Barker, Paul (2003) Composing for Voice. Routledge Voice Studies . Routledge, Oxford. ISBN 9780415941877

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Bryon, Experience, McLaughlin, Deirdre, Bishop, Mark and Kaufman, Jessica (2018) Embodied Cognition, Acting and Performance. Routledge, Abingdon. ISBN 9780815385769

Chow, Broderick D.V. (2024) Muscle works: physical culture and the performance of masculinity. Performance Works . Northwestern University Press, Evanston, IL, United States of America. ISBN 9780810147362

Damian Martin, Diana (2018) On Time: a SPILL Reader. Pacitti Company, Ipswich.

Harradine, David (2020) This Grief Thing (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-0-0

Diestro-Dópido, Mar (2017) The Film Festival Circuit. In: A Companian to Latin American Cinema. Wiley Blackwell, London, pp. 99-113. ISBN 9781118552889

Lu, Kevin and Singh, Iqbal (2023) Experiencing the Historical Record: A Psychosocial/Psychodynamic Method for Working with Archival Materials. In: Archives and Emotions. Bloomsbury, London. (In Press)

Abrams, Joshua (2018) Menu Degustation: We Insist the Entire Table Participates: An Introduction to On Taste. Performance Research, 22 (7). pp. 1-5. ISSN 1352-8165

Abrams, Joshua (2020) Presidential Address to the 2019 ATHE Conference. Theatre Topics, 30 (1). pp. 11-15. ISSN 1054-8378

Abrams, Joshua (2020) Towards an Ecological Dramaturgy of Dining: Plate as Landscape Device. Contemporary Theatre Review, 30 (4). pp. 490-508. ISSN 1048-6801

Abrams, Joshua (2018) Trumping Taste: On the Gustatory and the Rise of the Post-Factual. Performance Research, 22 (7). pp. 153-161. ISSN 1352-8165

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272

Bryon, Experience, McLaughlin, Deirdre, Bishop, Mark and Kaufman, Jessica (2017) Embodied Cognition, Acting and Performance. Connection Science, 29 (1). pp. 1-118. ISSN 0954-0091

Chow, Broderick D.V. (2020) Epistemology of the Locker Room: A Queer Glance at the Physical Culture Archive. Contemporary Theatre Review Print ISSN 1048-6801 Online ISSN 1477-2264, 31 (1/2). (In Press)

Chow, Broderick D.V. and Laine, Eero (2019) Between Antagonism and Eros: The Feud as Couple Form and Netflix’s GLOW. Women & Performance: a journal of feminist theory, 29 (3). pp. 218-234. ISSN 0740-770X

Cornford, Tom (2017) Peter Boenisch and Thomas Ostermeier, The Theatre of Thomas Ostermeier and Peter M. Boenisch, Directing Scenes and Senses: The Thinking of Regie. New Theatre Quarterly, 33 (3). pp. 302-303. ISSN 0266-464X

Delgado, Maria M. (2017) Madrid’s Theatre Takes Inspiration From the Greeks. European Stages, 10 (1). ISSN 1050-199X

Delgado, Maria M. and Thelwell, Mike (2015) Arts and Humanities Research Evaluation: No Metrics Please, Just Data. Journal of Documentation, 71 (4). pp. 817-833. ISSN 0022-0418

Elswit, Kate (2022) Dancing with Coronaspheres: Expanded Breath Bodies and the Politics of Public Movement in the Age of COVID-19. Cultural Studies. ISSN 0950-2386

Howe, Andrew, Demjaha, Arsime and Lu, Kevin (2024) Auditory hallucinations in non-psychotic disorders – an analytical psychological perspective. Psychoanalytic Psychotherapy. ISSN 0266-8734 (In Press)

Lu, Kevin and Yeoman, Ann (2023) THE FUTURE OF JUNGIAN PSYCHO-SOCIAL STUDIES: AKIRA, GRETA THUNBERG AND ARCHETYPAL THEMATIC ANALYSIS (ATA). International Journal of Jungian Studies. ISSN 1940-9060 (In Press)

Parry-Davies, Ella and Larkin, Craig (2019) War Museums in Postwar Lebanon: Memory, Violence, and Performance. Nationalism and Ethnic Politics, 25 (1). pp. 78-96. ISSN 1353-7113

Ploeger, Daniel (2019) Between Smart Technologies and Soviet Guns: Imaging the New Heroic Figure in Postdigital Warfare. International Journal of Performance Arts and Digital Media, 15 (2). pp. 215-226. ISSN 1479-4713

Reason, Matthew, Acton, Kelsie and Foulds, Daniel (2024) Working it out together: lessons and insights into inclusive research in an arts context. British Journal Of Learning Disabilities, 52 (4). pp. 676-686. ISSN 1468-3156

Uzor, Tia-Monique (2024) Towards a new humanity: Belonging, embodiment, and Quantum Black creative geographies. Singapore Journal Of Tropical Geography.

Kendrick, Lynne (2017) Theatre Aurality and the Spatiality of Sound in Performance. In: Sounding Out the Space: An International Conference on the Speciality of Sound, 2nd - 4th November 2017, Dublin, Ireland. (Unpublished)

Soltani, Farokh (2017) Early Radio Drama and the Quest for Space. In: Sounding Out Space: International Conference, 2nd - 4th November 2017, Dublin, Ireland. (Unpublished)

Soltani, Farokh (2017) Radio Learns to Listen: The Spaces and Bodies of Audio Drama in Historical Perspective. In: Headphone Theatre, Podcasts and Radio, 27th June 2017, University of Kent. (Unpublished)

Soltani, Farokh (2018) Radio Listens to Itself: Reason and Resonance in British Radio Dramaturgy. In: Transnational Radio Conference 2018, 13th - 15th July 2018, Monash University, Italy. (Unpublished)

Elswit, Kate and Bench, Harmony (2018) Dunham's Data Website and Research Blog. UNSPECIFIED.

Ballou, Hannah (2016) Hoo:Ha: Illuminating and Exploiting a Dissonance Between Funniness and Sexiness with the Female Comic Body in Performance. Doctoral thesis, The Royal Central School of Speech and Drama.

Beghelli, Claudio Enrico (2015) Towards an Intellectual Performativity of Taste. Other thesis, The Royal Central School of Speech and Drama.

Cockburn, Rachel (2014) An Aesthetics of Auto ( ) graphy : An Aesthetics of Precarity. Doctoral thesis, The Royal Central School of Speech and Drama.

Dumitriu, Silva (2017) Postdramatic Theatre and Deconstruction: An Anti-Mimetic Approach to Contemporary Dramaturgy. Doctoral thesis, The Royal Central School of Speech and Drama.

May, Shaun Robert (2013) You Have to 'Be There': A Heideggerean Phenomenology of Humour. Doctoral thesis, The Royal Central School of Speech and Drama.

Soltani, Farokh (2017) Play, Don't Tell: A Phenomenological Critique of the Semantic Paradigm of British Radio Dramaturgy. Doctoral thesis, The Royal Central School of Speech and Drama.