Items where RCSSD Subject Area is "European Theatre, Dance and Performance"
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- Performance (82)
- European Theatre, Dance and Performance (82)
Group by: Creators | Item Type
Number of items at this level: 81.
A
Anderson, Joel
(2019)
Royal Central School of Speech and Drama's Joel Anderson on What Dramaturgy Is and How it is Taught.
Broadway World.
Anderson, Joel
(2019)
Theatre Photography Between Theatre and Performance.
Focales, 3 2019 (2019).
pp. 1-10.
ISSN 2556-5125
Anderson, Joel and Leister, Wiebke
(2019)
The Theatre of Photography/Le Théâtre de la Photographie.
Sens Public.
ISSN 2104-3272
Astles, Cariad
(2019)
Postcolonialism and Hybridity in British Puppetry.
Critical Stages (19).
ISSN 2409-7411
Astles, Cariad
(2020)
The UNIMA Research Commission.
Journal of Applied Arts and Health, 11 (1 & 2).
pp. 197-199.
ISSN 2040-2457
B
C
Chow, Broderick D.V.
(2018)
The Dynamic Tensions Physical Culture Show.
Contemporary Theatre Review, 28 (4).
ISSN 1048-6801
Chow, Broderick D.V.
(2018)
Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series.
Lateral: Journal of Cultural Studies Association, 6 (1).
ISSN 2469-4053
Chow, Broderick D.V.
(2018)
Feeling in Counterpoint: Complicit Spectatorship and the Filipino Performing Body.
Theatre Journal, 70 (3).
pp. 327-347.
ISSN 0192-2882
Chow, Broderick D.V.
(2015)
A Professional Body: Remembering, Repeating and Working Out Masculinities in Fin-de-Siècle Physical Culture.
Performance Research, 20 (5).
pp. 30-41.
ISSN 1352-8165
Chow, Broderick D.V.
(2019)
Sculpting Masculinities in 19th- and 20th-Century Physical Culture: The Practiced Life of Stanley Rothwell.
TDR, 2 (242).
pp. 34-56.
ISSN 1531-4715
Chow, Broderick D.V.
(2017)
The Unlikely Origins of Fitness Culture Could Give us a Different View on What It Is To Be a Man.
The Conversation.
ISSN 2044-5032
Chow, Broderick D.V.
(2014)
Work and Shoot: Professional Wrestling and Embodied Politics.
TDR/The Drama Review, 58 (2).
pp. 72-86.
ISSN 1054-2043
Cornford, Tom
(2020)
Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton.
Contemporary Theatre Review, 30 (2).
pp. 245-252.
ISSN 1048-6801
Cornford, Tom
(2022)
Directors: Organisation, Authorship, and Social Production.
In:
The Cambridge Companion to British Theatre since 1945.
Cambridge University Press.
(In Press)
Cornford, Tom
(2020)
Katie Mitchell and the Technologies of the Realist Theatre.
Contemporary Theatre Review, 30 (2).
pp. 168-192.
ISSN 1048-6801
Cornford, Tom
(2017)
Peter Boenisch and Thomas Ostermeier, The Theatre of Thomas Ostermeier and Peter M. Boenisch, Directing Scenes and Senses: The Thinking of Regie.
New Theatre Quarterly, 33 (3).
pp. 302-303.
ISSN 0266-464X
Cornford, Tom
(2020)
Review of Susan Bennett and Sonia Massai (eds.), Ivo van Hove: From Shakespeare to David Bowie.
New Theatre Quarterly, 36 (2).
p. 193.
ISSN 0266-464X
Cornford, Tom
(2018)
Willful Distraction: Katie Mitchell, Auteurism and the Canon.
In:
The Theatre of Katie Mitchell.
4x45
.
Routledge, Abingdon, pp. 72-92.
ISBN 9781138600058
Cornford, Tom and Barker, Roberta
(2018)
Tyrone Guthrie.
In:
The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie.
The Great European Stage Directors, 3
.
Metheun Drama, London, pp. 115-162.
ISBN 9781474254113
Cornford, Tom and Svich, Caridad
(2020)
Introduction: Katie Mitchell's Theatre.
Contemporary Theatre Review, 30 (2).
pp. 137-150.
ISSN 1048-6801
D
Damian Martin, Diana
(2018)
And the Vampires Flow Towards the West: The Ecological Poetics of Eastern European Migration in the UK.
GPS: Global Performance Studies, 2 (1).
ISSN 2574-027X
Damian Martin, Diana, Paterson, Mary and Costa, Maddy
(2019)
Letters to (of) the Future.
Global Performance Studies, 2 (2).
Delgado, Maria M.
(2019)
Adiós Arturo: La Cubana de Vuelta:.
Primer Acto, 357 (11/19).
pp. 249-52.
ISSN 0032-8367
Delgado, Maria M.
(2018)
Disappearing Acts: On Analysing Creative Practice in Spain.
Hispanic Research Journal, 19 (2).
pp. 196-213.
ISSN 1468-2737
Delgado, Maria M.
(2017)
Madrid’s Theatre Takes Inspiration From the Greeks.
European Stages, 10 (1).
