Bryon, Experience (2014) Integrative Performance: Practice and Theory for the Interdisciplinary Performer. Routledge, Abingdon. ISBN 9780415694483

Bryon, Experience, McLaughlin, Deirdre, Bishop, Mark and Kaufman, Jessica (2018) Embodied Cognition, Acting and Performance. Routledge, Abingdon. ISBN 9780815385769

Cornford, Tom, Fleming, Cass, Rushe, Sinéad, Oram, Daron, Caoimhe, McAvinchey and Roanna, Mitchell (2020) Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213

Elswit, Kate (2020) Digital Methods for Dance Historical Inquiry (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-7-0

Elswit, Kate (2020) From ‘Future Memory’: A Triangulation of History, Theory and Practice (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-6-3

Elswit, Kate (2018) Theatre & Dance. Theatre& . Palgrave Macmillan, Basingstoke. ISBN 9781137605740

Elswit, Kate (2014) Watching Weimar Dance. Oxford Studies in Dance Theory . Oxford University Press, Oxford. ISBN 9780199844838

Harradine, David (2020) Men & Girls Dance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

Pisk, Litz and Tashkiran, Ayse (2017) The Actor and His Body. Theatre Makers . Bloomsbury Methuen Drama, London. ISBN 9781474269742

Tashkiran, Ayse (2020) Movement Directors in Contemporary Theatre: Conversations on Craft. Methuen Drama, 1 . Bloomsbury, London and New York. ISBN 9781350054462

Elswit, Kate (2012) Back Again? Valeska Gert's Exiles. In: New German Dance Studies. University of Illinois Press, Urbana-Champaign, pp. 113-129. ISBN 9780252036767

Elswit, Kate (2017) The Micropolitics of Exchange: Exile and Otherness After the Nation. In: The Oxford Handbook of Dance and Politics. Oxford University Press, New York, USA, pp. 417-438. ISBN 9780199928187

Elswit, Kate and Bench, Harmony (2024) Radical accounting and the edges of archives: Alvin Ailey American Dance Theatre's historical data. In: Edges of Ailey. Yale University Press, New Haven. ISBN 9780300278842

Elswit, Kate and Bench, Harmony (2023) The body is not (only) a metaphor: rethinking embodiment in the digital humanities. In: Debates in the Digital Humanities 2023. Debates in the Digital Humanities . University of Minnesota Press, Minneapolis, USA, pp. 93-104. ISBN 9781517915285

Elswit, Kate, Miyagawa, Mariko, Otake, Eiko and Rodman, Tara (2018) What We Know and What We Want to Know: A Roundtable On Butoh and Neuer Tanz. In: The Routledge Companion to Butoh Performance. Routledge Companion . Routledge, New York, pp. 126-136. ISBN 9781138691094

Elswit, Kate and Nair, Rani (2018) Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories. In: The Oxford Handbook of Dance and Reenactment. Oxford University Press, Oxford, pp. 177-214. ISBN 9780199314201

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

Stuart Fisher, Amanda (2016) A Choreography of Words: Reflections on Justitia. In: Justitia: Multidisciplinary Readings of the Work of Jasmin Vardimon Company. Playtext . Intellect, Bristol, pp. 133-143. ISBN 9781783205288

Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

Bryon, Experience (2012) From Walking and Talking to Cartwheels and High Cs: An Examination of Practice-Based Laboratory Work into Physio-Vocal Integration. Theatre, Dance and Performance Training, 3 (1). pp. 81-98. ISSN 1944-3927

Bryon, Experience, McLaughlin, Deirdre, Bishop, Mark and Kaufman, Jessica (2017) Embodied Cognition, Acting and Performance. Connection Science, 29 (1). pp. 1-118. ISSN 0954-0091

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Elswit, Kate (2009) “Berlin … Your Dance Partner Is Death”. TDR/The Drama Review, 53 (1). pp. 73-92. ISSN 1054-2043

Elswit, Kate (2022) Dancing with Coronaspheres: Expanded Breath Bodies and the Politics of Public Movement in the Age of COVID-19. Cultural Studies. ISSN 0950-2386

Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

Elswit, Kate (2019) A Living Cabinet of Breath Curiosities: Somatics, Bio-media, and the Archive. International Journal of Performance Arts and Digital Media, 15 (3). pp. 340-359. ISSN Print ISSN: 1479-4713 Online ISSN: 2040-0934

Elswit, Kate (2018) Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret. Theatre Research International, 43 (1). pp. 25-44. ISSN 0307-8833

Elswit, Kate (2008) Petrified? Some Thoughts on Practical Research and Dance Historiography. Performance Research, 13 (1). pp. 61-69. ISSN 1352-8165

Elswit, Kate (2012) So You Think You Can Dance Does Dance Studies. TDR, 56 (1). pp. 133-142. ISSN 1531-4715

Elswit, Kate (2008) The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss. Modern Drama, 51 (3). pp. 389-410. ISSN 0026-7694

Elswit, Kate (2013) Ten Evenings with Pina: Bausch's "Late" Style and the Cultural Politics of Coproduction. Theatre Journal. ISSN 0192-2882

Elswit, Kate and Bench, Harmony (2020) Dance History and Digital Humanities Meet at the Archives: An Interim Project Report on Dunham’s Data. Dance Research, 38 (2). pp. 289-295. ISSN 0264-2875

Elswit, Kate and Bench, Harmony (2019) Dance Touring and Embodied Data: Some Approaches to Katherine Dunham’s Movement on the Move. Current Research in Digital History, 2. ISSN 2637-5923

Elswit, Kate and Bench, Harmony (2020) Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday. Theatre Survey, 61 (3). pp. 305-330. ISSN 1475-4533

Elswit, Kate and Bench, Harmony (2016) Mapping Movement on the Move: Dance Touring and Digital Methods. Theatre Journal, 68 (4). pp. 575-596. ISSN 0192-2882

Elswit, Kate and Bench, Harmony (2022) Visceral Data for Dance Histories: Katherine Dunham’s People, Places, and Pieces. TDR/The Drama Review, 66 (1). pp. 37-61. ISSN 1054-2043

Munro, Jane (2020) Crossing Over: Choreographing Audiences Over Borders – Forms and Problematics. Choreographic Practice, 11 (2). pp. 259-278. ISSN 2040 5669

Rushe, Sinéad and Cornford, Tom (2020) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). pp. 419-429. ISSN 1477-2264

Uzor, Tia-Monique (2023) Tidalectic unmapping and the performance of African diasporic imagination in the repertory of Katherine Dunham. Dance Research Journal, 55 (3). pp. 6-29. ISSN 0149-7677 (In Press)

Uzor, Tia-Monique (2024) Towards a new humanity: Belonging, embodiment, and Quantum Black creative geographies. Singapore Journal Of Tropical Geography.

Boston, Jane (2012) The Physical Voice in the Moving Body. In: The Physical Voice in the Moving Body, November 2012, The Royal Central School of Speech and Drama. (Unpublished)

Elswit, Kate and Bench, Harmony (2024) Radical accounting: Alvin Ailey American Dance Theater’s data as a framework for historical imagination. [Show/Exhibition]

Rushe, Sinéad (2017) Concert. [Performance]

Rushe, Sinéad (2018) Loaded. [Performance]

Harradine, David and Butlerq, Samantha (2021) 8 Tender Solitudes. [Video]