Damian Martin, Diana (2015) On Editing and the Digitial. Contemporary Theatre Review, 25 (1). ISSN 1477-2264

Abstract

Editing is tenacious; it barricades itself in the particularity of contexts and disciplines. Nevertheless, it imposes a certain duration to the process of (re)writing; it pauses that which is already articulated, be it in the form of an intervention, a footnote, a general comment. I will not be dealing here with the plural dimensions of editing: the conflict of scope, the teasing out of language, the abrupt interruption, the gentle attack. Instead, I will discuss editing from the vantage point of a nomad whose work has travelled across contexts, returning to the digital but in love with the material.

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Official URL:	http://www.contemporarytheatrereview.org/2015/foru...
Item Type:	Article
Uncontrolled Keywords:	Critic, Duration, Editor, Writing, Collaboration, Re-contextualisation
Subjects:	Dramaturgy
Depositing User:	Ms Research Administrator
Date Deposited:	11 Jun 2017 12:41
Last Modified:	08 Apr 2021 11:57
Related URLs:	Publisher
URI:	https://crco.cssd.ac.uk/id/eprint/604