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Items where RCSSD Subject Area is "European Theatre, Dance and Performance"

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  • Performance (82)
    • European Theatre, Dance and Performance (82)
Group by: Creators | Item Type
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Number of items at this level: 81.

A

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Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

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Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272

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Astles, Cariad (2019) Postcolonialism and Hybridity in British Puppetry. Critical Stages (19). ISSN 2409-7411

Astles, Cariad (2018) Presence and Memory: Tadeusz Kantor’s Living Puppet Theatre 1. In: Tadeusz Kantor’s Memory: Other Pasts, Other Futures. Institute of Grotowski, London. ISBN 9781910203064

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Astles, Cariad (2020) The UNIMA Research Commission. Journal of Applied Arts and Health, 11 (1 & 2). pp. 197-199. ISSN 2040-2457

B

Boenisch, Peter (2015) Directing Scenes and Sense: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester. ISBN 9780719097195

Boenisch, Peter (2020) Struggles of Singularised Communities in German Theatre: The Culture War Around the Berlin Volksbuhne. In: Theatre Institutions in Crisis. Routledge, London. ISBN 9780429294167

C

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Chow, Broderick D.V. (2018) The Dynamic Tensions Physical Culture Show. Contemporary Theatre Review, 28 (4). ISSN 1048-6801

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Chow, Broderick D.V. (2018) Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series. Lateral: Journal of Cultural Studies Association, 6 (1). ISSN 2469-4053

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Chow, Broderick D.V. (2018) Feeling in Counterpoint: Complicit Spectatorship and the Filipino Performing Body. Theatre Journal, 70 (3). pp. 327-347. ISSN 0192-2882

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Chow, Broderick D.V. (2015) A Professional Body: Remembering, Repeating and Working Out Masculinities in Fin-de-Siècle Physical Culture. Performance Research, 20 (5). pp. 30-41. ISSN 1352-8165

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Chow, Broderick D.V. (2014) Work and Shoot: Professional Wrestling and Embodied Politics. TDR/The Drama Review, 58 (2). pp. 72-86. ISSN 1054-2043

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Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

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Cornford, Tom (2022) Directors: Organisation, Authorship, and Social Production. In: The Cambridge Companion to British Theatre since 1945. Cambridge University Press. (In Press)

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Cornford, Tom (2020) Katie Mitchell and the Technologies of the Realist Theatre. Contemporary Theatre Review, 30 (2). pp. 168-192. ISSN 1048-6801

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Cornford, Tom (2020) Review of Susan Bennett and Sonia Massai (eds.), Ivo van Hove: From Shakespeare to David Bowie. New Theatre Quarterly, 36 (2). p. 193. ISSN 0266-464X

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Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

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Cornford, Tom and Barker, Roberta (2018) Tyrone Guthrie. In: The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie. The Great European Stage Directors, 3 . Metheun Drama, London, pp. 115-162. ISBN 9781474254113

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Cornford, Tom and Svich, Caridad (2020) Introduction: Katie Mitchell's Theatre. Contemporary Theatre Review, 30 (2). pp. 137-150. ISSN 1048-6801

D

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Damian Martin, Diana (2018) And the Vampires Flow Towards the West: The Ecological Poetics of Eastern European Migration in the UK. GPS: Global Performance Studies, 2 (1). ISSN 2574-027X

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Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

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Delgado, Maria M. (2019) Adiós Arturo: La Cubana de Vuelta:. Primer Acto, 357 (11/19). pp. 249-52. ISSN 0032-8367

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Delgado, Maria M. (2018) Disappearing Acts: On Analysing Creative Practice in Spain. Hispanic Research Journal, 19 (2). pp. 196-213. ISSN 1468-2737

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Delgado, Maria M. (2017) Madrid’s Theatre Takes Inspiration From the Greeks. European Stages, 10 (1). ISSN 1050-199X

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Delgado, Maria M. (2018) Maria Casares: l'Espagne, L'Exil et le Repoussoir. Revue d'Histoire du Théâtre, 1 (277). ISSN 1291-2530

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Delgado, Maria M. (2019) A Poetics of Memory on the Madrid Stage (2018). European Stages, 13. ISSN 1050-199

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Delgado, Maria M. (2018) Reframing Past and Present: Madrid Theatre 2018. European Stages, 12. ISSN 1050-199X

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Delgado, Maria M. (2019) The Return of the Repressed: The Ghosts of the Past Haunt Barcelona’s Stages. European Stages, 13. ISSN 1050-199X

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Delgado, Maria M. (2015) Spain: Engaging with 'La Crisis' Through Theatre. European Stages, 5 (1). ISSN 1050-199X

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Delgado, Maria M. (2016) Spain: Runaway Hits and Ephemeral Memorabilia. European Stages, 8. ISSN 1050-199X

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Delgado, Maria M. (2017) Terrassa’s TNT Festival: The New, the Usual and the Ugly. European Stages, 9 (1). ISSN 1050-199X

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Delgado, Maria M. (2016) The Unknown, the Unexpected and the Uncanny: A New Lorca, Three New Catalan Productions, and a Few Extras. European Stages, 6 (1). ISSN 1050-199X

E

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Eder, Thomas Fabian and Rowson, James (2023) Documenting crisis: artistic innovation and institutional transformations in the German-speaking countries and the UK. New Theatre Quarterly, 39 (4). pp. 333-354. ISSN 0266-464X

