Items where Subject is "Performance art"

Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN n/a

Damian Martin, Diana (2013) Interview/Show Time. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 191-193. ISBN 9781849433969

Damian Martin, Diana (2015) Towards a Poiesis of Critical Practice: 1000th LIVE and the Politics of Appearance. Performance Research, 20 (1). pp. 96-104. ISSN 1352-8165

Damian Martin, Diana (2013) Trashing Performance. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 149-150. ISBN 9781849433969

Donger, Simon (2010) Carnal Vertigos. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, pp. 155-174. ISBN 9780415562348

Donger, Simon (2009) ORLAN-Vertigo/Self-Touching-You. In: Interfaces of Performance. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 57-69. ISBN 9780754675761

Donger, Simon (2010) Preface 1: Restless Corporealities. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, xiv-xvi. ISBN 9780415562348

Donger, Simon and Shepherd, Simon (2010) Orlan: A Hybrid Body of Artworks. Routledge, London. ISBN 9780415562348

Elswit, Kate (2017) The Micropolitics of Exchange: Exile and Otherness After the Nation. In: The Oxford Handbook of Dance and Politics. Oxford University Press, New York, USA, pp. 417-438. ISBN 9780199928187 (In Press)

Farrier, Stephen and Limits, Dusty and Hoyle, David (2010) Queer Performance. In: Queer Performance, 2nd June 2010, The Royal Central School of Speech and Drama. (Unpublished)

Kendrick, Lynne and Roesner, David (2011) Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle-upon-Tyne. ISBN 9781443834407

Manuel Campos, Jose Luis (2014) Blast Theory: Intermedial Performance Praxis and the Generative Conditions for Performance Subjectivity. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

May, Shaun (2013) You Have to ‘Be There’: A Heideggerean Phenomenology of Humour. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Messias, Luiz Fernando Fernandes (2011) Towards a new Sissiography: the Sissy in Body, Abuse and Space in Performance Practice. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Nelson, Robin and Lavender, Andrew and Kattenbelt, Chiel and Bay-cheng, Sarah (2010) Mapping Intermediality in Performance. Media Matters . Amsterdam University Press, Amsterdam. ISBN 9789089642554

Pamment, Claire (2013) The Bhānd Mode in Pakistani Performance. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

Shepherd, Simon (2010) Preface 2: The Matter of ORLAN. In: ORLAN: A Hybrid Body of Artworks. Routledge, Gosport, xvii-xxiii. ISBN 9780415562348

Stuart Fisher, Amanda and Forsyth, Alison (2014) Introduction to Acting Out Trauma Special Issue. Performing Ethos: An International Journal of Ethics in Theatre & Performance, 4 (1). pp. 3-8. ISSN 1757-1987

Terret, Liselle (2008) 'Troubling Neo-Burlesque'. [Performance]

Terret, Liselle and Crabb, Jamie (2007) Feminist Neo-Burlesque. In: Feminist Neo-Burlesque, 26th October 2007, The Royal Central School of Speech and Drama. (Unpublished)

Watson, Nenagh (2010) ‘Choreography of Opening and Closing’. [Performance]

Watson, Nenagh (2010) Conversation with an Umbrella. [Performance]

White, Gareth (2009) Odd Anonymized Needs: Punchdrunk's Masked Spectator. In: Modes of Spectating. Intellect, Bristol, pp. 219-229. ISBN 9781841502397