Anderson, Joel (2019) Royal Central School of Speech and Drama's Joel Anderson on What Dramaturgy Is and How it is Taught. Broadway World.

Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272 (In Press)

Astles, Cariad (2019) Postcolonialism and Hybridity in British Puppetry. Critical Stages (19). ISSN 2409-7411

Astles, Cariad (2017) Presence and Memory. Kantor's Living Puppet Theatre. Polish Theatre: Perspectives: Tadeusz Kantor Twenty Years Later, 1 (2). ISSN 2081-4844

Astles, Cariad (2020) The UNIMA Research Commission. Journal of Applied Arts and Health, 11 (1 & 2). pp. 197-199. ISSN 2040-2457

Barker, Roberta and Cornford, Tom (2018) Tyrone Guthrie. In: The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie. The Great European Stage Directors, 3 . Metheun Drama, London, pp. 115-162. ISBN 9781474254113

Boenisch, Peter (2015) Directing Scenes and Sense: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester. ISBN 9780719097195

Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

Cornford, Tom (2020) Katie Mitchell and the Technologies of the Realist Theatre. Contemporary Theatre Review, 30 (2). pp. 168-192. ISSN 1048-6801

Cornford, Tom (2017) Peter Boenisch and Thomas Ostermeier, The Theatre of Thomas Ostermeier and Peter M. Boenisch, Directing Scenes and Senses: The Thinking of Regie. New Theatre Quarterly, 33 (3). pp. 302-303. ISSN 0266-464X

Cornford, Tom (2020) Review of Susan Bennett and Sonia Massai (eds.), Ivo van Hove: From Shakespeare to David Bowie. New Theatre Quarterly, 36 (2). p. 193. ISSN 0266-464X

Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

Cornford, Tom (2017) Willful Distraction: Katie Mitchell, Auteurism and the Canon. [Video]

Cornford, Tom and Svich, Caridad (2020) Introduction: Katie Mitchell's Theatre. Contemporary Theatre Review, 30 (2). pp. 137-150. ISSN 1048-6801

Damian Martin, Diana (2018) And the Vampires Flow Towards the West: The Ecological Poetics of Eastern European Migration in the UK. GPS: Global Performance Studies, 2 (1). ISSN 2574-027X

Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

Delgado, Maria M. (2019) Adiós Arturo: La Cubana de Vuelta:. Primer Acto, 357 (11/19). pp. 249-52. ISSN 0032-8367

Delgado, Maria M. (2018) Disappearing Acts: On Analysing Creative Practice in Spain. Hispanic Research Journal, 19 (2). pp. 196-213. ISSN 1468-2737

Delgado, Maria M. (2017) Madrid’s Theatre Takes Inspiration From the Greeks. European Stages, 10 (1). ISSN 1050-199X

Delgado, Maria M. (2018) Maria Casares: l'Espagne, L'Exil et le Repoussoir. Revue d'Histoire du Théâtre, 1 (277). ISSN 1291-2530

Delgado, Maria M. (2019) A Poetics of Memory on the Madrid Stage (2018). European Stages, 13. ISSN 1050-199

Delgado, Maria M. (2018) Reframing Past and Present: Madrid Theatre 2018. European Stages, 12. ISSN 1050-199X

Delgado, Maria M. (2019) The Return of the Repressed: The Ghosts of the Past Haunt Barcelona’s Stages. European Stages, 13. ISSN 1050-199X

Delgado, Maria M. (2015) Spain: Engaging with 'La Crisis' Through Theatre. European Stages, 5 (1). ISSN 1050-199X

Delgado, Maria M. (2016) Spain: Runaway Hits and Ephemeral Memorabilia. European Stages, 8. ISSN 1050-199X

Delgado, Maria M. (2017) Terrassa’s TNT Festival: The New, the Usual and the Ugly. European Stages, 9 (1). ISSN 1050-199X

Delgado, Maria M. (2016) The Unknown, the Unexpected and the Uncanny: A New Lorca, Three New Catalan Productions, and a Few Extras. European Stages, 6 (1). ISSN 1050-199X

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61.

Elswit, Kate (2012) Back Again? Valeska Gert's Exiles. In: New German Dance Studies. University of Illinois Press, Urbana-Champaign, pp. 113-129.

Elswit, Kate (2009) “Berlin … Your Dance Partner Is Death”. TDR/The Drama Review. pp. 73-92.

Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

Elswit, Kate (2018) Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories. In: The Oxford Handbook of Dance and Reenactment. Oxford University Press, Oxford, pp. 177-214. ISBN 9780199314201

Elswit, Kate (2018) Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret. Theatre Research International, 43 (1). pp. 25-44. ISSN 0307-8833

Elswit, Kate (2008) Petrified? Some Thoughts on Practical Research and Dance Historiography. Performance Research, 13 (1). pp. 61-69. ISSN 1352-8165

Elswit, Kate (2008) The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss. Modern Drama, 51 (3). pp. 389-410.

Elswit, Kate (2013) Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction. Theatre Journal.

Elswit, Kate (2014) Watching Weimar Dance. Oxford Studies in Dance Theory . Oxford University Press, Oxford. ISBN 9780199844838

Fisher, Tony (2017) Theatre and Governance in Britain, 1500-1900: Democracy, Disorder and the State. Cambridge University Press, Cambridge. ISBN 9781107182158

Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Radosavljevic, Duska (2012) Sara Kanes's Illyria as the Land of Violent Love: A Balkan Reading of Blasted. Contemporary Theatre Review, 22 (4). pp. 499-511. ISSN 1477-2264

Radosavljevic, Duska (2012) Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble. In: Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, London, pp. 139-166. ISBN 9780415591003

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Radosavljevic, Duska, Cinpoes, Nicoleta, Minier, Marta, Mancewicz, Aneta, Massai, Sonia and Portmann, Alexandra (2013) Eastern European Hamlets. [Video] (Unpublished)

Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

Rushe, Sinéad and Cornford, Tom (2019) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). ISSN 1477-2264 (Submitted)

White, Gareth (2013) Audience Participation in Theatre: Aesthetics of the Invitation. Palgrave Macmillan, Basingstoke. ISBN 9781137354631

White, Gareth (2018) The Multiple Spaces of Immersive Theatre. In: Contemporary Drama and Performative Space: from Playwriting to Immersive Theatre. The Theatre Institute, Bratislava, Bratislave, Slovakia, pp. 30-34. ISBN 9788081900358

White, Gareth (2009) Odd Anonymized Needs: Punchdrunk's Masked Spectator. In: Modes of Spectating. Intellect, Bristol, pp. 219-229. ISBN 9781841502397

White, Gareth (2012) On Immersive Theatre. Theatre Research International, 37 (3). pp. 221-235. ISSN 0307-8833