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Items where RCSSD Subject Area is "Dance"

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Number of items at this level: 45.

B

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Boston, Jane (2012) The Physical Voice in the Moving Body. In: The Physical Voice in the Moving Body, November 2012, The Royal Central School of Speech and Drama. (Unpublished)

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Bryon, Experience (2012) From Walking and Talking to Cartwheels and High Cs: An Examination of Practice-Based Laboratory Work into Physio-Vocal Integration. Theatre, Dance and Performance Training, 3 (1). pp. 81-98. ISSN 1944-3927

Bryon, Experience (2014) Integrative Performance: Practice and Theory for the Interdisciplinary Performer. Routledge, Abingdon. ISBN 9780415694483

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Bryon, Experience, McLaughlin, Deirdre, Bishop, Mark and Kaufman, Jessica (2017) Embodied Cognition, Acting and Performance. Connection Science, 29 (1). pp. 1-118. ISSN 0954-0091

Bryon, Experience, McLaughlin, Deirdre, Bishop, Mark and Kaufman, Jessica (2018) Embodied Cognition, Acting and Performance. Routledge, Abingdon. ISBN 9780815385769

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Cornford, Tom, Fleming, Cass, Rushe, Sinéad, Oram, Daron, Caoimhe, McAvinchey and Roanna, Mitchell (2020) Michael Chekhov Technique in the Twenty-First Century: New Pathways. Methuen Drama . Bloomsbury, London. ISBN 9781474273213

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Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

Elswit, Kate (2012) Back Again? Valeska Gert's Exiles. In: New German Dance Studies. University of Illinois Press, Urbana-Champaign, pp. 113-129. ISBN 9780252036767

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Elswit, Kate (2009) “Berlin … Your Dance Partner Is Death”. TDR/The Drama Review, 53 (1). pp. 73-92. ISSN 1054-2043

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Elswit, Kate (2020) Digital Methods for Dance Historical Inquiry (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-7-0

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Elswit, Kate (2020) From ‘Future Memory’: A Triangulation of History, Theory and Practice (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-6-3

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Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

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Elswit, Kate (2019) A Living Cabinet of Breath Curiosities: Somatics, Bio-media, and the Archive. International Journal of Performance Arts and Digital Media, 15 (3). pp. 340-359. ISSN Print ISSN: 1479-4713 Online ISSN: 2040-0934

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Elswit, Kate (2017) The Micropolitics of Exchange: Exile and Otherness After the Nation. In: The Oxford Handbook of Dance and Politics. Oxford University Press, New York, USA, pp. 417-438. ISBN 9780199928187

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Elswit, Kate (2018) Performing Anti-Nationalism: Solidarity, Glitter, and No Borders Politics with the Europa Europa Cabaret. Theatre Research International, 43 (1). pp. 25-44. ISSN 0307-8833

Elswit, Kate (2008) Petrified? Some Thoughts on Practical Research and Dance Historiography. Performance Research, 13 (1). pp. 61-69. ISSN 1352-8165

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Elswit, Kate (2012) So You Think You Can Dance Does Dance Studies. TDR, 56 (1). pp. 133-142. ISSN 1531-4715

Elswit, Kate (2008) The Some of the Parts: Prosthesis and Function in Bertolt Brecht, Oskar Schlemmer, and Kurt Jooss. Modern Drama, 51 (3). pp. 389-410. ISSN 0026-7694

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Elswit, Kate (2018) Theatre & Dance. Theatre& . Palgrave Macmillan, Basingstoke. ISBN 9781137605740

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Elswit, Kate (2014) Watching Weimar Dance. Oxford Studies in Dance Theory . Oxford University Press, Oxford. ISBN 9780199844838

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Elswit, Kate and Bench, Harmony (2020) Dance History and Digital Humanities Meet at the Archives: An Interim Project Report on Dunham’s Data. Dance Research, 38 (2). pp. 289-295. ISSN 0264-2875

