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Items where RCSSD Subject Area is "Dramaturgy"

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Number of items at this level: 64.

A

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Abrams, Joshua (2020) Towards an Ecological Dramaturgy of Dining: Plate as Landscape Device. Contemporary Theatre Review, 30 (4). pp. 490-508. ISSN 1048-6801

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Anderson, Joel (2016) Between Theatre and Photography, Between Photography and Performance, Between Performance and Theatre. Drama Studies, 49. pp. 5-35. ISSN 1738-9267

Anderson, Joel (2011) It's Coming Sometime and May Be...:. In: Die Kunst der Dramaturgie: Theorie - Praxis - Ausbildung. Henschel Verlag, Leipzig, pp. 258-268. ISBN 9783894876555

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Astles, Cariad (2020) The UNIMA Research Commission. Journal of Applied Arts and Health, 11 (1 & 2). pp. 197-199. ISSN 2040-2457

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Brown, Ross (2016) Fix Your Eyes on the Horizon and Swing Your Ears About: Corwin's Theatre of Sound. In: Anatomy of Sound: Norman Corwin and Media Authorship. University of California Press, Oakland, California, pp. 171-194. ISBN 9780520285323

Brown, Ross (2014) Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre. Comparative Drama, 48 (4). pp. 441-443. ISSN 0010-4078

Brown, Ross (2015) Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre. New Theatre Quarterly, 31 (2). pp. 198-199. ISSN 0266-464X

Buratta, Ben (2020) Dance-Floor Dramaturgy: Unlearning the Shame and Stigma of HIV Through Theatre. Theatre Topics, 30 (02). pp. 57-68. ISSN 1054-8378

Busby, Selina (2015) A Pedagogy of Utopia. Research in Drama Education, 20 (3). pp. 413-416. ISSN 1356-9783

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Cornford, Tom (2020) Actor-Dramaturgs and Atmospheric Dramaturgies: Chekhov Technique in Processes of Collaborative Playwriting. In: Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213 (In Press)

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Cornford, Tom (2018) Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre. Journal of Contemporary Drama in English, 6 (1). pp. 101-122. ISSN 2195-0164

Cornford, Tom, Fleming, Cass, Rushe, Sinéad, Oram, Daron, Caoimhe, McAvinchey and Roanna, Mitchell (2020) Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213

D

Damian Martin, Diana (2016) Criticism as a Political Event. In: Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, London, pp. 219-235. ISBN 9781472577092

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Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN 2409-7411

Damian Martin, Diana (2013) Interview/Show Time. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 191-193. ISBN 9781849433969

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Damian Martin, Diana (2015) On Editing and the Digitial. Contemporary Theatre Review, 25 (1). ISSN 1477-2264

Damian Martin, Diana (2014) Riding Romance 2: Three Brief ‘Scenes’ on Performance, Aesthetics and Territory. In: Nebelmeer: Riding Romance Trilogy. Oslo - BIT, Oslo, pp. 25-30.

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Damian Martin, Diana (2015) Theatre Criticism and Digital Poetics (A Case Study). Critical Stages: The IATC Webjournal (11).

Damian Martin, Diana (2015) Towards a Poiesis of Critical Practice: 1000th LIVE and the Politics of Appearance. Performance Research, 20 (1). pp. 96-104. ISSN 1352-8165

Damian Martin, Diana (2013) Trashing Performance. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 149-150. ISBN 9781849433969

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Damian Martin, Diana (2016) Unpeeling Action: Critical Writing, Training and Process. Theatre, Dance and Performance Training, 7 (2). pp. 195-211. ISSN 1944-3927

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Delgado, Maria M. (2017) Re-framing the Classics: La Cubana Reinvent Rusiñol and the Lliure Revisit Beaumarchais. European Stages, 9 (1). ISSN 1050-199X

Delgado, Maria M. (2016) Sergi López (Capt. Vidal). In: Guillermo del Toro’s ‘The Devil’s Backbone’ and ‘Pan’s Labyrinth’: Studies in the Horror Film. Centipede Press, Lakewood, Colorado, pp. 359-362. ISBN 9781613471012

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Delgado, Maria M. (2015) Spain: Engaging with 'La Crisis' Through Theatre. European Stages, 5 (1). ISSN 1050-199X

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Delgado, Maria M. (2017) Terrassa’s TNT Festival: The New, the Usual and the Ugly. European Stages, 9 (1). ISSN 1050-199X

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Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

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Farrier, Stephen (2017) International Influences and Drag: Just a Case of Tucking or Binding? Theatre, Dance and Performance Training, 8 (2). pp. 171-187. ISSN 1944-3927

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Farrier, Stephen (2017) Sticky Stories: Joe Orton, Queer History, Queer Dramaturgy. Studies in Theatre and Performance, 37 (2). pp. 184-204. ISSN 1468-2761

