Items where RCSSD Subject Area is "Performance art"

Chow, Dick Veloso (2010) How To Do Things With Jokes: Relocating the Political Dimension of Performance Comedy. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Damian Martin, Diana (2016) Archives, Hindsight and Change. Performance Magazine.

Damian Martin, Diana (2015) Chapter 2: On Migration: Neighbours. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 3: On Emergencies: A Forensic of Emergencies. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 4: On Ecologies: Erotics of a Nuclear Summer. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 5: On Silence and Noise: A Delicate Event. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN 2409-7411

Damian Martin, Diana (2017) Diorama for Shoalstone Pool. Exuent Magazine.

Damian Martin, Diana (2017) FITEI: Community and Memory. Exeunt Magazine.

Damian Martin, Diana (2016) Foreignisation on Stage: Les Serpents. Exeunt Magazine.

Damian Martin, Diana (2013) Interview/Show Time. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 191-193. ISBN 9781849433969

Damian Martin, Diana (2016) Nando Messias: Homophobia, Marching Bands and the 'Sissy's Progress'. Exeunt Magazine.

Damian Martin, Diana (2016) Performance and the New Tate Modern. Exeunt Magazine.

Damian Martin, Diana (2017) Ravnedans. Exeunt Magazine.

Damian Martin, Diana (2017) Report on the Young Critics Seminar in Cluj, Romania for the International Association of Theatre Critics. International Association of Theatre Critics.

Damian Martin, Diana (2016) Review: Holy Smoke at the Southbank Centre 4th - 5th November 2016. Exeunt Magazine.

Damian Martin, Diana (2018) Review: Le Recital Des Postures at London International Mime Festival 19 January - 20 January 2018. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Performing for the Camera at Tate Modern - 16th February - 12th June 2016. Exeunt Magazine.

Damian Martin, Diana (2017) Review: Snow Mouse at the Barbican December 13 - December 23. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Sponge at the Barbican Barbican Pit 13th - 21st December 2016. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Two Man Show at the Soho Theatre 6th September - 1st October 2016. Exeunt Magazine.

Damian Martin, Diana (2017) Spill Festival: Crawl, Burn, Stand and Sweep: Poetics of Body-Based Work in Urban Spaces. Klaxon Magazine (6). pp. 62-76. ISSN 2295-5582

Damian Martin, Diana (2016) Steakhouse: Live Art, Live Writing. Exeunt Magazine.

Damian Martin, Diana (2017) Theatre in the UK: Politics, Poetics and Resistance. Conflict Zones.

Damian Martin, Diana (2015) Towards a Poiesis of Critical Practice: 1000th LIVE and the Politics of Appearance. Performance Research, 20 (1). pp. 96-104. ISSN 1352-8165

Damian Martin, Diana (2017) Trajal Harrell: Hoochie Koochie. Exeunt Magazine.

Damian Martin, Diana (2013) Trashing Performance. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 149-150. ISBN 9781849433969

Damian Martin, Diana (2018) Ultimate Dancer: "It's Liberating to Let Go of the Limitations of Being Human". Exeunt Magazine.

Damian Martin, Diana and Bojana, Jankovic (2018) Critical Interruptions. Live Art Development Agency, London.

Damian Martin, Diana and Bojana, Jankovic (2016) Steakhouse Live: A Collective of Artists and Producers Creating New Spaces for Live Art and Performance. Steakhouse Live.

Damian Martin, Diana and Patterson, Annette Theresa (2016) Critics in Conversation. Critics in Conversation, London.

Delgado, Maria M. (2016) Spain: Runaway Hits and Ephemeral Memorabilia. European Stages, 8. ISSN 1050-199X

Donger, Simon (2010) Carnal Vertigos. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, pp. 155-174. ISBN 9780415562348

Donger, Simon (2009) ORLAN-Vertigo/Self-Touching-You. In: Interfaces of Performance. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 57-69. ISBN 9780754675761

Donger, Simon (2010) Preface 1: Restless Corporealities. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, xiv-xvi. ISBN 9780415562348

Donger, Simon and Shepherd, Simon (2010) Orlan: A Hybrid Body of Artworks. Routledge, London. ISBN 9780415562348

Elswit, Kate (2017) The Micropolitics of Exchange: Exile and Otherness After the Nation. In: The Oxford Handbook of Dance and Politics. Oxford University Press, New York, USA, pp. 417-438. ISBN 9780199928187

Farrier, Stephen (2018) Re-membering AIDS, Dis-membering Form. In: Viral Dramaturgies, HIV and AIDS in Performance in the Twenty-first Century. Palgrave Macmillan, Cham (Switzerland), pp. 155-172. ISBN 9783319703169

Farrier, Stephen and Limits, Dusty and Hoyle, David (2010) Queer Performance. In: Queer Performance, 2nd June 2010, The Royal Central School of Speech and Drama. (Unpublished)

Jane, Munro and White, Gareth (2012) Invitation. [Performance]

Kendrick, Lynne and Roesner, David (2011) Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle-upon-Tyne. ISBN 9781443834407

Manuel Campos, Jose Luis (2014) Blast Theory: Intermedial Performance Praxis and the Generative Conditions for Performance Subjectivity. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Messias, Luiz Fernando Fernandes (2011) Towards a new Sissiography: the Sissy in Body, Abuse and Space in Performance Practice. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Nelson, Robin and Lavender, Andrew and Kattenbelt, Chiel and Bay-cheng, Sarah (2010) Mapping Intermediality in Performance. Media Matters . Amsterdam University Press, Amsterdam. ISBN 9789089642554

Pamment, Claire (2013) The Bhānd Mode in Pakistani Performance. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Ploeger, Daniel (2017) Abject Digital Performance: Engaging the Politics of Electronic Waste. Leonardo, 50 (2). pp. 138-142. ISSN 0024-094X

Ploeger, Daniel (2014) Eerie Prostheses and Kinky Strap-Ons: On the Ableist Ideology of Mori’s Uncanny Valley. Body, Space & Technology, 13 (1). ISSN 1470-9120

Ploeger, Daniel (2016) Teaching Performance Art in Violent Times. Ice Hole – Live Art Journal (4). ISSN n/a

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

Stuart Fisher, Amanda and Forsyth, Alison (2014) Introduction (to Acting Out Trauma Special Issue). Performing Ethos: An International Journal of Ethics in Theatre & Performance, 4 (1). pp. 3-8. ISSN 1757-1987

Trigg, Madaleine (2014) (Ad)Dressing the Female Body. Scene, 2 (1-2). pp. 127-132. ISSN 2044-3714

White, Gareth (2009) Odd Anonymized Needs: Punchdrunk's Masked Spectator. In: Modes of Spectating. Intellect, Bristol, pp. 219-229. ISBN 9781841502397

White, Gareth and Munro, Jane (2012) Pretty War. [Teaching Resource] (Unpublished)