Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272

Bryon, Experience (2014) Integrative Performance: Practice and Theory for the Interdisciplinary Performer. Routledge, Abingdon. ISBN 9780415694483

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Bryon, Experience, McLaughlin, Deirdre, Bishop, Mark and Kaufman, Jessica (2018) Embodied Cognition, Acting and Performance. Routledge, Abingdon. ISBN 9780815385769

Chow, Broderick D.V. (2010) How To Do Things With Jokes: Relocating the Political Dimension of Performance Comedy. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Damian Martin, Diana (2016) Archives, Hindsight and Change. Performance Magazine.

Damian Martin, Diana (2015) Chapter 2: On Migration: Neighbours. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 3: On Emergencies: A Forensic of Emergencies. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 4: On Ecologies: Erotics of a Nuclear Summer. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2015) Chapter 5: On Silence and Noise: A Delicate Event. Something Other: Collecting Writing, Performance and Their Others.

Damian Martin, Diana (2020) Collaborative Critique: Expanded practices of contemporary performance criticism (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-5-6

Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN 2409-7411

Damian Martin, Diana (2017) Diorama for Shoalstone Pool. Exuent Magazine.

Damian Martin, Diana (2013) Interview/Show Time. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 191-193. ISBN 9781849433969

Damian Martin, Diana (2016) Nando Messias: Homophobia, Marching Bands and the 'Sissy's Progress'. Exeunt Magazine.

Damian Martin, Diana (2017) Poetics of Artistic Discourse: Rajni Shah's Glorious. Klaxon Magazine (1). pp. 83-101. ISSN 2295-5582

Damian Martin, Diana (2017) Report on the Young Critics Seminar in Cluj, Romania for the International Association of Theatre Critics. International Association of Theatre Critics.

Damian Martin, Diana (2017) Review: FITEI: Community and Memory. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Foreignisation on Stage: Les Serpents. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Holy Smoke at the Southbank Centre 4th - 5th November 2016. Exeunt Magazine.

Damian Martin, Diana (2018) Review: Le Recital Des Postures at London International Mime Festival 19 January - 20 January 2018. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Performance and the New Tate Modern. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Performing for the Camera at Tate Modern - 16th February - 12th June 2016. Exeunt Magazine.

Damian Martin, Diana (2017) Review: Ravnedans. Exeunt Magazine.

Damian Martin, Diana (2017) Review: Snow Mouse at the Barbican December 13 - December 23. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Sponge at the Barbican Barbican Pit 13th - 21st December 2016. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Steakhouse: Live Art, Live Writing. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Two Man Show at the Soho Theatre 6th September - 1st October 2016. Exeunt Magazine.

Damian Martin, Diana (2018) Review: Ultimate Dancer: "It's Liberating to Let Go of the Limitations of Being Human". Exeunt Magazine.

Damian Martin, Diana (2017) Spill Festival: Crawl, Burn, Stand and Sweep: Poetics of Body-Based Work in Urban Spaces. Klaxon Magazine (6). pp. 62-76. ISSN 2295-5582

Damian Martin, Diana (2017) Theatre in the UK: Politics, Poetics and Resistance. Conflict Zones: Young European Journalists on Performing Arts.

Damian Martin, Diana (2015) Towards a Poiesis of Critical Practice: 1000th LIVE and the Politics of Appearance. Performance Research, 20 (1). pp. 96-104. ISSN 1352-8165

Damian Martin, Diana (2017) Trajal Harrell: Hoochie Koochie. Exeunt Magazine.

Damian Martin, Diana (2013) Trashing Performance. In: The Live Art Almanac Volume 3. The Live Art Almanac . Oberon, London, pp. 149-150. ISBN 9781849433969

Damian Martin, Diana and Bojana, Jankovic (2018) Critical Interruptions. Live Art Development Agency, London.

Damian Martin, Diana and Bojana, Jankovic (2016) Steakhouse Live: A Collective of Artists and Producers Creating New Spaces for Live Art and Performance. Steakhouse Live.

Damian Martin, Diana and Patterson, Annette Theresa (2016) Critics in Conversation. Critics in Conversation, London.

Donger, Simon (2010) Carnal Vertigos. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, pp. 155-174. ISBN 9780415562348

Donger, Simon (2009) ORLAN-Vertigo/Self-Touching-You. In: Interfaces of Performance. Digital Research in the Arts and Humanities . Ashgate, Farnham, pp. 57-69. ISBN 9780754675761

Donger, Simon (2010) Preface 1: Restless Corporealities. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, xiv-xvi. ISBN 9780415562348

Donger, Simon and Shepherd, Simon (2010) Orlan: A Hybrid Body of Artworks. Routledge, London. ISBN 9780415562348

Elswit, Kate and Bench, Harmony (2023) The Body is Not (Only) a Metaphor: Rethinking Embodiment in the Digital Humanities. In: Debates in the Digital Humanities 2023. University of Minnesota Press, Minneapolis, pp. 93-104. ISBN 978-1-5179-1528-5

Elswit, Kate and Bench, Harmony (2018) Dunham's Data Website and Research Blog. UNSPECIFIED.

