Brown, Ross (2009) Sound: A Reader in Theatre Practice. Readings in Theatre Practice . Palgrave Macmillian, Basingstoke. ISBN 9780230551879

Cornford, Tom, Fleming, Cass, Rushe, Sinéad, Oram, Daron, Caoimhe, McAvinchey and Roanna, Mitchell (2020) Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213

Grochala, Sarah (2020) The Theatre of Rupert Goold: Radical Approaches to Adaptation and New Writing. Methuen Drama . Methuen Drama, London. ISBN 9781350090736

Parker, Joanna (2020) Aida, Opera North 2019 (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-3-1

Shearing, David (2020) Black Rock: From Climbing to Performance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-7-9

Brown, Ross (2016) Bruit Pittoresque / Cadres Musicaux. La Composition Pittoresque et Mélodramatique du Son au Théâtre. In: Le Son du Theatre (XIXe-XXle Siecle): Histoire Intermediale D'un Lieu D'ecoute Moderne. CNRS, Paris, France, pp. 135-162. ISBN 9782271093561

Brown, Ross (2015) Changing Technologies of Stage Performance: Sound Design. In: Cambridge Guide to the Worlds of Shakespeare, Volume 2: 1600 to the Present. Cambridge University Press, Cambridge, pp. 1460-1467. ISBN 9781107057258

Brown, Ross (2010) Sound Design: The Scenography of Engagement and Distraction. In: Theatre and Performance Design: A Reader in Scenography. Routledge, Abingdon, pp. 340-347. ISBN 9780415432108

Cunningham, Aldona (2009) ‘12 Stages of the Alm’. In: Monitoring Scenography 2: Space and Truth/Raum und Wahreit. The Institute of Design and Techniology at Zurick University of the Arts, Zurich, pp. 128-137. ISBN 9783906437279

Cunningham, Aldona (2011) ‘12 Stages of the Alm’. In: Teatro Do Mundo, A Reescrita Do Mitos No Teatro. Centro de Estudos Teatris da Universidade do Porto, Centro de Literaturas e culturas Lusofonas e Europeias, Porto, pp. 89-98. ISBN 9789899531222

Donger, Simon (2011) Broken Maze. In: Intersection: Intimacy and Spectacle. Arts and Theatre Institute, Czech Republic. ISBN 9788070082591

Donger, Simon (2011) Broken Maze. In: Intersection: Intimacy and Spectacle. Arts and Theatre Institute, Prague, pp. 90-91. ISBN 9788070082614

Donger, Simon (2011) Oblique Intimacies: The Scenographic Body's Ethics of Desire. In: Space and Desire. Monitoring Scenography (3). Zürich University of the Arts, Zürich, pp. 30-45. ISBN 9783906437354

Donger, Simon (2010) Preface 1: Restless Corporealities. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, xiv-xvi. ISBN 9780415562348

Margolies, Eleanor (2009) Theatre Materials: What is Theatre Made of? In: Theatre Materials. The Royal Central School of Speech and Drama, London, pp. 6-7. ISBN 9780953950157

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

Abrams, Joshua (2020) Towards an Ecological Dramaturgy of Dining: Plate as Landscape Device. Contemporary Theatre Review, 30 (4). pp. 490-508. ISSN 1048-6801

Cornford, Tom (2020) Katie Mitchell and the Technologies of the Realist Theatre. Contemporary Theatre Review, 30 (2). pp. 168-192. ISSN 1048-6801

Donger, Simon (2015) Living Light. Form, 262. pp. 60-65. ISSN 0015-7678

Donger, Simon (2015) Review: Smokey Pokership: Perform the Exhibition Space. Theatre and Performance Design, 1 (1-2). pp. 193-194. ISSN 2332-2551

Donger, Simon (2013) To Set and Not to Set: Destablizing Abstraction in Scenography. Performance Research, 18 (3). pp. 154-160. ISSN 1352-8165

Kendrick, Lynne, Curtin, Adrian and Roesner, David (2015) Scene in the Dark: Sounding Out 'The Scenographic Turn': Eight Position Statements. Theatre and Performance Design, 1 (1-2). pp. 107-125. ISSN 2332-2578

Shearing, David (2019) Black Rock: Routes Through Scenographic Translation, from Mountain Climbing to Performance. Performance Research, 24 (2). pp. 36-44. ISSN 1352-8165

Bowles, Jessica (2008) Theatre Materials Conference. In: Theatre Materials, 17-18 April 2008, The Royal Central School of Speech and Drama.

Brown, Ross (2016) Theatre Immersed: Auditorium as an Architecture for Fantastic Space and Aural Vision. In: Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices, 14th July 2016, Stockholm University. (Unpublished)

Oram, Christopher (2010) The Craig Lecture 2010: Design in the Fourth Dimension. In: The Craig Lecture, 5th July 2010, The Royal Central School of Speech and Drama. (Unpublished)

Young, Dot (2010) Aurality of Objects. In: Aurality of Objects Research Seminar, 3rd November 2010, The Royal Central School of Speech and Drama. (Unpublished)

Shearing, David (2023) The People's Kitchen. [Show/Exhibition]

Shearing, David and Raza, Khadija (2023) Hello Stranger: East London Exhibition. [Show/Exhibition]

Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

Skourtis, Andreas and Andrianos, Panos (2014) Performing Architectures. Self-Published.

Shearing, David (2022) The Rising Sun. [Performance]

Donger, Simon (2012) Gloom: Scenography as Praxis of Imperceptibility. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Brennan, Amanda (2012) A Beautiful Death. [Video]

Skourtis, Andreas and Andrianos, Panos (2018) Staging Antigone. [Video]