Items where Subject is "Performance art"

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Number of items at this level: 24.

D

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Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN n/a

Damian Martin, Diana (2013) Interview/Show Time. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 191-193. ISBN 9781849433969

Damian Martin, Diana (2015) Towards a Poiesis of Critical Practice: 1000th LIVE and the Politics of Appearance. Performance Research, 20 (1). pp. 96-104. ISSN 1352-8165

Damian Martin, Diana (2013) Trashing Performance. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 149-150. ISBN 9781849433969

Donger, Simon (2010) Carnal Vertigos. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, pp. 155-174. ISBN 9780415562348

Donger, Simon (2009) ORLAN-Vertigo/Self-Touching-You. In: Interfaces of Performance. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 57-69. ISBN 9780754675761

Donger, Simon (2010) Preface 1: Restless Corporealities. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, xiv-xvi. ISBN 9780415562348

Donger, Simon and Shepherd, Simon (2010) Orlan: A Hybrid Body of Artworks. Routledge, London. ISBN 9780415562348

E

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Elswit, Kate (2017) The Micropolitics of Exchange: Exile and Otherness After the Nation. In: The Oxford Handbook of Dance and Politics. Oxford University Press, New York, USA, pp. 417-438. ISBN 9780199928187 (In Press)

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Farrier, Stephen and Limits, Dusty and Hoyle, David (2010) Queer Performance. In: Queer Performance, 2nd June 2010, The Royal Central School of Speech and Drama. (Unpublished)

K

Kendrick, Lynne and Roesner, David (2011) Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle-upon-Tyne. ISBN 9781443834407

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Manuel Campos, Jose Luis (2014) Blast Theory: Intermedial Performance Praxis and the Generative Conditions for Performance Subjectivity. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

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May, Shaun (2013) You Have to ‘Be There’: A Heideggerean Phenomenology of Humour. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

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Messias, Luiz Fernando Fernandes (2011) Towards a new Sissiography: the Sissy in Body, Abuse and Space in Performance Practice. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

N

Nelson, Robin and Lavender, Andrew and Kattenbelt, Chiel and Bay-cheng, Sarah (2010) Mapping Intermediality in Performance. Media Matters . Amsterdam University Press, Amsterdam. ISBN 9789089642554

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Pamment, Claire (2013) The Bhānd Mode in Pakistani Performance. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

S

Shepherd, Simon (2010) Preface 2: The Matter of ORLAN. In: ORLAN: A Hybrid Body of Artworks. Routledge, Gosport, xvii-xxiii. ISBN 9780415562348

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Stuart Fisher, Amanda and Forsyth, Alison (2014) Introduction to Acting Out Trauma Special Issue. Performing Ethos: An International Journal of Ethics in Theatre & Performance, 4 (1). pp. 3-8. ISSN 1757-1987

T

Terret, Liselle (2008) 'Troubling Neo-Burlesque'. [Performance]

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Terret, Liselle and Crabb, Jamie (2007) Feminist Neo-Burlesque. In: Feminist Neo-Burlesque, 26th October 2007, The Royal Central School of Speech and Drama. (Unpublished)

W

Watson, Nenagh (2010) ‘Choreography of Opening and Closing’. [Performance]

Watson, Nenagh (2010) Conversation with an Umbrella. [Performance]

White, Gareth (2009) Odd Anonymized Needs: Punchdrunk's Masked Spectator. In: Modes of Spectating. Intellect, Bristol, pp. 219-229. ISBN 9781841502397

This list was generated on Sun Jun 25 07:41:08 2017 UTC.