Elswit, Kate, Miyagawa, Mariko, Otake, Eiko and Rodman, Tara (2018) What We Know and What We Want to Know: A Roundtable On Butoh and Neuer Tanz. In: The Routledge Companion to Butoh Performance. Routledge Companion . Routledge, New York, pp. 126-136. ISBN 9781138691094

Farrier, Stephen (2018) Re-membering AIDS, Dis-membering Form. In: Viral Dramaturgies, HIV and AIDS in Performance in the Twenty-first Century. Palgrave Macmillan, Cham (Switzerland), pp. 155-172. ISBN 9783319703169

Farrier, Stephen, Limits, Dusty and Hoyle, David (2010) Queer Performance. In: Queer Performance, 2nd June 2010, The Royal Central School of Speech and Drama. (Unpublished)

Fisher, Tony (2023) The Aesthetic Exception: Essays on Art, Theatre, and Politics. Manchester University Press, Manchester. ISBN 978-1-5261-7016-3

Harradine, David, Butler, Sam and Cull O Maoilearca, Laura (2020) On Sheep Pig Goat: An Interview With Fevered Sleep. SoundCloud, London.

Kendrick, Lynne and Roesner, David (2011) Theatre Noise: The Sound of Performance. Cambridge Scholars Publishing, Newcastle-upon-Tyne. ISBN 9781443834407

Manuel Campos, Jose Luis (2014) Blast Theory: Intermedial Performance Praxis and the Generative Conditions for Performance Subjectivity. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Messias, Luiz Fernando Fernandes (2011) Towards a New Sissiography: The Sissy in Body, Abuse and Space in Performance Practice. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Nelson, Robin, Lavender, Andrew, Kattenbelt, Chiel and Bay-Cheng, Sarah (2010) Mapping Intermediality in Performance. Media Matters . Amsterdam University Press, Amsterdam. ISBN 9789089642554

Pamment, Claire (2013) The Bhānd Mode in Pakistani Performance. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Parslow, Joe (2024) Kings, Queens, Monsters and Things: Digital Drag Performance and Queer Moves in Artificial Intelligence (AI). Contemporary Theatre Review Print ISSN 1048-6801 Online ISSN 1477-2264. (In Press)

Ploeger, Daniel (2017) Abject Digital Performance: Engaging the Politics of Electronic Waste. Leonardo, 50 (2). pp. 138-142. ISSN 0024-094X

Ploeger, Daniel (2014) Eerie Prostheses and Kinky Strap-Ons: On the Ableist Ideology of Mori’s Uncanny Valley. Body, Space & Technology, 13 (1). ISSN 1470-9120

Ploeger, Daniel (2019) Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies. In: The Oxford Handbook of Sound and Imagination. Oxford University Press, Oxford. ISBN 9780190460242

Ploeger, Daniel (2017) Making and Breaking: Electronic Waste Recycling as Methodology. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Macmillan, Basingstoke, pp. 49-64. ISBN 9781349952403

Ploeger, Daniel (2020) Recycled Coil: a cyborg to engage the politics of electronic waste (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-5-5

Ploeger, Daniel (2016) Teaching Performance Art in Violent Times. Ice Hole – Live Art Journal (4).

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

Ploeger, Daniel and Lepage, Louise (2014) Drama and Performance Studies (2014). The Year’s Work in Critical and Cultural Theory, 22 (1). pp. 304-333. ISSN 1077-4254

Ploeger, Daniel and Verstraete, Pieter (2015) Drama and Performance Studies (2015). The Year’s Work in Critical and Cultural Theory, 23 (1). pp. 351-372. ISSN 1077-4254

Radosavljevic, Duska (2013) Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, Basingstoke. ISBN 9780230343115

Radosavljevic, Duska, Rigby, Annie and Simic, Lena (2015) The Mums and Babies Ensemble: A Manual. The Institute of Art and Practice of Dissent at Home, Liverpool. ISBN 9780956416537

Shearing, David (2019) Black Rock: Routes Through Scenographic Translation, from Mountain Climbing to Performance. Performance Research, 24 (2). pp. 36-44. ISSN 1352-8165

Shearing, David (2022) The Rising Sun. [Performance]

Shearing, David and Raza, Khadija (2023) Hello Stranger: East London Exhibition. [Show/Exhibition]

Stuart Fisher, Amanda and Forsyth, Alison (2014) Introduction (To Acting Out Trauma Special Issue). Performing Ethos: An International Journal of Ethics in Theatre & Performance, 4 (1). pp. 3-8. ISSN 1757-1987

Tashkiran, Ayse (2021) Skin Hunger by Dante or Die Written by Ann Akinrijin, Tim Crouch and Sonia Hughes. In: Skin Hunger. Salamander Street Ltd, Glasgow, pp. 3-64. ISBN 9781914228292

Trigg, Madaleine (2014) (Ad)Dressing the Female Body. Scene, 2 (1-2). pp. 127-132. ISSN 2044-3714

White, Gareth (2019) The Promise of Participation Revisited: Affective Strategies of Participation. In: Staging Spectators in Immersive Theatre: Commit Yourself. Routledge Studies in Affective Societies . Routledge, London, pp. 159-168. ISBN 0367187965

White, Gareth and Munro, Jane (2012) Pretty War. [Teaching Resource] (Unpublished)

Zaroulia, Marilena (2018) Performing That Which Exceeds Us: Aesthetics of Sincerity and Obscenity During 'The Refugee Crisis'. Research in Drama Education, 23 (2). pp. 179-192. ISSN 1356-9783