ISSN 1050-199X
Delgado, Maria M.
(2018)
Maria Casares: l'Espagne, L'Exil et le Repoussoir.
Revue d'Histoire du Théâtre, 1 (277).
ISSN 1291-2530
Delgado, Maria M.
(2019)
A Poetics of Memory on the Madrid Stage (2018).
European Stages, 13.
ISSN 1050-199
Delgado, Maria M.
(2018)
Reframing Past and Present: Madrid Theatre 2018.
European Stages, 12.
ISSN 1050-199X
Delgado, Maria M.
(2019)
The Return of the Repressed: The Ghosts of the Past Haunt Barcelona’s Stages.
European Stages, 13.
ISSN 1050-199X
Delgado, Maria M.
(2015)
Spain: Engaging with 'La Crisis' Through Theatre.
European Stages, 5 (1).
ISSN 1050-199X
Delgado, Maria M.
(2016)
Spain: Runaway Hits and Ephemeral Memorabilia.
European Stages, 8.
ISSN 1050-199X
Delgado, Maria M.
(2017)
Terrassa’s TNT Festival: The New, the Usual and the Ugly.
European Stages, 9 (1).
ISSN 1050-199X
Delgado, Maria M.
(2016)
The Unknown, the Unexpected and the Uncanny: A New Lorca, Three New Catalan Productions, and a Few Extras.
European Stages, 6 (1).
ISSN 1050-199X
E
Eder, Thomas Fabian and Rowson, James
(2023)
Documenting crisis: artistic innovation and institutional transformations in the German-speaking countries and the UK.
New Theatre Quarterly, 39 (4).
pp. 333-354.
ISSN 0266-464X
Elswit, Kate
(2009)
“Berlin … Your Dance Partner Is Death”.
TDR/The Drama Review, 53 (1).
pp. 73-92.
ISSN 1054-2043
Elswit, Kate
(2020)
From ‘Future Memory’: A Triangulation of History, Theory
and Practice (REF 2021 Practice Research Submission).
The Royal Central School of Speech and Drama, University of London.
ISBN 978-1-8383967-6-3
Elswit, Kate
(2014)
Inheriting Dance’s Alternative Histories.
Dance Research Journal, 46 (1).
pp. 5-22.
ISSN 0149-7677
Elswit, Kate
(2018)
Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret.
Theatre Research International, 43 (1).
pp. 25-44.
ISSN 0307-8833
Elswit, Kate
(2014)
Watching Weimar Dance.
Oxford Studies in Dance Theory
.
Oxford University Press, Oxford.
ISBN 9780199844838
F
Fisher, Tony
(2018)
Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night.
Performance Philosophy Journal, 4 (1).
pp. 139-156.
ISSN 2057-7176
L
Lease, Bryce
(2023)
‘Transembodiment as Translation: Staging the Włast/Komornicka Archive’.
In:
Performance and Translation in a Global Age.
Cambridge University Press, Cambridge.
N
Naylor, Ben
(2018)
Advice to the Players: Peter Hall, Shakespeare and Antipathy to the Method.
In: John Barton and Peter Hall Memorial Conference, 8/9/2018, Rose Theatre, Kingston.
(Unpublished)
Naylor, Ben
(2018)
Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil.
In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre.
(Unpublished)
P
Parker, Joanna
(2020)
Aida, Opera North 2019 (REF 2021 Practice Research Submission).
The Royal Central School of Speech and Drama, University of London.
ISBN 978-1-8383968-3-1
Parry-Davies, Ella
(2020)
Modern Heroes, Modern Slaves? Listening to Migrant Domestic Workers’ Everyday Temporalities.
Anti-Trafficking Review, 15.
ISSN 2286-7511
Pisk, Litz and Tashkiran, Ayse
(2017)
The Actor and His Body.
Theatre Makers
.
Bloomsbury Methuen Drama, London.
ISBN 9781474269742
R
Radosavljevic, Duska and Rodosthenous, George
(2016)
Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009].
Theatre Topics, 26 (1).
pp. 105-116.
ISSN 1054-8378
Rowson, James, Balme, Christopher and Eder, Thomas Fabian
(2023)
Theatre after Covid: innovation or path dependence?
Urania Interdisciplinary Academic Journal.
ISSN 2786-3263
(In Press)
Rushe, Sinéad
(2019)
Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form.
In:
Technika aktorska Michaila Czechowa w historii, teorii i praktyce.
Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176.
ISBN 978-83-88358-09-8
(In Press)
Rushe, Sinéad and Cornford, Tom
(2020)
A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford.
Contemporary Theatre Review, 30 (2).
pp. 419-429.
ISSN 1477-2264
Rushe, Sinéad and Kemp, Margaret Laurena
(2021)
AntigoneNOW: Mourning and Connection Across 4 Time Zones.
American Theatre.
Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N.
(2021)
Unity Over Unison: Creating AntigoneNOW in Lockdown.
A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner.
Theatre Topics.
ISSN 1054-8378
(In Press)
S
T
W
White, Gareth
(2012)
On Immersive Theatre.
Theatre Research International, 37 (3).
pp. 221-235.
ISSN 0307-8833
Z