Items where RCSSD Subject Area is "Performance Art"

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Number of items at this level: 58.

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Chow, Dick Veloso (2010) How To Do Things With Jokes: Relocating the Political Dimension of Performance Comedy. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

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Damian Martin, Diana (2016) Archives, Hindsight and Change. Performance Magazine.

Damian Martin, Diana (2015) Chapter 2: On Migration: Neighbours. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 3: On Emergencies: A Forensic of Emergencies. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 4: On Ecologies: Erotics of a Nuclear Summer. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 5: On Silence and Noise: A Delicate Event. Something Other: Collecting Writing, Performance and Their Others.

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Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN 2409-7411

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Damian Martin, Diana (2017) Diorama for Shoalstone Pool. Exuent Magazine.

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Damian Martin, Diana (2017) FITEI: Community and Memory. Exeunt Magazine.

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Damian Martin, Diana (2016) Foreignisation on Stage: Les Serpents. Exeunt Magazine.

Damian Martin, Diana (2013) Interview/Show Time. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 191-193. ISBN 9781849433969

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Damian Martin, Diana (2016) Nando Messias: Homophobia, Marching Bands and the 'Sissy's Progress'. Exeunt Magazine.

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Damian Martin, Diana (2016) Performance and the New Tate Modern. Exeunt Magazine.

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Damian Martin, Diana (2017) Poetics of Artistic Discourse: Rajni Shah's Glorious. Klaxon Magazine (1). pp. 83-101. ISSN 2295-5582

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Damian Martin, Diana (2017) Ravnedans. Exeunt Magazine.

Damian Martin, Diana (2017) Report on the Young Critics Seminar in Cluj, Romania for the International Association of Theatre Critics. International Association of Theatre Critics.

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Damian Martin, Diana (2016) Review: Holy Smoke at the Southbank Centre 4th - 5th November 2016. Exeunt Magazine.

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Damian Martin, Diana (2017) Review: Snow Mouse at the Barbican December 13 - December 23. Exeunt Magazine.

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Damian Martin, Diana (2016) Review: Sponge at the Barbican Barbican Pit 13th - 21st December 2016. Exeunt Magazine.

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Damian Martin, Diana (2017) Spill Festival: Crawl, Burn, Stand and Sweep: Poetics of Body-Based Work in Urban Spaces. Klaxon Magazine (6). pp. 62-76. ISSN 2295-5582

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Damian Martin, Diana (2016) Steakhouse: Live Art, Live Writing. Exeunt Magazine.

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Damian Martin, Diana (2017) Theatre in the UK: Politics, Poetics and Resistance. Conflict Zones.

Damian Martin, Diana (2015) Towards a Poiesis of Critical Practice: 1000th LIVE and the Politics of Appearance. Performance Research, 20 (1). pp. 96-104. ISSN 1352-8165

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Damian Martin, Diana (2017) Trajal Harrell: Hoochie Koochie. Exeunt Magazine.

Damian Martin, Diana (2013) Trashing Performance. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 149-150. ISBN 9781849433969

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Damian Martin, Diana and Bojana, Jankovic (2018) Critical Interruptions. Live Art Development Agency, London.

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Damian Martin, Diana and Patterson, Annette Theresa (2016) Critics in Conversation. Critics in Conversation, London.

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Delgado, Maria M. (2016) Spain: Runaway Hits and Ephemeral Memorabilia. European Stages, 8. ISSN 1050-199X

Donger, Simon (2010) Carnal Vertigos. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, pp. 155-174. ISBN 9780415562348

Donger, Simon (2009) ORLAN-Vertigo/Self-Touching-You. In: Interfaces of Performance. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 57-69. ISBN 9780754675761

Donger, Simon (2010) Preface 1: Restless Corporealities. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, xiv-xvi. ISBN 9780415562348

Donger, Simon and Shepherd, Simon (2010) Orlan: A Hybrid Body of Artworks. Routledge, London. ISBN 9780415562348

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Elswit, Kate and Bench, Harmony (2018) Dunham's Data Website and Research Blog. N/A.

Elswit, Kate, Miyagawa, Mariko, Otake, Eiko and Rodman, Tara (2018) What We Know and What We Want to Know: A Roundtable On Butoh and Neuer Tanz. In: The Routledge Companion to Butoh Performance. Routledge Companion . Routledge, New York, pp. 126-136. ISBN 9781138691094

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Farrier, Stephen (2018) Re-membering AIDS, Dis-membering Form. In: Viral Dramaturgies, HIV and AIDS in Performance in the Twenty-first Century. Palgrave Macmillan, Cham (Switzerland), pp. 155-172. ISBN 9783319703169

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Farrier, Stephen, Limits, Dusty and Hoyle, David (2010) Queer Performance. In: Queer Performance, 2nd June 2010, The Royal Central School of Speech and Drama. (Unpublished)

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Jane, Munro and White, Gareth (2012) Invitation. [Performance]

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Kendrick, Lynne and Roesner, David (2011) Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle-upon-Tyne. ISBN 9781443834407

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Manuel Campos, Jose Luis (2014) Blast Theory: Intermedial Performance Praxis and the Generative Conditions for Performance Subjectivity. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

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Messias, Luiz Fernando Fernandes (2011) Towards a new Sissiography: the Sissy in Body, Abuse and Space in Performance Practice. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

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Nelson, Robin, Lavender, Andrew, Kattenbelt, Chiel and Bay-cheng, Sarah (2010) Mapping Intermediality in Performance. Media Matters . Amsterdam University Press, Amsterdam. ISBN 9789089642554

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Pamment, Claire (2013) The Bhānd Mode in Pakistani Performance. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

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Ploeger, Daniel (2017) Abject Digital Performance: Engaging the Politics of Electronic Waste. Leonardo, 50 (2). pp. 138-142. ISSN 0024-094X

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Ploeger, Daniel (2014) Eerie Prostheses and Kinky Strap-Ons: On the Ableist Ideology of Mori’s Uncanny Valley. Body, Space & Technology, 13 (1). ISSN 1470-9120

Ploeger, Daniel (2017) Making and Breaking: Electronic Waste Recycling as Methodology. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Macmillan, Basingstoke, pp. 49-64. ISBN 9781349952403

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Ploeger, Daniel (2016) Teaching Performance Art in Violent Times. Ice Hole – Live Art Journal (4).

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Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

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Ploeger, Daniel and Lepage, Louise (2014) Drama and Performance Studies (2014). The Year’s Work in Critical and Cultural Theory, 22 (1). pp. 304-333. ISSN 1077-4254

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Ploeger, Daniel and Verstraete, Pieter (2015) Drama and Performance Studies (2015). The Year’s Work in Critical and Cultural Theory, 23 (1). pp. 351-372. ISSN 1077-4254

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Stuart Fisher, Amanda and Forsyth, Alison (2014) Introduction (to Acting Out Trauma Special Issue). Performing Ethos: An International Journal of Ethics in Theatre & Performance, 4 (1). pp. 3-8. ISSN 1757-1987

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Trigg, Madaleine (2014) (Ad)Dressing the Female Body. Scene, 2 (1-2). pp. 127-132. ISSN 2044-3714

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White, Gareth (2009) Odd Anonymized Needs: Punchdrunk's Masked Spectator. In: Modes of Spectating. Intellect, Bristol, pp. 219-229. ISBN 9781841502397

White, Gareth and Munro, Jane (2012) Pretty War. [Teaching Resource] (Unpublished)

This list was generated on Fri Mar 22 08:09:19 2019 UTC.