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Items where RCSSD Subject Area is "Audiences"

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    • Audiences (22)
Group by: Creators | Item Type
Number of items at this level: 22.

Book

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Elswit, Kate (2014) Watching Weimar Dance. Oxford Studies in Dance Theory . Oxford University Press, Oxford. ISBN 9780199844838

Farrier, Stephen and Edward, Mark (2020) Contemporary Drag Practices and Performers: Drag in a Changing Scene Volume 1. Metheun Drama, London. ISBN 97813550082946

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

White, Gareth (2013) Audience Participation in Theatre: Aesthetics of the Invitation. Palgrave Macmillan, Basingstoke. ISBN 9781137354631

Book Chapter

Busby, Selina and Farrier, Stephen (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

Bush-Bailey, Gilli (2014) The Gerbini Letters, or, A Tale of Two Mothers. In: Stage Mothers: Women, Work and the Theater 1660-1830. Bucknell University Press, Lewisburg, pp. 233-251. ISBN 9781611486032

Kendrick, Lynne (2017) Aural Visions: Sonic Spectatorship in the Dark. In: Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre. Drama Engage . Bloomsbury Methuen Drama, London, pp. 113-131. ISBN 9781474251181

White, Gareth (2019) The Audience in Intermedial Theatre. In: Intermedial Theatre: Principles and Practice. Red Globe Press, London, pp. 136-158. ISBN 9781137611574

White, Gareth (2011) Noise, Conceptual Noise and the Potential of Audience Participation. In: Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 198-207. ISBN 9781443834407

White, Gareth (2009) Odd Anonymized Needs: Punchdrunk's Masked Spectator. In: Modes of Spectating. Intellect, Bristol, pp. 219-229. ISBN 9781841502397

White, Gareth (2019) The Promise of Participation Revisited: Affective Strategies of Participation. In: Staging Spectators in Immersive Theatre: Commit Yourself. Routledge Studies in Affective Societies . Routledge, London, pp. 159-168. ISBN 0367187965

Article

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Astles, Cariad (2020) Walk in/Walk As My Shoes: Puppetry and Prosocial Empathy in Healthcare. Journal of Applied Arts and Health, 11 (1 & 2). pp. 29-47. ISSN 2040-2457

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Astles, Cariad, Fisher, Emma, Purcell-Gates, Laura and Sextou, Persephone (2020) Editorial. Journal of Applied Arts and Health, 11 (1 & 2). pp. 3-13. ISSN 2040-2457

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61.

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Elswit, Kate (2009) “Berlin … Your Dance Partner Is Death”. TDR/The Drama Review, 53 (1). pp. 73-92. ISSN 1054-2043

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Elswit, Kate (2012) So You Think You Can Dance Does Dance Studies. TDR, 56 (1). pp. 133-142. ISSN 1531-4715

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Fisher, Emma and Astles, Cariad (2020) Puppet Theatre under Covid-19. Journal of Applied Arts and Health, 11 (1 & 2). pp. 163-170. ISSN 2040-2457

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White, Gareth (2012) On Immersive Theatre. Theatre Research International, 37 (3). pp. 221-235. ISSN 0307-8833

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White, Gareth (2016) Theatre in the Forest of Things and Signs. Journal of Contemporary Drama in English, 4 (1). pp. 21-33. ISSN 2195-0156

Conference or Workshop Item

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Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

Thesis

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Parslow, Joe (2019) When the Lights are Shining on Them: Drag Performance and Queer Communities in London. Doctoral thesis, The Royal Central School of Speech and Drama.

This list was generated on Sun Oct 24 05:25:30 2021 UTC.