Abrams, Joshua (2020) Towards an Ecological Dramaturgy of Dining: Plate as Landscape Device. Contemporary Theatre Review, 30 (4). pp. 490-508. ISSN 1048-6801

Anderson, Joel (2016) Between Theatre and Photography, Between Photography and Performance, Between Performance and Theatre. Drama Studies, 49. pp. 5-35. ISSN 1738-9267

Anderson, Joel (2011) It's Coming Sometime and May Be...:. In: Die Kunst der Dramaturgie: Theorie - Praxis - Ausbildung. Henschel Verlag, Leipzig, pp. 258-268. ISBN 9783894876555

Anderson, Joel (2019) Royal Central School of Speech and Drama's Joel Anderson on What Dramaturgy Is and How it is Taught. Broadway World.

Astles, Cariad (2020) The UNIMA Research Commission. Journal of Applied Arts and Health, 11 (1 & 2). pp. 197-199. ISSN 2040-2457

Brown, Ross (2016) Fix Your Eyes on the Horizon and Swing Your Ears About: Corwin's Theatre of Sound. In: Anatomy of Sound: Norman Corwin and Media Authorship. University of California Press, Oakland, California, pp. 171-194. ISBN 9780520285323

Brown, Ross (2014) Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre. Comparative Drama, 48 (4). pp. 441-443. ISSN 0010-4078

Brown, Ross (2015) Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre. New Theatre Quarterly, 31 (2). pp. 198-199. ISSN 0266-464X

Buratta, Ben (2017) And The Rest of Me Floats- Bush Theatre, Birmingham REP. [Performance]

Buratta, Ben (2020) Dance-Floor Dramaturgy: Unlearning the Shame and Stigma of HIV Through Theatre. Theatre Topics, 30 (02). pp. 57-68. ISSN 1054-8378

Busby, Selina (2015) A Pedagogy of Utopia. Research in Drama Education, 20 (3). pp. 413-416. ISSN 1356-9783

Cornford, Tom (2020) Actor-Dramaturgs and Atmospheric Dramaturgies: Chekhov Technique in Processes of Collaborative Playwriting. In: Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213 (In Press)

Cornford, Tom (2018) Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre. Journal of Contemporary Drama in English, 6 (1). pp. 101-122. ISSN 2195-0164

Cornford, Tom, Fleming, Cass, Rushe, Sinéad, Oram, Daron, Caoimhe, McAvinchey and Roanna, Mitchell (2020) Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213

Damian Martin, Diana (2016) Criticism as a Political Event. In: Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, London, pp. 219-235. ISBN 9781472577092

Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN 2409-7411

Damian Martin, Diana (2013) Interview/Show Time. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 191-193. ISBN 9781849433969

Damian Martin, Diana (2015) On Editing and the Digitial. Contemporary Theatre Review, 25 (1). ISSN 1477-2264

Damian Martin, Diana (2014) Riding Romance 2: Three Brief ‘Scenes’ on Performance, Aesthetics and Territory. In: Nebelmeer: Riding Romance Trilogy. Oslo - BIT, Oslo, pp. 25-30.

Damian Martin, Diana (2015) Theatre Criticism and Digital Poetics (A Case Study). Critical Stages: The IATC Webjournal (11).

Damian Martin, Diana (2015) Towards a Poiesis of Critical Practice: 1000th LIVE and the Politics of Appearance. Performance Research, 20 (1). pp. 96-104. ISSN 1352-8165

Damian Martin, Diana (2013) Trashing Performance. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 149-150. ISBN 9781849433969

Damian Martin, Diana (2016) Unpeeling Action: Critical Writing, Training and Process. Theatre, Dance and Performance Training, 7 (2). pp. 195-211. ISSN 1944-3927

Delgado, Maria M. (2017) Re-framing the Classics: La Cubana Reinvent Rusiñol and the Lliure Revisit Beaumarchais. European Stages, 9 (1). ISSN 1050-199X

Delgado, Maria M. (2016) Sergi López (Capt. Vidal). In: Guillermo del Toro’s ‘The Devil’s Backbone’ and ‘Pan’s Labyrinth’: Studies in the Horror Film. Centipede Press, Lakewood, Colorado, pp. 359-362. ISBN 9781613471012

Delgado, Maria M. (2015) Spain: Engaging with 'La Crisis' Through Theatre. European Stages, 5 (1). ISSN 1050-199X

Delgado, Maria M. (2017) Terrassa’s TNT Festival: The New, the Usual and the Ugly. European Stages, 9 (1). ISSN 1050-199X

Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

Farrier, Stephen (2017) International Influences and Drag: Just a Case of Tucking or Binding? Theatre, Dance and Performance Training, 8 (2). pp. 171-187. ISSN 1944-3927