Fisher, Tony (2017) Introduction: Performance and the Tragic Politics of the Agon. In: Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan, Basingstoke, pp. 1-24. ISBN 9781349950997

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Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

Fisher, Tony and Katsouraki, Eve (2017) Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan, Basingstoke. ISBN 9781349950997

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Grochala, Sarah (2017) The Contemporary Political Play: Rethinking Dramaturgical Structure. Bloomsbury Methuen Drama, London. ISBN 9781472588463

Grochala, Sarah (2017) Controversial Intentions: Adaptation as an Act of Iconoclasm in Rupert Goold and Ben Power’s Faustus (2004) and the Chapman Brothers’ Insult to Injury (2003)'. In: Contemporary Approaches to Adaptation in Theatre. Palgrave Macmillan, London, pp. 295-316. ISBN 9781137597823

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Grochala, Sarah (2011) A Form of Ethics: The Disrupted and Misappropriated Story in the Monodramas of Mark Ravenhill. Journal of Contemporary Drama in English, 18. pp. 141-154. ISSN 2195-0164

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Grochala, Sarah (2014) Going Straight: The Politics of Time and Space in David Eldridge’s Incomplete and Random Acts of Kindness. Journal of Contemporary Drama in English, 2 (1). pp. 145-158. ISSN 2195-0164

Grochala, Sarah (2020) The Theatre of Rupert Goold: Radical Approaches to Adaptation and New Writing. Methuen Drama . Methuen Drama, London. ISBN 9781350090736

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Lease, Bryce (2023) ‘Transembodiment as Translation: Staging the Włast/Komornicka Archive’. In: Performance and Translation in a Global Age. Cambridge University Press, Cambridge.

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Manuel Campos, Jose Luis (2014) Blast Theory: Intermedial Performance Praxis and the Generative Conditions for Performance Subjectivity. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

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Mullan, Sarah Jane and Bartley, Sarah (2024) Crisis theatre and the living newspaper. Elements in Theatre, Performance and the Political . Cambridge University Press (Cambridge Elements), Cambridge. ISBN 9781009525817

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Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

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Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

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Ploeger, Daniel and Lepage, Louise (2014) Drama and Performance Studies (2014). The Year’s Work in Critical and Cultural Theory, 22 (1). pp. 304-333. ISSN 1077-4254

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Ploeger, Daniel and Verstraete, Pieter (2015) Drama and Performance Studies (2015). The Year’s Work in Critical and Cultural Theory, 23 (1). pp. 351-372. ISSN 1077-4254

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Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

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Radosavljevic, Duska (2013) Eastern European Hamlets. [Video] (Unpublished)

Radosavljevic, Duska (2015) The Place of Dramaturg in 21st Century England. In: Routledge Companion to Dramaturgy. Bloomsbury Methuen, London, pp. 40-44. ISBN 9781138946330

Radosavljevic, Duska (2012) Sara Kanes's Illyria as the Land of Violent Love: A Balkan Reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1477-2264

Radosavljevic, Duska (2016) Theatre Criticism: Changing Landscapes. Methuen Drama, London. ISBN 9781472577092

Radosavljevic, Duska (2014) Theatre and an Intellectual Concertina: Interview with Simon Stephens. In: Theatre and Adaptation: Return, Rewrite, Repeat. Methuen Drama, London, pp. 255-268. ISBN 9781408184721

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Radosavljevic, Duska (2014) Towards Performed Dramaturgy. In: New Dramaturgy: International Perpectives. Methuen Drama, London, pp. 68-79. ISBN 9781408177082

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Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

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Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

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Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

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Shearing, D (2022) Felt Dramaturgies of Light. In: Contemporary Performance Lighting: Experience, Creativity and Meaning. Performance and Design . Bloomsbury Publishing, pp. 46-63. ISBN 9781350195158 (In Press)

Stuart Fisher, Amanda (2020) Performing the Testimonial: Rethinking Verbatim Dramaturgies. Theatre: Theory, Practice, Performance . Manchester University Press, Manchester. ISBN 9781526145741

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Stuart Fisher, Amanda and Forsyth, Alison (2014) Introduction (To Acting Out Trauma Special Issue). Performing Ethos: An International Journal of Ethics in Theatre & Performance, 4 (1). pp. 3-8. ISSN 1757-1987

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Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

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Tashkiran, Ayse (2020) Movement Directors in Contemporary Theatre: Conversations on Craft. Methuen Drama, 1 . Bloomsbury, London and New York. ISBN 9781350054462

Tashkiran, Ayse (2021) Skin Hunger by Dante or Die Written by Ann Akinrijin, Tim Crouch and Sonia Hughes. In: Skin Hunger. Salamander Street Ltd, Glasgow, pp. 3-64. ISBN 9781914228292

This list was generated on Thu Oct 3 10:41:58 2024 UTC.