Alexander, Catherine (2008) Auteurship and Collaboration: Developments in Facilitated Creativity. In: Auteurship and Collaboration, 19th November 2008, The Royal Central School of Speech and Drama. (Unpublished)

Alexander, Catherine (2008) The Boy from Centreville. [Performance]

Alexander, Catherine (2010) Complicite - The Elephant Vanishes (2003/4) - 'The Elephant and Keeper Have Vanished Completely...They Will Never Be Coming Back'. In: Making Contemporary Theatre: International Rehearsal Processes. Theatre: Theory, Practice, Performance . Manchester University Press, Manchester, pp. 59-81. ISBN 9780719074929

Alexander, Catherine (2010) The Gypsy Bible. [Performance]

Alexander, Catherine (2016) The Magic Flute and L’Ecole Jacques Lecoq: A Conversation between William Kentridge and Simon McBurney. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 316-322. ISBN 9781138818422

Alexander, Catherine (2011) SOLD. [Performance]

Alexander, Catherine (2008) Touching Space. [Performance]

Alexander, Catherine and Arden, Annabel (2017) Complicite's 'A Disappearing Number': Annabel Arden and Catherine Alexander in conversation. Digital Theatre +, London, UK.

Alexander, Catherine and McBurney, Simon (2007) A Disappearing Number - Complicite Performance Video. [Performance]

Anderson, Joel (2019) Royal Central School of Speech and Drama's Joel Anderson on What Dramaturgy Is and How it is Taught. Broadway World.

Astles, Cariad (2018) Presence and Memory: Tadeusz Kantor’s Living Puppet Theatre 1. In: Tadeusz Kantor’s Memory: Other Pasts, Other Futures. Institute of Grotowski, London. ISBN 9781910203064

Astles, Cariad and Piragibe, Mario (2019) Nine Questions on Teaching Directing for Puppetry: a Trans-cripting Recreation of a Dialogue. Moin-Moin, 15:11 (21). pp. 432-457. ISSN 2595-0347

Barker, Paul (2013) La Quinta Columna. [Performance]

Boenisch, Peter (2015) Directing Scenes and Sense: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester. ISBN 9780719097195

Boenisch, Peter (2019) The Hopeless Courage of Confronting Contemporary Realities: Milo Rau’s “Globally Conceived Theatre of Humanity". In: The Routledge Companion to Theatre and Politics. Routledge, Abingdon, UK, pp. 243-246. ISBN 9781138303485

Boenisch, Peter (2016) The Theatre of Thomas Ostermeier. Routledge, London. ISBN 9781138914476

Boenisch, Peter and Finburgh, Clare (2018) The Great Directors, Vol. 6: Littlewood, Planchon, Strehler. The Great European Stage Directors, 6 . Bloomsbury Methuen, London. ISBN 9781474253994

Boenisch, Peter and Finburgh, Clare (2018) A Popular Theatre for All: Western European Theatre Direction in the Mid-Twentieth Century. In: The Great Directors, Vol. 6: Littlewood, Planchon, Strehler. The Great Directors, 6 . Bloomsbury Methuen, London, pp. 7-52. ISBN 9781474254168

Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

Boyd, Michael (2010) Michael Boyd. In: Conversation: Michael Boyd, 13 January 2010, The Royal Central School of Speech and Drama. (Unpublished)

Brennan, Amanda (2012) A Beautiful Death. [Video]

Brennan, Amanda (2012) Grace. [Video]

Buratta, Ben (2017) And The Rest of Me Floats- Bush Theatre, Birmingham REP. [Performance]

Colman, Geoffrey (2016) A Close Friendship Among the Debris. Acting, Breath and Truth in Jasmin Vardimon's Justitia. In: Justitia: Multidisciplinary Readings of the Work of the Jasmin Vardimon Company. Playtexts . Intellect, Bristol, pp. 159-168. ISBN 9781783205288

Colman, Geoffrey (2012) Introduction: Stephen Berkoff: One-Act Plays. In: Stephen Berkoff: One-Act Plays. Methuen Drama, London. ISBN 9781408182475

Cornford, Tom (2020) Actor-Dramaturgs and Atmospheric Dramaturgies: Chekhov Technique in Processes of Collaborative Playwriting. In: Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213 (In Press)

Cornford, Tom (2017) Backpages: The Editing of Emma Rice. Contemporary Theatre Review, 27 (1). pp. 134-137. ISSN 1048-6801

Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

Cornford, Tom (2018) Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre. Journal of Contemporary Drama in English, 6 (1). pp. 101-122. ISSN 2195-0164

Cornford, Tom (2020) Katie Mitchell and the Technologies of the Realist Theatre. Contemporary Theatre Review, 30 (2). pp. 168-192. ISSN 1048-6801

Cornford, Tom (2019) Michael Chekhov: Directing an Actors' Theatre. In: Russian Theatre in Practice: The Director's Guide. Performance Books . Bloomsbury, London, pp. 95-107. ISBN 9781474284431

Cornford, Tom (2017) Peter Boenisch and Thomas Ostermeier, The Theatre of Thomas Ostermeier and Peter M. Boenisch, Directing Scenes and Senses: The Thinking of Regie. New Theatre Quarterly, 33 (3). pp. 302-303. ISSN 0266-464X

Cornford, Tom (2019) The Racist Case for Diversity? Contemporary Theatre Review, 28 (4). pp. 553-556. ISSN 1048-6801

