Items where RCSSD Subject Area is "Devised Theatre"
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Group by: Creators | Item Type
Number of items at this level: 28.
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Buratta, Ben
(2020)
Dance-Floor Dramaturgy: Unlearning the Shame and Stigma of HIV through Theatre.
Theatre Topics, 30 (02).
pp. 57-68.
ISSN 1054-8378
Busby, Selina
(2017)
Finding a Concrete Utopia in the Dystopia of a 'Sub-City'.
Research in Drama Education, 22 (1).
pp. 92-103.
ISSN 1356-9783
C
Cornford, Tom
(2020)
Actor-Dramaturgs and Atmospheric Dramaturgies: Chekhov Technique in Processes of Collaborative Playwriting.
In:
Michael Chekhov Technique in the Twenty-First Century: New Pathways.
Methuen Drama
.
Bloomsbury, London.
ISBN 9781474273213
(In Press)
D
Delgado, Maria M.
(2019)
Adiós Arturo: La Cubana de Vuelta:.
Primer Acto, 357 (11/19).
pp. 249-52.
ISSN 0032-8367
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Elswit, Kate
(2018)
Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret.
Theatre Research International, 43 (1).
pp. 25-44.
ISSN 0307-8833
Elswit, Kate
(2018)
Theatre & Dance.
Theatre&
.
Palgrave Macmillan, Basingstoke.
ISBN 9781137605740
M
O
Oram, Daron
(2020)
Decentering Listening: Toward an Anti-Discriminatory Approach to Accent and Dialect Training for the Actor.
Voice and Speech Review, 15 (1).
ISSN 2326-8231 2326 8271
R
Radosavljevic, Duska
(2013)
Theatre-Making: Interplay Between Text and Performance in the 21st Century.
Palgrave Macmillan, Basingstoke.
ISBN 9780230343115
Radosavljevic, Duska, Rigby, Annie and Simic, Lena
(2015)
The Mums and Babies Ensemble: A Manual.
The Institute of Art and Practice of Dissent at Home, Liverpool.
ISBN 9780956416537
Rushe, Sinéad
(2019)
Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form.
In:
Technika aktorska Michaila Czechowa w historii, teorii i praktyce.
Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176.
ISBN 978-83-88358-09-8
(In Press)
Rushe, Sinéad and Cornford, Tom
(2019)
A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford.
Contemporary Theatre Review, 30 (2).
ISSN 1477-2264
(Submitted)
W
White, Gareth
(2011)
Noise, Conceptual Noise and the Potential of Audience Participation.
In:
Theatre Noise: The Sound of Performance.
Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 198-207.
ISBN 9781443834407
White, Gareth
(2016)
Theatre in the Forest of Things and Signs.
Journal of Contemporary Drama in English, 4 (1).
pp. 21-33.
ISSN 2195-0156