men & Girls Dance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

Harradine, David (2020) Sheep Pig Goat (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

Harradine, David (2020) This Grief Thing (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-0-0

Kendrick, Lynne (2017) Aural Visions: Sonic Spectatorship in the Dark. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Drama Engage . Bloomsbury Methuen Drama, London, pp. 113-131. ISBN 9781474251181

Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

Parslow, Joe (2019) When the Lights are Shining on Them: Drag Performance and Queer Communities in London. Doctoral thesis, The Royal Central School of Speech and Drama.

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Shearing, D (2022) Felt Dramaturgies of Light. In: Contemporary Performance Lighting: Experience, Creativity and Meaning. Performance and Design . Bloomsbury Publishing, pp. 46-63. ISBN 9781350195158 (In Press)

Shearing, David (2023) The People's Kitchen. [Show/Exhibition]

Skourtis, Andreas and Andrianos, Panos (2018) Staging Antigone. [Video]

Wakeling, Kate (2021) This Grief Thing: Evaluation Report. Fevered Sleep, London, UK.

White, Gareth (2013) Audience Participation in Theatre: Aesthetics of the Invitation. Palgrave Macmillan, Basingstoke. ISBN 9781137354631

White, Gareth (2019) The Audience in Intermedial Theatre. In: Intermedial Theatre: Principles and Practice. Red Globe Press, London, pp. 136-158. ISBN 9781137611574

White, Gareth (2011) Noise, Conceptual Noise and the Potential of Audience Participation. In: Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 198-207. ISBN 9781443834407

White, Gareth (2009) Odd Anonymized Needs: Punchdrunk's Masked Spectator. In: Modes of Spectating. Intellect, Bristol, pp. 219-229. ISBN 9781841502397

White, Gareth (2012) On Immersive Theatre. Theatre Research International, 37 (3). pp. 221-235. ISSN 0307-8833

White, Gareth (2019) The Promise of Participation Revisited: Affective Strategies of Participation. In: Staging Spectators in Immersive Theatre: Commit Yourself. Routledge Studies in Affective Societies . Routledge, London, pp. 159-168. ISBN 0367187965

White, Gareth (2016) Theatre in the Forest of Things and Signs. Journal of Contemporary Drama in English, 4 (1). pp. 21-33. ISSN 2195-0156