Farrier, Stephen (2017) Sticky Stories: Joe Orton, Queer History, Queer Dramaturgy. Studies in Theatre and Performance, 37 (2). pp. 184-204. ISSN 1468-2761

Fisher, Tony (2017) Introduction: Performance and the Tragic Politics of the Agon. In: Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan, Basingstoke, pp. 1-24. ISBN 9781349950997

Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

Fisher, Tony and Katsouraki, Eve (2017) Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan, Basingstoke. ISBN 9781349950997

Grochala, Sarah (2017) The Contemporary Political Play: Rethinking Dramaturgical Structure. Bloomsbury Methuen Drama, London. ISBN 9781472588463

Grochala, Sarah (2017) Controversial Intentions: Adaptation as an Act of Iconoclasm in Rupert Goold and Ben Power’s Faustus (2004) and the Chapman Brothers’ Insult to Injury (2003)'. In: Contemporary Approaches to Adaptation in Theatre. Palgrave Macmillan, London, pp. 295-316. ISBN 9781137597823

Grochala, Sarah (2011) A Form of Ethics: The Disrupted and Misappropriated Story in the Monodramas of Mark Ravenhill. Journal of Contemporary Drama in English, 18. pp. 141-154. ISSN 2195-0164

Grochala, Sarah (2014) Going Straight: The Politics of Time and Space in David Eldridge’s Incomplete and Random Acts of Kindness. Journal of Contemporary Drama in English, 2 (1). pp. 145-158. ISSN 2195-0164

Grochala, Sarah (2020) The Theatre of Rupert Goold: Radical Approaches to Adaptation and New Writing. Methuen Drama . Methuen Drama, London. ISBN 9781350090736

Lease, Bryce (2023) ‘Transembodiment as Translation: Staging the Włast/Komornicka Archive’. In: Performance and Translation in a Global Age. Cambridge University Press, Cambridge.

Manuel Campos, Jose Luis (2014) Blast Theory: Intermedial Performance Praxis and the Generative Conditions for Performance Subjectivity. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Mullan, Sarah Jane and Bartley, Sarah (2024) Crisis theatre and the living newspaper. Elements in Theatre, Performance and the Political . Cambridge University Press (Cambridge Elements), Cambridge. ISBN 9781009525817

Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

Ploeger, Daniel and Lepage, Louise (2014) Drama and Performance Studies (2014). The Year’s Work in Critical and Cultural Theory, 22 (1). pp. 304-333. ISSN 1077-4254

Ploeger, Daniel and Verstraete, Pieter (2015) Drama and Performance Studies (2015). The Year’s Work in Critical and Cultural Theory, 23 (1). pp. 351-372. ISSN 1077-4254

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Radosavljevic, Duska (2013) Eastern European Hamlets. [Video] (Unpublished)

Radosavljevic, Duska (2015) The Place of Dramaturg in 21st Century England. In: Routledge Companion to Dramaturgy. Bloomsbury Methuen, London, pp. 40-44. ISBN 9781138946330

Radosavljevic, Duska (2012) Sara Kanes's Illyria as the Land of Violent Love: A Balkan Reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1477-2264

Radosavljevic, Duska (2016) Theatre Criticism: Changing Landscapes. Methuen Drama, London. ISBN 9781472577092

Radosavljevic, Duska (2014) Theatre and an Intellectual Concertina: Interview with Simon Stephens. In: Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Drama, London, pp. 255-268. ISBN 9781408184721

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Radosavljevic, Duska (2014) Towards Performed Dramaturgy. In: New Dramaturgy: International Perpectives. Methuen Drama, London, pp. 68-79. ISBN 9781408177082

Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

Shearing, D (2022) Felt Dramaturgies of Light. In: Contemporary Performance Lighting: Experience, Creativity and Meaning. Performance and Design . Bloomsbury Publishing, pp. 46-63. ISBN 9781350195158 (In Press)

Stuart Fisher, Amanda (2020) Performing the Testimonial: Rethinking Verbatim Dramaturgies. Theatre: Theory, Practice, Performance . Manchester University Press, Manchester. ISBN 9781526145741

Stuart Fisher, Amanda and Forsyth, Alison (2014) Introduction (To Acting Out Trauma Special Issue). Performing Ethos: An International Journal of Ethics in Theatre & Performance, 4 (1). pp. 3-8. ISSN 1757-1987

Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

Tashkiran, Ayse (2020) Movement Directors in Contemporary Theatre: Conversations on Craft. Methuen Drama, 1 . Bloomsbury, London and New York. ISBN 9781350054462

Tashkiran, Ayse (2021) Skin Hunger by Dante or Die Written by Ann Akinrijin, Tim Crouch and Sonia Hughes. In: Skin Hunger. Salamander Street Ltd, Glasgow, pp. 3-64. ISBN 9781914228292