Cornford, Tom (2020) Review of Susan Bennett and Sonia Massai (eds.), Ivo van Hove: From Shakespeare to David Bowie. New Theatre Quarterly, 36 (2). p. 193. ISSN 0266-464X

Cornford, Tom (2020) Theatre Studios: A Political History of Ensemble Theatre-Making. Routledge, Abingdon. ISBN 9781138185647

Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

Cornford, Tom (2017) Willful Distraction: Katie Mitchell, Auteurism and the Canon. [Video]

Cornford, Tom and Barker, Roberta (2018) Tyrone Guthrie. In: The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie. The Great European Stage Directors, 3 . Metheun Drama, London, pp. 115-162. ISBN 9781474254113

Cornford, Tom, Fleming, Cass, Rushe, Sinéad, Oram, Daron, Caoimhe, McAvinchey and Roanna, Mitchell (2020) Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213

Cornford, Tom and Svich, Caridad (2020) Introduction: Katie Mitchell's Theatre. Contemporary Theatre Review, 30 (2). pp. 137-150. ISSN 1048-6801

Delgado, Maria M. (2018) Civility, Empathy, Democracy and Memory : Exploring the 'We' in Compromised Times. Performance Research, 23 (4). pp. 328-336. ISSN 1352-8165

Delgado, Maria M. (2010) Contemporary European Theatre Directors. Routledge, Oxford. ISBN 9780415462501

Delgado, Maria M. (2018) ‘Corruption, Capitalism, Class, Memory and the Staging of Difficult Pasts: Barcelona Theatre and the Summer of 2018’. European Stages, 12. ISSN 1050-199X

Delgado, Maria M. (2008) Federico Garcia Lorca. Routledge, Oxford. ISBN 9780415362436

Delgado, Maria M. (1996) In Contact with the Gods?: Directors Talk Theatre. Manchester University Press, Manchester. ISBN 9780719047633

Delgado, Maria M. (2019) A Poetics of Memory on the Madrid Stage (2018). European Stages, 13. ISSN 1050-199

Delgado, Maria M. (2018) Reframing Past and Present: Madrid Theatre 2018. European Stages, 12. ISSN 1050-199X

Delgado, Maria M. (2019) The Return of the Repressed: The Ghosts of the Past Haunt Barcelona’s Stages. European Stages, 13. ISSN 1050-199X

Delgado, Maria M. (2015) Spain: Engaging with 'La Crisis' Through Theatre. European Stages, 5 (1). ISSN 1050-199X

Delgado, Maria M. (2017) Terrassa’s TNT Festival: The New, the Usual and the Ugly. European Stages, 9 (1). ISSN 1050-199X

Delgado, Maria M. (2016) The Unknown, the Unexpected and the Uncanny: A New Lorca, Three New Catalan Productions, and a Few Extras. European Stages, 6 (1). ISSN 1050-199X

Delgado, Maria M. and Gies, David T. (2012) A History of Theatre in Spain. Cambridge University Press, Cambridge. ISBN 9780521117692

Fisher, Tony and Gotman, Kelina (2019) Foucaults Theatre. Manchester University Press, Manchester. ISBN 9781526135704

Grochala, Sarah (2020) The Theatre of Rupert Goold: Radical Approaches to Adaptation and New Writing. Methuen Drama . Methuen Drama, London. ISBN 9781350090736

Mitchell, Katie (2008) Directors Give Instructions. In: Directors Give Instructions, 14th October 2008, The Royal Central School of Speech and Drama. (Unpublished)

Naylor, Ben (2018) Advice to the Players: Peter Hall, Shakespeare and Antipathy to the Method. In: John Barton and Peter Hall Memorial Conference, 8/9/2018, Rose Theatre, Kingston. (Unpublished)

Oram, Daron (2020) The Heuristic Pedagogue: Navigating Myths and Truths in Pursuit of an Equitable Approach to Voice Training. Theatre Dance and Performance Training, 11 (3). pp. 300-309. ISSN 1944-3927, 1944-3919

Orton, Keith and Branagh, Joyce (2010) The Christmas Pantomime. In: The Christmas Pantomime Research Seminar, 15th December 2010, The Royal Central School of Speech and Drama. (Unpublished)

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Radosavljevic, Duska (2018) The Heterarchical Director: A Model of Authorship for the 21st Century. [Audio]

Radosavljevic, Duska (2012) Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble. In: Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, London, pp. 139-166. ISBN 9780415591003

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

Rushe, Sinéad and Cornford, Tom (2020) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). pp. 419-429. ISSN 1477-2264

Rushe, Sinéad and Kemp, Margaret Laurena (2021) AntigoneNOW: Mourning and Connection Across 4 Time Zones. American Theatre.

Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

Tashkiran, Ayse (2016) British Movement Directors. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 227-235. ISBN 9781138818422

White, Gareth (2012) On Immersive Theatre. Theatre Research International, 37 (3). pp. 221-235. ISSN 0307-8833

White, Gareth (2009) The On Theatre Project: Social and Political Theatre and the Notion of the 'Theatre Essay', with On Theatre's Mick Gordon. In: The On Theatre Project, 3rd November 2009, The Royal Central School of Speech and Drama. (Unpublished)

White, Gareth and Munro, Jane (2012) Pretty War. [Teaching Resource] (Unpublished)