Items where RCSSD Subject Area is "Dramaturgy"

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Number of items at this level: 36.

Book

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Grochala, Sarah (2017) The Contemporary Political Play: Rethinking Dramaturgical Structure. Bloomsbury Methuen Drama, London. ISBN 9781472588463

Radosavljevic, Duska (2013) The Contemporary Ensemble: Interviews with Theatre-Makers. Routledge, London. ISBN 9780415535304

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Radosavljevic, Duska (2016) Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, London. ISBN 9781472577092

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Book Chapter

Anderson, Joel (2011) It's Coming Sometime and May Be...:. In: Die Kunst der Dramaturgie: Theorie - Praxis - Ausbildung. Henschel Verlag, Leipzig, pp. 258-268. ISBN 9783894876555

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Damian Martin, Diana (2016) Criticism as a Political Event. In: Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, London, pp. 219-235. ISBN 9781472577092

Damian Martin, Diana (2013) Interview/Show Time. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 191-193. ISBN 9781849433969

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Damian Martin, Diana (2014) Riding Romance 2: Three Brief ‘Scenes’ on Performance, Aesthetics and Territory. In: Nebelmeer: Riding Romance Trilogy. Oslo - BIT, Oslo, pp. 25-30.

Damian Martin, Diana (2013) Trashing Performance. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 149-150. ISBN 9781849433969

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Delgado, Maria M. (2016) Sergi López (Capt. Vidal). In: Guillermo del Toro’s ‘The Devil’s Backbone’ and ‘Pan’s Labyrinth’: Studies in the Horror Film. Centipede Press, Lakewood, Colorado, pp. 359-362. ISBN 9781613471012

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Fisher, Tony (2017) Chapter 10: On the Performance of ‘Dissensual Speech’. In: Performing Antagonism: Theatre, Performance & Radical Democracy. Performance Philosophy . Palgrave Macmillan, Basingstoke, pp. 187-208. ISBN 9781349950997

Grochala, Sarah (2017) Controversial Intentions: Adaptation as an Act of Iconoclasm in Rupert Goold and Ben Power’s Faustus (2004) and the Chapman Brothers’ Insult to Injury (2003)'. In: Contemporary Approaches to Adaptation in Theatre. Palgrave Macmillan, London, pp. 295-316. ISBN 9781137597823

Radosavljevic, Duska (2014) The Place of Dramaturg in 21st Century England. In: Routledge Companion to Dramaturgy. Bloomsbury Methuen, London, pp. 40-44. ISBN 9781138946330

Radosavljevic, Duska (2014) Theatre and an Intellectual Concertina: Interview with Simon Stephens. In: Theatre and Adaptation: Return, Rewrite, Repeat. Bloomsbury Methuen, London, pp. 255-268. ISBN 9781408184721

Radosavljevic, Duska (2014) Towards Performed Dramaturgy. In: New Dramaturgy: International Perpectives. Bloomsbury Methuen, London, pp. 68-79. ISBN 978-1408177082

Article

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Anderson, Joel (2016) Between Theatre and Photography, Between Photography and Performance, Between Performance and Theatre. Drama Studies, 49. pp. 5-35. ISSN 1738-9267

Brown, Ross (2014) Review: Mladen Ovadija’s the Dramaturgy of Sound and Postdramatic Theatre. Comparative Drama, 48 (4). pp. 441-443. ISSN 0010-4078

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Bush-Bailey, Gilli (2014) Advance Notice. Studies in Theatre and Performance, 34 (2). pp. 111-114. ISSN 1468-2761

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Cornford, Tom (2018) Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre. Journal of Contemporary Drama in English, 6 (1). ISSN 2195-0164

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Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN 2409-7411

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Damian Martin, Diana (2015) On Editing and the Digitial. Contemporary Theatre Review, 25 (1). ISSN 1477-2264

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Damian Martin, Diana (2015) Theatre Criticism and Digital Poetics (A Case Study). Critical Stages: The IATC Webjournal (11).

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Damian Martin, Diana (2016) Unpeeling Action: Critical Writing, Training and Process. Theatre, Dance and Performance Training, 7 (2). pp. 195-211. ISSN 1944-3927

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Delgado, Maria M. (2017) Re-framing the Classics: La Cubana Reinvent Rusiñol and the Lliure Revisit Beaumarchais. European Stages, 9 (1). ISSN 1050-199X

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Delgado, Maria M. (2015) Spain: Engaging with 'La Crisis' Through Theatre. European Stages, 5 (1). ISSN 1050-199X

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Delgado, Maria M. (2017) Terrassa’s TNT Festival: The New, the Usual and the Ugly. European Stages, 9 (1). ISSN 1050-199X

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Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

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Farrier, Stephen (2017) International Influences and Drag: Just a Case of Tucking or Binding? Theatre, Dance and Performance Training, 8 (2). pp. 171-187. ISSN 1944-3927

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Farrier, Stephen (2017) Sticky Stories: Joe Orton, Queer History, Queer Dramaturgy. Studies in Theatre and Performance, 37 (2). pp. 184-204. ISSN 1468-2761

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Fisher, Tony (2018) Theatre at the Impasse: Political Theology and Blitz Theatre Group's Late Night. Performance Philosophy Journal, 4 (1). pp. 139-156. ISSN 2057-7176

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Grochala, Sarah (2014) Going Straight: The Politics of Time and Space in David Eldridge’s Incomplete and Random Acts of Kindness. Journal of Contemporary Drama in English, 2 (1). pp. 145-158. ISSN 2195-0164

Grochala, Sarah (2014) Life of Digital Double. Nam June Paik Reader (5). pp. 136-151. ISSN 2092-9315

Ploeger, Daniel and Lepage, Louise (2014) Drama and Performance Studies (2014). The Year’s Work in Critical and Cultural Theory, 22 (1). pp. 304-333. ISSN 1077-4254

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Stuart Fisher, Amanda and Forsyth, Alison (2014) Introduction (to Acting Out Trauma Special Issue). Performing Ethos: An International Journal of Ethics in Theatre & Performance, 4 (1). pp. 3-8. ISSN 1757-1987

Thesis

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Manuel Campos, Jose Luis (2014) Blast Theory: Intermedial Performance Praxis and the Generative Conditions for Performance Subjectivity. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Video

Radosavljevic, Duska, Cinpoes, Nicoleta, Minier, Marta, Mancewicz, Aneta, Massai, Sonia and Portmann, Alexandra (2013) Eastern European Hamlets. [Video] (Unpublished)

This list was generated on Sun Feb 17 04:01:05 2019 UTC.