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Elswit, Kate (2012) Back Again? Valeska Gert's Exiles. In: New German Dance Studies. University of Illinois Press, Urbana-Champaign, pp. 113-129. ISBN 9780252036767

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Elswit, Kate (2009) “Berlin … Your Dance Partner Is Death”. TDR/The Drama Review, 53 (1). pp. 73-92. ISSN 1054-2043

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Elswit, Kate (2020) From ‘Future Memory’: A Triangulation of History, Theory and Practice (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-6-3

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Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

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Elswit, Kate (2018) Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret. Theatre Research International, 43 (1). pp. 25-44. ISSN 0307-8833

Elswit, Kate (2008) Petrified? Some Thoughts on Practical Research and Dance Historiography. Performance Research, 13 (1). pp. 61-69. ISSN 1352-8165

Elswit, Kate (2008) The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss. Modern Drama, 51 (3). pp. 389-410. ISSN 0026-7694

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Elswit, Kate (2014) Watching Weimar Dance. Oxford Studies in Dance Theory . Oxford University Press, Oxford. ISBN 9780199844838

Elswit, Kate and Nair, Rani (2018) Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories. In: The Oxford Handbook of Dance and Reenactment. Oxford University Press, Oxford, pp. 177-214. ISBN 9780199314201

F

Fisher, Tony (2023) The Aesthetic Exception: Essays on Art, Theatre, and Politics. Manchester University Press, Manchester. ISBN 978-1-5261-7016-3

Fisher, Tony (2017) Theatre and Governance in Britain, 1500-1900: Democracy, Disorder and the State. Cambridge University Press, Cambridge. ISBN 9781107182158

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Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

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Lease, Bryce (2023) ‘Transembodiment as Translation: Staging the Włast/Komornicka Archive’. In: Performance and Translation in a Global Age. Cambridge University Press, Cambridge.

N

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Naylor, Ben (2018) Advice to the Players: Peter Hall, Shakespeare and Antipathy to the Method. In: John Barton and Peter Hall Memorial Conference, 8/9/2018, Rose Theatre, Kingston. (Unpublished)

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Naylor, Ben (2018) Shakespeare’s Professional Guilt: Acting, Monstrosity and the Devil. In: Perdition Catch My Soul: Shakespeare, Hell and Damnation, 8/12/2018, Shakespeare's Globe Theatre. (Unpublished)

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Naylor, Ben, Healey, Anna and Wyver, John (2019) Cymbeline 19. [Video] (Unpublished)

P

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Parker, Joanna (2020) Aida, Opera North 2019 (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-3-1

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Parry-Davies, Ella (2020) Modern Heroes, Modern Slaves? Listening to Migrant Domestic Workers’ Everyday Temporalities. Anti-Trafficking Review, 15. ISSN 2286-7511

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Pisk, Litz and Tashkiran, Ayse (2017) The Actor and His Body. Theatre Makers . Bloomsbury Methuen Drama, London. ISBN 9781474269742

R

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

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Radosavljevic, Duska (2013) Eastern European Hamlets. [Video] (Unpublished)

Radosavljevic, Duska (2012) Sara Kanes's Illyria as the Land of Violent Love: A Balkan Reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1477-2264

Radosavljevic, Duska (2012) Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble. In: Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, London, pp. 139-166. ISBN 9780415591003

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

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Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

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Rowson, James, Balme, Christopher and Eder, Thomas Fabian (2023) Theatre after Covid: innovation or path dependence? Urania Interdisciplinary Academic Journal. ISSN 2786-3263 (In Press)

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

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Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

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Rushe, Sinéad and Cornford, Tom (2020) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). pp. 419-429. ISSN 1477-2264

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Rushe, Sinéad and Kemp, Margaret Laurena (2021) AntigoneNOW: Mourning and Connection Across 4 Time Zones. American Theatre.

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Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

S

Shepherd, Simon (2016) The Cambridge Introduction to Performance Theory. Cambridge Introductions to Literature . Cambridge University Press, Cambridge. ISBN 9781139600194

Skourtis, Andreas and Andrianos, Panos (2014) Performing Architectures. Self-Published.

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Skourtis, Andreas and Andrianos, Panos (2018) Staging Antigone. [Video]

T

Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

Tony, Fisher (2020) Theatre and its Discontents. In: Play and Democracy, Philosophical Perspectives. Routledge, London, pp. 13-32. ISBN 9780-36764127-6

W

White, Gareth (2013) Audience Participation in Theatre: Aesthetics of the Invitation. Palgrave Macmillan, Basingstoke. ISBN 9781137354631

White, Gareth (2018) The Multiple Spaces of Immersive Theatre. In: Contemporary Drama and Performative Space: from Playwriting to Immersive Theatre. The Theatre Institute, Bratislava, Bratislave, Slovakia, pp. 30-34. ISBN 9788081900358

White, Gareth (2009) Odd Anonymized Needs: Punchdrunk's Masked Spectator. In: Modes of Spectating. Intellect, Bristol, pp. 219-229. ISBN 9781841502397

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White, Gareth (2012) On Immersive Theatre. Theatre Research International, 37 (3). pp. 221-235. ISSN 0307-8833

Z

Zaroulia, Marilena (2015) Performances of Capitalism, Crises and Resistance: Inside/Outside Europe. Palgrave Macmillan, London. ISBN 9781137379368

This list was generated on Thu Oct 3 01:14:33 2024 UTC.