Items where Year is 2018

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Number of items: 41.

Book

Barker, Paul and Huesca, Maria (2018) Composing for Voice: Exploring Voice, Language and Music. Routledge Voice Studies . Oxford University Press, Oxford. ISBN 9781138244047

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Bryon, Experience, McLaughlin, Deirdre, J. Mark, Bishop and Jess, Kaufman (2018) Embodied Cognition, Acting and Performance. Routledge, Abingdon. ISBN 9780815385769

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Damian Martin, Diana and Bojana, Jankovic (2018) Critical Interruptions. Live Art Development Agency, London.

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Elswit, Kate (2018) Theatre & Dance. Theatre& . Palgrave Macmillan, Basingstoke. ISBN 9781137605740

Book Chapter

Elswit, Kate (2018) Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories. In: The Oxford Handbook of Dance and Reenactment. Oxford University Press, Oxford, pp. 177-214. ISBN 9780199314201

Elswit, Kate, Miyagawa, Mariko, Otake, Eiko and Rodman, Tara (2018) What We Know and What We Want to Know: A Roundtable On Butoh and Neuer Tanz. In: The Routledge Companion to Butoh Performance. Routledge Companion . Routledge, New York, pp. 126-136. ISBN 9781138691094

Farrier, Stephen (2018) Re-membering AIDS, Dis-membering Form. In: Viral Dramaturgies, HIV and AIDS in Performance in the Twenty-first Century. Palgrave Macmillan, Cham (Switzerland), pp. 155-172. ISBN 9783319703169

Orley, Emily and Hilevaara, Katja (2018) Virtual Embodiment: Critical Writing and Liveness. In: The Creative Critic: Writing As/About Practice. Routledge, London. ISBN 9781138674820

Article

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Abraham, Nicola (2018) The Creature Methodology: Reflexivity and the Applied Theatre Practitioner in Training. English Teachers Association, Switzerland, 35 (1). ISSN 9771660650003 (In Press)

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Abrams, Joshua (2018) Menu Degustation: We Insist the Entire Table Participates: An Introduction to On Taste. Performance Research, 22 (7). pp. 1-5. ISSN 1352-8165

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Abrams, Joshua (2018) Trumping Taste: On the Gustatory and the RIse of the Post-Factual. Performance Research, 22 (7). pp. 153-161. ISSN 1352-8165 (In Press)

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Cornford, Tom (2018) Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre. Journal of Contemporary Drama in English, 6 (1). ISSN 2195-0164

Damian Martin, Diana (2018) And the Vampires Flow Towards the West: The Ecological Poetics of Eastern European Migration in the UK. GPS: Global Performance Studies. ISSN 2574-027X

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Delgado, Maria M. (2018) Civility, Empathy, Democracy and Memory : Exploring the 'We' in Compromised Times. Performance Research, 23 (4). pp. 328-336. ISSN 1352-8165

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Delgado, Maria M. (2018) Disappearing Acts: On Analysing Creative Practice in Spain. Hispanic Research Journal (2). ISSN 1468-2737

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Delgado, Maria M. (2018) Maria Casares: l'Espagne, L'Exil et le Repoussoir. Revue d'Histoire du Théâtre, 1 (277). ISSN 1291-2530

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Delgado, Maria M. (2018) Reframing Past and Present: Madrid Theatre 2018. European Stages, 12. ISSN 1050-199X

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Elswit, Kate (2018) Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret. Theatre Research International, 43 (1). pp. 25-44. ISSN 0307-8833

Ewan, Vanessa and Coutts, Nicky (2018) Giraffe Time. Photography and Culture, 11 (2). pp. 139-152. ISSN 1751-4517

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Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

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McAllister, Peter (2018) Lee Strasberg's Method. Stanislavski Studies, 6 (1). pp. 105-110. ISSN 2056-7790

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Oram, Daron (2018) Finding a Way: More Tales of Dyslexia and Dyspraxia in Psychophysical Actor Training. Voice and Speech Review, 12 (3). pp. 276-294. ISSN 2326-8271

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Oram, Daron (2018) Losing Sight of Land: Tales of Dyslexia and Dyspraxia in Psychophysical Actor Training. Theatre Dance and Performance Training, 9. ISSN 1944-3919

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Ploeger, Daniel, Anderson, M, Haley, R, Hines, B.C and Penton, M (2018) Perspectives: Hi-Tech Everything: A Fragmented Report from the Heart of Techno-Consumerism. Body, Space & Technology, 17 (1). pp. 177-218. ISSN 1470-9120

Conference or Workshop Item

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Abraham, Nicola and Baker, Sylvan (2018) The Creature in the Corner: A Methodology for Teaching Reflexivity. In: Reflective Conservatoire Conference 2018, 19th to 23rd February 2018, Guildhall. (Unpublished)

Soltani, Farokh (2018) Radio Listens to Itself: Reason and Resonance in British Radio Dramaturgy. In: Transnational Radio Conference 2018, 13th - 15th July 2018, Monash University, Italy. (Unpublished)

Tashkiran, Ayse (2018) Curated Conversation Led by Key People. In: Radical Mischief: A Conference Inviting Experiment in Theatre Thought and Politics, 21st - 22nd July 2018, Stratford Upon Avon. (Unpublished)

Tashkiran, Ayse, Ewan, Vanessa and Alexandra, Gerstein (2018) Embodied Perspectives on Sculpture: A Case Study in Interdisciplinary Research. In: ART HISTORY: UNDISCIPLINED?, 19th June 2018, The Courtauld Institute of Art, Somerset House, Strand, London. (Submitted)

Other

Elswit, Kate and Bench, Harmony (2018) Dunham's Data Website and Research Blog. N/A.

Farrier, Stephen (2018) Theater, Queer - An Entry In: Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History, 1st Edition. Charles Scribner's Sons, part of Macmillan Reference USA,, USA.

Performance

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Rushe, Sinéad (2018) Loaded. [Performance]

Thesis

Bence, Charlotte, W. (2018) Legitimacy in Motion: The Narrative Function of Cinematic Violence. Doctoral thesis, The Royal Central School of Speech and Drama.

Felstead, Daniel (2018) What Can We Do With These Associations? Production, Organisation and Materiality in the Work of Tino Sehgal. Doctoral thesis, The Royal Central School of Speech and Drama.

Murphy, Helen (2018) "Faint Flickerings" : Women as a Genre. Gender, Pleasure and Modernity. Doctoral thesis, The Royal Central School of Speech and Drama.

Pinchin, William (2018) Myth in Contemporary Mask Praxis: A Jungian Approach to Mask Making and Performance Within Lecoq-based Actor Created Theatre. Doctoral thesis, The Royal Central School of Speech and Drama.

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Ronan, Joanna Josephine (2018) Capital, Cooperation and Creating Performance: Blood Water Theatre Develops Ownership in Collaborative Theatre Practice. Doctoral thesis, The Royal Central School of Speech and Drama.

This list was generated on Sat Sep 21 03:23:12 2019 UTC.