Items where RCSSD Subject Area is "Performance Art"
![]() | Up a level |
Group by: Creators | Item Type
Number of items at this level: 65.
A
Anderson, Joel
(2019)
Theatre Photography Between Theatre and Performance.
Focales, 3 2019 (2019).
pp. 1-10.
ISSN 2556-5125
Anderson, Joel and Leister, Wiebke
(2019)
The Theatre of Photography/Le Théâtre de la Photographie.
Sens Public.
ISSN 2104-3272
(In Press)
B
Bryon, Experience
(2014)
Integrative Performance: Practice and Theory for the Interdisciplinary Performer.
Routledge, Abingdon.
ISBN 9780415694483
C
D
Damian Martin, Diana
(2016)
Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance.
Critical Stages (13).
ISSN 2409-7411
Damian Martin, Diana
(2016)
Nando Messias: Homophobia, Marching Bands and the 'Sissy's Progress'.
Exeunt Magazine.
Damian Martin, Diana
(2017)
Poetics of Artistic Discourse: Rajni Shah's Glorious.
Klaxon Magazine (1).
pp. 83-101.
ISSN 2295-5582
Damian Martin, Diana
(2016)
Review: Holy Smoke at the Southbank Centre 4th - 5th November 2016.
Exeunt Magazine.
Damian Martin, Diana
(2018)
Review: Le Recital Des Postures at London International Mime Festival 19 January - 20 January 2018.
Exeunt Magazine.
Damian Martin, Diana
(2016)
Review: Performing for the Camera at Tate Modern - 16th February - 12th June 2016.
Exeunt Magazine.
Damian Martin, Diana
(2017)
Review: Snow Mouse at the Barbican December 13 - December 23.
Exeunt Magazine.
Damian Martin, Diana
(2016)
Review: Sponge at the Barbican Barbican Pit 13th - 21st December 2016.
Exeunt Magazine.
Damian Martin, Diana
(2016)
Review: Two Man Show at the Soho Theatre 6th September - 1st October 2016.
Exeunt Magazine.
Damian Martin, Diana
(2017)
Spill Festival: Crawl, Burn, Stand and Sweep: Poetics of Body-Based Work in Urban Spaces.
Klaxon Magazine (6).
pp. 62-76.
ISSN 2295-5582
Damian Martin, Diana
(2018)
Ultimate Dancer: "It's Liberating to Let Go of the Limitations of Being Human".
Exeunt Magazine.
Damian Martin, Diana and Bojana, Jankovic
(2018)
Critical Interruptions.
Live Art Development Agency, London.
Damian Martin, Diana and Bojana, Jankovic
(2016)
Steakhouse Live: A Collective of Artists and Producers Creating New Spaces for Live Art and Performance.
Steakhouse Live.
Damian Martin, Diana and Patterson, Annette Theresa
(2016)
Critics in Conversation.
Critics in Conversation, London.
E
F
Farrier, Stephen, Limits, Dusty and Hoyle, David
(2010)
Queer Performance.
In: Queer Performance, 2nd June 2010, The Royal Central School of Speech and Drama.
(Unpublished)
K
M
Manuel Campos, Jose Luis
(2014)
Blast Theory: Intermedial Performance Praxis and the Generative Conditions for Performance Subjectivity.
Doctoral thesis, The Royal Central School of Speech and Drama, University of London.
N
P
Pamment, Claire
(2013)
The Bhānd Mode in Pakistani Performance.
Doctoral thesis, The Royal Central School of Speech and Drama, University of London.
Ploeger, Daniel
(2017)
Abject Digital Performance: Engaging the Politics of Electronic Waste.
Leonardo, 50 (2).
pp. 138-142.
ISSN 0024-094X
Ploeger, Daniel
(2014)
Eerie Prostheses and Kinky Strap-Ons: On the Ableist Ideology of Mori’s Uncanny Valley.
Body, Space & Technology, 13 (1).
ISSN 1470-9120
Ploeger, Daniel
(2014)
Thinking Critical / Looking Sexy: A Naked Male Body in Performance.
In:
Theatre as Voyeurism: The Pleasures of Watching.
Palgrave Macmillan, London, pp. 147-165.
ISBN 9781137478801
Ploeger, Daniel and Lepage, Louise
(2014)
Drama and Performance Studies (2014).
The Year’s Work in Critical and Cultural Theory, 22 (1).
pp. 304-333.
ISSN 1077-4254
Ploeger, Daniel and Verstraete, Pieter
(2015)
Drama and Performance Studies (2015).
The Year’s Work in Critical and Cultural Theory, 23 (1).
pp. 351-372.
ISSN 1077-4254
R
Radosavljevic, Duska
(2013)
Theatre-Making: Interplay Between Text and Performance in the 21st Century.
Palgrave Macmillan, Basingstoke.
ISBN 9780230343115
Radosavljevic, Duska, Rigby, Annie and Simic, Lena
(2015)
The Mums and Babies Ensemble: A Manual.
The Institute of Art and Practice of Dissent at Home, Liverpool.
ISBN 9780956416537
S
Stuart Fisher, Amanda and Forsyth, Alison
(2014)
Introduction (to Acting Out Trauma Special Issue).
Performing Ethos: An International Journal of Ethics in Theatre & Performance, 4 (1).
pp. 3-8.
ISSN 1757-1987
T
Trigg, Madaleine
(2014)
(Ad)Dressing the Female Body.
Scene, 2 (1-2).
pp. 127-132.
ISSN 2044-3714
W