Boston, Jane (2009) Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley Publishers, London. ISBN 9781843109426

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Boston, Jane and J. Clifford, Turner (2007) Voice and Speech in the Theatre. Metheun, London. ISBN 9780713681888

Brown, Ross (2020) Sound Effect: The Theatre We Hear. Performance and Design . Metheun Drama, London. ISBN 9781350045903

Brown, Ross (2009) Sound: A Reader in Theatre Practice. Readings in Theatre Practice . Palgrave Macmillian, Basingstoke. ISBN 9780230551879

Kendrick, Lynne (2017) Theatre Aurality. Palgrave Macmillan, London. ISBN 9781137452320

Parry-Davies, Ella (2020) Home-Makers (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-4-8

Brown, Ross (2016) Bruit Pittoresque / Cadres Musicaux. La Composition Pittoresque et Mélodramatique du Son au Théâtre. In: Le Son du Theatre (XIXe-XXle Siecle): Histoire Intermediale D'un Lieu D'ecoute Moderne. CNRS, Paris, France, pp. 135-162. ISBN 9782271093561

Brown, Ross (2015) Changing Technologies of Stage Performance: Sound Design. In: Cambridge Guide to the Worlds of Shakespeare, Volume 2: 1600 to the Present. Cambridge University Press, Cambridge, pp. 1460-1467. ISBN 9781107057258

Brown, Ross (2013) The Eleventh of the Eleventh of the Eleventh: The Theatre of Memorial Silence. In: Soundscapes of the Urban Past: Staged Sound as Mediated Cultural Heritage. Sound Studies (5). Transcript, Bielefeld, pp. 209-220. ISBN 9783837621792

Brown, Ross (2016) Fix Your Eyes on the Horizon and Swing Your Ears About: Corwin's Theatre of Sound. In: Anatomy of Sound: Norman Corwin and Media Authorship. University of California Press, Oakland, California, pp. 171-194. ISBN 9780520285323

Brown, Ross (2013) The Human Auditorium. In: On Listening. Uniformbooks, Axminster, pp. 95-98. ISBN 9781910010013

Brown, Ross (2009) Noise, Memory, Gesture: The Theatre in a Minute's Silence. In: Performance, Embodiment and Cultural Memory. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 203-221. ISBN 9781443811200

Brown, Ross (2010) Sound Design: The Scenography of Engagement and Distraction. In: Theatre and Performance Design: A Reader in Scenography. Routledge, Abingdon, pp. 340-347. ISBN 9780415432108

Brown, Ross (2011) Towards Theatre Noise. In: Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle Upon Tyne, pp. 1-13. ISBN 9781443834407

Kendrick, Lynne (2011) Applied Aurality: Noise and the Aesthetics of Access in Graeae's 'Reasons to be Cheerful'. In: Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 174-188. ISBN 9781443834407

Kendrick, Lynne (2017) Aural Visions: Sonic Spectatorship in the Dark. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Drama Engage . Bloomsbury Methuen Drama, London, pp. 113-131. ISBN 9781474251181

Kendrick, Lynne (2016) Aurality and Performing the Unheard. In: Le Son du Théâtre (XIXe-XXIe siècle) - Histoire Intermédiale D'un Lieu D'écoute Moderne. CNRS, Paris, pp. 191-201. ISBN 9782271093561

White, Gareth (2019) The Audience in Intermedial Theatre. In: Intermedial Theatre: Principles and Practice. Red Globe Press, London, pp. 136-158. ISBN 9781137611574

Boston, Jane (2014) Poetic Text in Contemporary Voice Training: A Repositioning. Voice and Speech Review, 8 (2). pp. 131-148. ISSN 2326-8271

Brown, Ross (2014) Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre. Comparative Drama, 48 (4). pp. 441-443. ISSN 0010-4078

Brown, Ross (2015) Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre. New Theatre Quarterly, 31 (2). pp. 198-199. ISSN 0266-464X

Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

Kendrick, Lynne, Curtin, Adrian and Roesner, David (2015) Scene in the Dark: Sounding Out 'The Scenographic Turn': Eight Position Statements. Theatre and Performance Design, 1 (1-2). pp. 107-125. ISSN 2332-2578

Boston, Jane (2012) The Physical Voice in the Moving Body. In: The Physical Voice in the Moving Body, November 2012, The Royal Central School of Speech and Drama. (Unpublished)

Brown, Ross (2016) Theatre Immersed: Auditorium as an Architecture for Fantastic Space and Aural Vision. In: Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices, 14th July 2016, Stockholm University. (Unpublished)

Brown, Ross (2009) Theatre Noise Conference. In: Theatre Noise Conference, 22-24 April 2009, The Royal Central School of Speech and Drama.

Kendrick, Lynne (2017) Theatre Aurality and the Spatiality of Sound in Performance. In: Sounding Out the Space: An International Conference on the Speciality of Sound, 2nd - 4th November 2017, Dublin, Ireland. (Unpublished)

Oram, Christopher (2010) The Craig Lecture 2010: Design in the Fourth Dimension. In: The Craig Lecture, 5th July 2010, The Royal Central School of Speech and Drama. (Unpublished)

Young, Dot (2010) Aurality of Objects. In: Aurality of Objects Research Seminar, 3rd November 2010, The Royal Central School of Speech and Drama. (Unpublished)

Skourtis, Andreas and Andrianos, Panos (2014) Performing Architectures. Self-Published.

Barker, Paul (2008) The Devil's Tale - Flow Festival. [Performance]

Barker, Paul (2009) Kabara’s Lullaby. [Performance]

Barker, Paul (2013) La Quinta Columna. [Performance]

Shearing, David (2022) The Rising Sun. [Performance]