Items where RCSSD Subject Area is "European Theatre, Dance and Performance"
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Group by: Creators | Item Type
Number of items at this level: 52.
A
Anderson, Joel
(2019)
Theatre Photography Between Theatre and Performance.
Focales, 3 2019 (2019).
pp. 1-10.
ISSN 2556-5125
Anderson, Joel and Leister, Wiebke
(2019)
The Theatre of Photography/Le Théâtre de la Photographie.
Sens Public.
ISSN 2104-3272
(In Press)
Astles, Cariad
(2019)
Postcolonialism and Hybridity in British Puppetry.
Critical Stages (19).
ISSN 2409-7411
Astles, Cariad
(2020)
The UNIMA Research Commission.
Journal of Applied Arts and Health, 11 (1 & 2).
pp. 197-199.
ISSN 2040-2457
B
Barker, Roberta and Cornford, Tom
(2018)
Tyrone Guthrie.
In:
The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie.
The Great European Stage Directors, 3
.
Metheun Drama, London, pp. 115-162.
ISBN 9781474254113
C
Cornford, Tom
(2020)
Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton.
Contemporary Theatre Review, 30 (2).
pp. 245-252.
ISSN 1048-6801
Cornford, Tom
(2020)
Katie Mitchell and the Technologies of the Realist Theatre.
Contemporary Theatre Review, 30 (2).
pp. 168-192.
ISSN 1048-6801
Cornford, Tom
(2017)
Peter Boenisch and Thomas Ostermeier, The Theatre of Thomas Ostermeier and Peter M. Boenisch, Directing Scenes and Senses: The Thinking of Regie.
New Theatre Quarterly, 33 (3).
pp. 302-303.
ISSN 0266-464X
Cornford, Tom
(2020)
Review of Susan Bennett and Sonia Massai (eds.), Ivo van Hove: From Shakespeare to David Bowie.
New Theatre Quarterly, 36 (2).
p. 193.
ISSN 0266-464X
Cornford, Tom
(2018)
Willful Distraction: Katie Mitchell, Auteurism and the Canon.
In:
The Theatre of Katie Mitchell.
4x45
.
Routledge, Abingdon, pp. 72-92.
ISBN 9781138600058
Cornford, Tom and Svich, Caridad
(2020)
Introduction: Katie Mitchell's Theatre.
Contemporary Theatre Review, 30 (2).
pp. 137-150.
ISSN 1048-6801
D
Damian Martin, Diana, Paterson, Mary and Costa, Maddy
(2019)
Letters to (of) the Future.
Global Performance Studies, 2 (2).
Delgado, Maria M.
(2019)
Adiós Arturo: La Cubana de Vuelta:.
Primer Acto, 357 (11/19).
pp. 249-52.
ISSN 0032-8367
Delgado, Maria M.
(2018)
Disappearing Acts: On Analysing Creative Practice in Spain.
Hispanic Research Journal, 19 (2).
pp. 196-213.
ISSN 1468-2737
Delgado, Maria M.
(2017)
Madrid’s Theatre Takes Inspiration From the Greeks.
European Stages, 10 (1).
ISSN 1050-199X
Delgado, Maria M.
(2018)
Maria Casares: l'Espagne, L'Exil et le Repoussoir.
Revue d'Histoire du Théâtre, 1 (277).
ISSN 1291-2530
Delgado, Maria M.
(2019)
A Poetics of Memory on the Madrid Stage (2018).
European Stages, 13.
ISSN 1050-199
Delgado, Maria M.
(2018)
Reframing Past and Present: Madrid Theatre 2018.
European Stages, 12.
ISSN 1050-199X
Delgado, Maria M.
(2015)
Spain: Engaging with 'La Crisis' Through Theatre.
European Stages, 5 (1).
ISSN 1050-199X
Delgado, Maria M.
(2016)
Spain: Runaway Hits and Ephemeral Memorabilia.
European Stages, 8.
ISSN 1050-199X
Delgado, Maria M.
(2017)
Terrassa’s TNT Festival: The New, the Usual and the Ugly.
European Stages, 9 (1).
ISSN 1050-199X
Delgado, Maria M.
(2016)
The Unknown, the Unexpected and the Uncanny: A New Lorca, Three New Catalan Productions, and a Few Extras.
European Stages, 6 (1).
ISSN 1050-199X
E
Elswit, Kate
(2014)
Inheriting Dance’s Alternative Histories.
Dance Research Journal, 46 (1).
pp. 5-22.
ISSN 0149-7677
Elswit, Kate
(2018)
Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret.
Theatre Research International, 43 (1).
pp. 25-44.
ISSN 0307-8833
Elswit, Kate
(2014)
Watching Weimar Dance.
Oxford Studies in Dance Theory
.
Oxford University Press, Oxford.
ISBN 9780199844838
F
Fisher, Tony
(2017)
Theatre and Governance in Britain, 1500-1900: Democracy, Disorder and the State.
Cambridge University Press, Cambridge.
ISBN 9781107182158
Fisher, Tony
(2018)
Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night.
Performance Philosophy Journal, 4 (1).
pp. 139-156.
ISSN 2057-7176
R
Radosavljevic, Duska
(2012)
Sara Kanes's Illyria as the Land of Violent Love: A Balkan Reading of Blasted.
Contemporary Theatre Review, 22 (4).
pp. 499-511.
ISSN 1477-2264
Radosavljevic, Duska
(2013)
Theatre-Making: Interplay Between Text and Performance in the 21st Century.
Palgrave Macmillan, Basingstoke.
ISBN 9780230343115
Radosavljevic, Duska, Cinpoes, Nicoleta, Minier, Marta, Mancewicz, Aneta, Massai, Sonia and Portmann, Alexandra
(2013)
Eastern European Hamlets.
[Video]
(Unpublished)
Rushe, Sinéad
(2019)
Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form.
In:
Technika aktorska Michaila Czechowa w historii, teorii i praktyce.
Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176.
ISBN 978-83-88358-09-8
(In Press)
Rushe, Sinéad and Cornford, Tom
(2019)
A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford.
Contemporary Theatre Review, 30 (2).
ISSN 1477-2264
(Submitted)
W
White, Gareth
(2009)
Odd Anonymized Needs: Punchdrunk's Masked Spectator.
In:
Modes of Spectating.
Intellect, Bristol, pp. 219-229.
ISBN 9781841502397
White, Gareth
(2012)
On Immersive Theatre.
Theatre Research International, 37 (3).
pp. 221-235.
ISSN 0307-8833