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Items where RCSSD Subject Area is "Directing and Directors"

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    • Directing and Directors (62)
Group by: Creators | Item Type
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Number of items at this level: 61.

A

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Alexander, Catherine (2008) Auteurship and Collaboration: Developments in Facilitated Creativity. In: Auteurship and Collaboration, 19th November 2008, The Royal Central School of Speech and Drama. (Unpublished)

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Alexander, Catherine (2008) The Boy from Centreville. [Performance]

Alexander, Catherine (2010) Complicite - The Elephant Vanishes (2003/4) - 'The Elephant and Keeper Have Vanished Completely...They Will Never Be Coming Back'. In: Making Contemporary Theatre: International Rehearsal Processes. Theatre: Theory, Practice, Performance . Manchester University Press, Manchester, pp. 59-81. ISBN 9780719074929

Alexander, Catherine (2010) The Gypsy Bible. [Performance]

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Alexander, Catherine (2016) The Magic Flute and L’Ecole Jacques Lecoq: A Conversation between William Kentridge and Simon McBurney. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 316-322. ISBN 9781138818422

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Alexander, Catherine (2011) SOLD. [Performance]

Alexander, Catherine (2008) Touching Space. [Performance]

Alexander, Catherine and Arden, Annabel (2017) Complicite's 'A Disappearing Number': Annabel Arden and Catherine Alexander in conversation. Digital Theatre +, London, UK.

Astles, Cariad (2017) Presence and Memory. Kantor's Living Puppet Theatre. Polish Theatre: Perspectives: Tadeusz Kantor Twenty Years Later, 1 (2). ISSN 2081-4844

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Astles, Cariad and Piragibe, Mario (2019) Nine Questions on Teaching Directing for Puppetry: a Trans-cripting Recreation of a Dialogue. Moin-Moin, 15:11 (21). pp. 432-457. ISSN 2595-0347

B

Barker, Paul (2013) La Quinta Columna. [Performance]

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Barker, Roberta and Cornford, Tom (2018) Tyrone Guthrie. In: The Great European Stage Directors: Copeau, Komisarjevsky, Guthrie. The Great European Stage Directors, 3 . Metheun Drama, London, pp. 115-162. ISBN 9781474254113

Boenisch, Peter (2015) Directing Scenes and Sense: The Thinking of Regie. Theatre: Theory – Practice – Performance . Manchester University Press, Manchester. ISBN 9780719097195

Boenisch, Peter (2019) The hopeless courage of confronting contemporary realities: Milo Rau’s “globally conceived theatre of humanity". In: The Routledge Companion to Theatre and Politics. Routledge, Abingdon, UK, pp. 243-246. ISBN 9781138303485

Boenisch, Peter and Finburgh, Clare (2018) The Great Directors, Vol. 6: Littlewood, Planchon, Strehler. The Great European Stage Directors, 6 . Bloomsbury Methuen, London. ISBN 9781474253994

Boenisch, Peter and Finburgh, Clare (2018) A Popular Theatre for All: Western European Theatre Direction in the Mid-Twentieth Century. In: The Great Directors, Vol. 6: Littlewood, Planchon, Strehler. The Great Directors, 6 . Bloomsbury Methuen, London, pp. 7-52. ISBN 9781474254168

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Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

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Boyd, Michael (2010) In Conversation: Michael Boyd. In: In Conversation: Michael Boyd, 13 January 2010, The Royal Central School of Speech and Drama. (Unpublished)

Brennan, Amanda (2012) A Beautiful Death. [Video]

Brennan, Amanda (2012) Grace. [Video]

C

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Colman, Geoffrey (2016) A Close Friendship Among the Debris. Acting, Breath and Truth in Jasmin Vardimon's Justitia. In: Justitia: Multidisciplinary Readings of the Work of the Jasmin Vardimon Company. Playtexts . Intellect, Bristol, pp. 159-168. ISBN 9781783205288

Colman, Geoffrey (2012) Introduction: Stephen Berkoff: One-Act Plays. In: Stephen Berkoff: One-Act Plays. Methuen Drama, London. ISBN 9781408182475

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Cornford, Tom (2017) Backpages: The Editing of Emma Rice. Contemporary Theatre Review, 27 (1). pp. 134-137. ISSN 1048-6801

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Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

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Cornford, Tom (2018) Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre. Journal of Contemporary Drama in English, 6 (1). pp. 101-122. ISSN 2195-0164

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Cornford, Tom (2020) Katie Mitchell and the Technologies of the Realist Theatre. Contemporary Theatre Review, 30 (2). pp. 168-192. ISSN 1048-6801