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Elswit, Kate and Bench, Harmony (2019) Dance Touring and Embodied Data: Some Approaches to Katherine Dunham’s Movement on the Move. Current Research in Digital History, 2. ISSN 2637-5923

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Elswit, Kate and Bench, Harmony (2020) Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday. Theatre Survey, 61 (3). pp. 305-330. ISSN 1475-4533

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Elswit, Kate and Bench, Harmony (2016) Mapping Movement on the Move: Dance Touring and Digital Methods. Theatre Journal, 68 (4). pp. 575-596. ISSN 0192-2882

Elswit, Kate and Bench, Harmony (2024) Radical accounting and the edges of archives: Alvin Ailey American Dance Theatre's historical data. In: Edges of Ailey. Yale University Press, New Haven. ISBN 9780300278842

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Elswit, Kate and Bench, Harmony (2022) Visceral Data for Dance Histories: Katherine Dunham’s People, Places, and Pieces. TDR/The Drama Review, 66 (1). pp. 37-61. ISSN 1054-2043

Elswit, Kate and Bench, Harmony (2023) The body is not (only) a metaphor: rethinking embodiment in the digital humanities. In: Debates in the Digital Humanities 2023. Debates in the Digital Humanities . University of Minnesota Press, Minneapolis, USA, pp. 93-104. ISBN 9781517915285

Elswit, Kate, Miyagawa, Mariko, Otake, Eiko and Rodman, Tara (2018) What We Know and What We Want to Know: A Roundtable On Butoh and Neuer Tanz. In: The Routledge Companion to Butoh Performance. Routledge Companion . Routledge, New York, pp. 126-136. ISBN 9781138691094

Elswit, Kate and Nair, Rani (2018) Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories. In: The Oxford Handbook of Dance and Reenactment. Oxford University Press, Oxford, pp. 177-214. ISBN 9780199314201

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Harradine, David (2020) Men & Girls Dance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

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Harradine, David and Butlerq, Samantha (2021) 8 Tender Solitudes. [Video]

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Munro, Jane (2020) Crossing Over: Choreographing Audiences Over Borders – Forms and Problematics. Choreographic Practice, 11 (2). pp. 259-278. ISSN 2040 5669

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Pisk, Litz and Tashkiran, Ayse (2017) The Actor and His Body. Theatre Makers . Bloomsbury Methuen Drama, London. ISBN 9781474269742

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Rushe, Sinéad (2017) Concert. [Performance]

Rushe, Sinéad (2020) Feeling Space, Making Space: Michael Chekhov's Approach to Theatre Design. In: Michael Chekhov Technique in the Twenty-First Century New Pathways. Bloomsbury, London, pp. 132-149. ISBN 9781474273213

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Rushe, Sinéad (2018) Loaded. [Performance]

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Rushe, Sinéad and Cornford, Tom (2020) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). pp. 419-429. ISSN 1477-2264

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Stuart Fisher, Amanda (2016) A Choreography of Words: Reflections on Justitia. In: Justitia: Multidisciplinary Readings of the Work of Jasmin Vardimon Company. Playtext . Intellect, Bristol, pp. 133-143. ISBN 9781783205288

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Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

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Tashkiran, Ayse (2020) Movement Directors in Contemporary Theatre: Conversations on Craft. Methuen Drama, 1 . Bloomsbury, London and New York. ISBN 9781350054462

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Uzor, Tia-Monique (2023) Tidalectic unmapping and the performance of African diasporic imagination in the repertory of Katherine Dunham. Dance Research Journal, 55 (3). pp. 6-29. ISSN 0149-7677 (In Press)

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Uzor, Tia-Monique (2024) Towards a new humanity: Belonging, embodiment, and Quantum Black creative geographies. Singapore Journal Of Tropical Geography.

This list was generated on Mon Dec 2 15:32:54 2024 UTC.