Items where RCSSD Subject Area is "Directing and Directors"

Alexander, Catherine (2008) Auteurship and Collaboration: Developments in Facilitated Creativity. In: Auteurship and Collaboration, 19th November 2008, The Royal Central School of Speech and Drama. (Unpublished)

Alexander, Catherine (2008) The Boy from Centreville. [Performance]

Alexander, Catherine (2010) Complicite - The Elephant Vanishes (2003/4) - 'The Elephant and Keeper Have Vanished Completely...They Will Never Be Coming Back'. In: Making Contemporary Theatre: International Rehearsal Processes. Theatre: Theory, Practice, Performance . Manchester University Press, Manchester, pp. 59-81. ISBN 9780719074929

Alexander, Catherine (2010) The Gypsy Bible. [Performance]

Alexander, Catherine (2016) The Magic Flute and L’Ecole Jacques Lecoq: A Conversation between William Kentridge and Simon McBurney. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 316-322. ISBN 9781138818422

Alexander, Catherine (2011) SOLD. [Performance]

Alexander, Catherine (2008) Touching Space. [Performance]

Barker, Paul (2013) La Quinta Columna. [Performance]

Boenisch, Peter (2015) Directing Scenes and Sense: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester. ISBN 9780719097195

Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

Boyd, Michael (2010) In Conversation: Michael Boyd. In: In Conversation: Michael Boyd, 13 January 2010, The Royal Central School of Speech and Drama. (Unpublished)

Brennan, Amanda (2012) A Beautiful Death. [Video]

Brennan, Amanda (2012) Grace. [Video]

Colman, Geoffrey (2016) A Close Friendship Among the Debris. Acting, Breath and Truth in Jasmin Vardimon's Justitia. In: Justitia: Multidisciplinary Readings of the Work of the Jasmin Vardimon Company. Playtexts . Intellect, Bristol, pp. 159-168. ISBN 9781783205288

Colman, Geoffrey (2012) Introduction: Stephen Berkoff: One-Act Plays. In: Stephen Berkoff: One-Act Plays. Methuen Drama, London. ISBN 9781408182475

Delgado, Maria M. (2018) Civility, Empathy, Democracy and Memory : Exploring the 'We' in Compromised Times. Performance Research, 23 (4). pp. 328-336. ISSN 1352-8165

Delgado, Maria M. (2010) Contemporary European Theatre Directors. Routledge, Oxford. ISBN 9780415462501

Delgado, Maria M. (2018) ‘Corruption, Capitalism, Class, Memory and the Staging of Difficult Pasts: Barcelona Theatre and the Summer of 2018’. European Stages, 12. ISSN 1050-199X

Delgado, Maria M. (2008) Federico Garcia Lorca. Routledge, Oxford. ISBN 9780415362436

Delgado, Maria M. (1996) In Contact with the Gods?: Directors Talk Theatre. Manchester University Press, Manchester. ISBN 9780719047633

Delgado, Maria M. (2019) A Poetics of Memory on the Madrid Stage (2018). European Stages, 13. ISSN 1050-199

Delgado, Maria M. (2018) Reframing Past and Present: Madrid Theatre 2018. European Stages, 12. ISSN 1050-199X

Delgado, Maria M. (2019) The Return of the Repressed: The Ghosts of the Past Haunt Barcelona’s Stages. European Stages, 13. ISSN 1050-199X

Delgado, Maria M. and Gies, David T. (2012) A History of Theatre in Spain. Cambridge University Press, Cambridge. ISBN 9780521117692

Mitchell, Katie (2008) Directors Give Instructions. In: Directors Give Instructions, 14th October 2008, The Royal Central School of Speech and Drama. (Unpublished)

Orton, Keith and Branagh, Joyce (2010) The Christmas Pantomime. In: The Christmas Pantomime Research Seminar, 15th December 2010, The Royal Central School of Speech and Drama. (Unpublished)

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Radosavljevic, Duska (2012) Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble. In: Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, London, pp. 139-166. ISBN 9780415591003

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

Tashkiran, Ayse (2016) British Movement Directors. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 227-235. ISBN 9781138818422

White, Gareth (2012) On Immersive Theatre. Theatre Research International, 37 (3). pp. 221-235. ISSN 0307-8833

White, Gareth, Gordon, Mick, Megson, Chris and Steiger, Nina (2009) The On Theatre Project: Social and Political Theatre and the Notion of the 'Theatre Essay', with On Theatre's Mick Gordon. In: The On Theatre Project, 3rd November 2009, The Royal Central School of Speech and Drama. (Unpublished)

White, Gareth and Munro, Jane (2012) Pretty War. [Teaching Resource] (Unpublished)