Staging Germanness in Contemporary British Theatre 

Joseph Prestwich

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CC BY-NC 4.0
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Transcript 33

Legenda

  17 March 2025  •  168pp

ISBN: 978-1-839543-10-4 (hardback)  •  RRP £95, $120, €120

ISBN: 978-1-839543-11-1 (paperback, forthcoming)

ISBN: 978-1-839543-12-8 (Hosted on this website)

Open Access with doi: 10.59860/t.b6accda

ContemporaryGermanEnglishDramaPoliticsopen


In the contemporary British context, German theatrical culture appears simultaneously familiar and shocking. Critics in the United Kingdom seem to both fetishize and despise the German theatrical scene. It is experimental, innovative, well-funded, and free from commercial pressures, whilst also indulgent, auteur-driven ‘directors’ theatre’. It draws practitioners from the UK seeking to learn from fellow theatre-makers in Germany, and yet the reception of these practitioners’ work in Britain can be mixed or, at worst, hostile. Arguing that Anglo-German theatre performed in the UK is fraught with artistic, aesthetic, and critical tensions, Joseph Prestwich examines theatrical performance and institutional practice to ask how Germanness is constructed within the UK in the contemporary context. Drawing on the concepts of institutional dramaturgy and cultural capital, he offers a timely consideration of the perceived value and effects of Anglo-German theatre in the post-Brexit context.

Joseph Prestwich is a postdoctoral research fellow at the Royal Central School of Speech and Drama, working on the European Research Council-funded project ‘Theatre and Gentrification in the European City’. He was previously a Teaching Associate at the University of Cambridge, and Lecturer in German at King’s College London.

Contents:

i-xii, 1-155

Staging Germanness in Contemporary British Theatre
Joseph Prestwich
Complete volume as single PDF

The complete text of this book.

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i-xii

Staging Germanness in Contemporary British Theatre - front matter
Joseph Prestwich
doi:10.59860/t.c6ad131

Contents, acknowledgements, a list of figures used, and a note on translations.

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1-22

Introduction
Joseph Prestwich
doi:10.59860/t.c7bc56e

German Theatre in Britain - British Theatre ‘versus’ German Theatre - Expanding Institutional Dramaturgy - Travelling Texts, Travelling Productions, Travelling Practices

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23-56

Chapter 1: Travelling Texts: Brecht, Büchner, Borders
Joseph Prestwich
doi:10.59860/t.c8cb9b5

Institutional Practice: Diversity, Accessibility, and the Converging of the ‘Crowds’ - The Threepenny Opera: A Weimar ‘Monolith’ - Woyzeck: Living with Borders - Conclusion: Brecht, Büchner, Borders, Brexit?

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57-90

Chapter 2: Travelling Productions: The Transnational Theatre of Thomas Ostermeier and Katie Mitchell
Joseph Prestwich
doi:10.59860/t.c05177c

Ophelias Zimmer: The Anglo-German ‘Contact Zone’ - Ophelias Zimmer: Between Naturalism and Postdramatic Theatre - Performing Back Ostermeier - ‘Totus mundus agit histrionem’: Performing in and across the G/globe - Conclusion: British Hospitality and the ‘Good Guest’

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91-124

Chapter 3: Travelling Practices: Designers and Directors Working in Britain
Joseph Prestwich
doi:10.59860/t.c160b5f

The Young Vic Theatre: Bringing the World to Lambeth and Southwark - Hildegard Bechtler, Robert Icke, and the Almeida Theatre: Insiders’ Outsiders - Cultural Politics in an ‘Empty’ Space - Haunted Dreams - The Doctor: ‘Translocal’ Diversity? - Conclusion: (Inter)cultural Capital and ‘Top-Down’ Diversity

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125-134

Conclusion
Joseph Prestwich
doi:10.59860/t.c26ffa6

Maintaining Routes - Positioning Germanness in Britain - If not Shaftesbury Avenue, then Where? - New Routes for Anglo-German Theatre

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135-152

Bibliography
Joseph Prestwich
doi:10.59860/t.c37f3ed

A bibliography organised alphabetically by author.

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153-155

Index
Joseph Prestwich
doi:10.59860/t.c48e44c

Index to the book.

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Bibliography entry:

Prestwich, Joseph, Staging Germanness in Contemporary British Theatre, Transcript, 33 (Legenda, 2025)

First footnote reference: 35 Joseph Prestwich, Staging Germanness in Contemporary British Theatre, Transcript, 33 (Legenda, 2025), p. 21.

Subsequent footnote reference: 37 Prestwich, p. 47.

(To see how these citations were worked out, follow this link.)

Bibliography entry:

Prestwich, Joseph. 2025. Staging Germanness in Contemporary British Theatre, Transcript, 33 (Legenda)

Example citation: ‘A quotation occurring on page 21 of this work’ (Prestwich 2025: 21).

Example footnote reference: 35 Prestwich 2025: 21.

(To see how these citations were worked out, follow this link.)


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