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Cornford, Tom (2019) Michael Chekhov: Directing an Actors' Theatre. In: Russian Theatre in Practice: The Director's Guide. Performance Books . Bloomsbury, London, pp. 95-107. ISBN 9781474284431

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Cornford, Tom (2019) The Racist Case for Diversity? Contemporary Theatre Review, 28 (4). pp. 553-556. ISSN 1048-6801

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Cornford, Tom (2020) Review of Susan Bennett and Sonia Massai (eds.), Ivo van Hove: From Shakespeare to David Bowie. New Theatre Quarterly, 36 (2). p. 193. ISSN 0266-464X

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Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

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Cornford, Tom and Svich, Caridad (2020) Introduction: Katie Mitchell's Theatre. Contemporary Theatre Review, 30 (2). pp. 137-150. ISSN 1048-6801

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Delgado, Maria M. (2018) Civility, Empathy, Democracy and Memory : Exploring the 'We' in Compromised Times. Performance Research, 23 (4). pp. 328-336. ISSN 1352-8165

Delgado, Maria M. (2010) Contemporary European Theatre Directors. Routledge, Oxford. ISBN 9780415462501

Delgado, Maria M. (2008) Federico Garcia Lorca. Routledge, Oxford. ISBN 9780415362436

Delgado, Maria M. (1996) In Contact with the Gods?: Directors Talk Theatre. Manchester University Press, Manchester. ISBN 9780719047633

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Delgado, Maria M. (2019) A Poetics of Memory on the Madrid Stage (2018). European Stages, 13. ISSN 1050-199

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Delgado, Maria M. (2018) Reframing Past and Present: Madrid Theatre 2018. European Stages, 12. ISSN 1050-199X

Delgado, Maria M. (2019) The Return of the Repressed: The Ghosts of the Past Haunt Barcelona’s Stages. European Stages, 13. ISSN 1050-199X

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Delgado, Maria M. (2015) Spain: Engaging with 'La Crisis' Through Theatre. European Stages, 5 (1). ISSN 1050-199X

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Delgado, Maria M. (2017) Terrassa’s TNT Festival: The New, the Usual and the Ugly. European Stages, 9 (1). ISSN 1050-199X

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Delgado, Maria M. (2016) The Unknown, the Unexpected and the Uncanny: A New Lorca, Three New Catalan Productions, and a Few Extras. European Stages, 6 (1). ISSN 1050-199X

Delgado, Maria M. and Gies, David T. (2012) A History of Theatre in Spain. Cambridge University Press, Cambridge. ISBN 9780521117692

M

McBurney, Simon, Alexander, Catherine, Power, Ben, Sawhney, Nitin, Levine, Michael, Shutt, Christopher, Anderson, Paul, Cunningham, Christina, Reeves, Saskia, Bhattercharjee, Paul, Pandya, Chetna, Gould, Victoria, Du Sautoy, Marcus, Bamjee, Firdous, Shambu, Shane, Kasturi, Divya, Chate, Hirin, Annen, David and Ortel, Sven (2007) A Disappearing Number - Complicite Performance Video. [Performance]

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Mitchell, Katie (2008) Directors Give Instructions. In: Directors Give Instructions, 14th October 2008, The Royal Central School of Speech and Drama. (Unpublished)

O

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Orton, Keith and Branagh, Joyce (2010) The Christmas Pantomime. In: The Christmas Pantomime Research Seminar, 15th December 2010, The Royal Central School of Speech and Drama. (Unpublished)

R

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

Radosavljevic, Duska (2012) Shared Utopias? Alan Lyddiard, Lev Dodin and the Northern Stage Ensemble. In: Russians in Britain: British Theatre and the Russian Tradition of Actor Training. Routledge, London, pp. 139-166. ISBN 9780415591003

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Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

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Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

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Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

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Rushe, Sinéad and Cornford, Tom (2019) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). ISSN 1477-2264 (Submitted)

T

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Tashkiran, Ayse (2016) British Movement Directors. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 227-235. ISBN 9781138818422

W

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White, Gareth (2012) On Immersive Theatre. Theatre Research International, 37 (3). pp. 221-235. ISSN 0307-8833

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White, Gareth, Gordon, Mick, Megson, Chris and Steiger, Nina (2009) The On Theatre Project: Social and Political Theatre and the Notion of the 'Theatre Essay', with On Theatre's Mick Gordon. In: The On Theatre Project, 3rd November 2009, The Royal Central School of Speech and Drama. (Unpublished)

White, Gareth and Munro, Jane (2012) Pretty War. [Teaching Resource] (Unpublished)

This list was generated on Mon Sep 28 01:08:32 2020 UTC.