Cornford, Tom (2020) Theatre Studios: A Political History of Ensemble Theatre-Making. Routledge, Abingdon. ISBN 9781138185647

Cornford, Tom, Fleming, Cass, Rushe, Sinéad, Oram, Daron, Caoimhe, McAvinchey and Roanna, Mitchell (2020) Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213

Cornford, Tom (2022) Directors: Organisation, Authorship, and Social Production. In: The Cambridge Companion to British Theatre since 1945. Cambridge University Press. (In Press)

Cornford, Tom (2020) Actor-Dramaturgs and Atmospheric Dramaturgies: Chekhov Technique in Processes of Collaborative Playwriting. In: Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213 (In Press)

Cornford, Tom (2019) Michael Chekhov: Directing an Actors' Theatre. In: Russian Theatre in Practice: The Director's Guide. Performance Books . Bloomsbury, London, pp. 95-107. ISBN 9781474284431

Cornford, Tom and Barker, Roberta (2018) Tyrone Guthrie. In: The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie. The Great European Stage Directors, 3 . Metheun Drama, London, pp. 115-162. ISBN 9781474254113

Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

Cornford, Tom (2016) Jacques Lecoq and the Studio Tradition. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, 43 -51. ISBN 9781138818422

Rushe, Sinéad and Cornford, Tom (2020) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). pp. 419-429. ISSN 1477-2264

Cornford, Tom (2020) Review of Susan Bennett and Sonia Massai (eds.), Ivo van Hove: From Shakespeare to David Bowie. New Theatre Quarterly, 36 (2). p. 193. ISSN 0266-464X

Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

Cornford, Tom and Svich, Caridad (2020) Introduction: Katie Mitchell's Theatre. Contemporary Theatre Review, 30 (2). pp. 137-150. ISSN 1048-6801

Cornford, Tom (2020) Katie Mitchell and the Technologies of the Realist Theatre. Contemporary Theatre Review, 30 (2). pp. 168-192. ISSN 1048-6801

Cornford, Tom (2020) Editorial. Studies in Theatre and Performance, 40 (2). pp. 125-127. ISSN 1468-2761

Cornford, Tom (2019) The Racist Case for Diversity? Contemporary Theatre Review, 28 (4). pp. 553-556. ISSN 1048-6801

Cornford, Tom (2018) Review: The Routledge Companion to Michael Chekhov. Theatre Research International, 43 (3). pp. 339-341. ISSN 0307-8833

Cornford, Tom (2018) Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre. Journal of Contemporary Drama in English, 6 (1). pp. 101-122. ISSN 2195-0164

Cornford, Tom (2017) Peter Boenisch and Thomas Ostermeier, The Theatre of Thomas Ostermeier and Peter M. Boenisch, Directing Scenes and Senses: The Thinking of Regie. New Theatre Quarterly, 33 (3). pp. 302-303. ISSN 0266-464X

Cornford, Tom (2017) Backpages: The Editing of Emma Rice. Contemporary Theatre Review, 27 (1). pp. 134-137. ISSN 1048-6801

Cornford, Tom (2015) Acting, Skill and Artistry. Shakespeare Studies, 43. pp. 88-98. ISSN 0582-9399

Cornford, Tom (2017) Parents in Performing Arts (PIPA) Best Practice Research Project: Final Report. Project Report. PIPA, On-Line.

Cornford, Tom (2017) Willful Distraction: Katie Mitchell, Auteurism and the Canon. [Video]