Items where RCSSD Subject Area is "Practice as Research"

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    • Practice as Research (71)
Group by: Creators | Item Type
Number of items at this level: 71.

Book

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Bryon, Experience (2014) Integrative Performance: Practice and Theory for the Interdisciplinary Performer. Routledge, Abingdon. ISBN 9780415694483

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Delgado, Maria M. (2017) "Otro" Teatro Español: Supresión e Inscripción en la Escena Española de Los Siglos XX y XXI. Iberoamericana Vervuert, Madrid/Frankfurt. ISBN 9783954873630

Delgado, Maria M. and Gies, David T. (2012) A History of Theatre in Spain. Cambridge University Press, Cambridge. ISBN 9780521117692

Grochala, Sarah (2009) S-27. Oberon Books, London. ISBN 9781840029307

Harradine, David (2011) Invisible Things: Documentation from a Devising Process. Fevered Sleep, London. ISBN 9780955908217

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Radosavljevic, Duska, Rigby, Annie and Simic, Lena (2015) The Mums and Babies Ensemble: A Manual. The Institute of Art and Practice of Dissent at Home, Liverpool. ISBN 9780956416537

Book Chapter

Bryon, Experience (2009) Interdisciplinarity and Embodied Knowledge: Towards an Active Aesthetic Using Integrative Performance Practice. In: Tanz im Musiktheater - Tanz als Musiktheater : Bericht Eines Internationalen Symposions über Beziehungen von Tanz und Musik im Theater. Königshausen & Neuman, Würzburg, pp. 135-147. ISBN 9783826040832

Bush-Bailey, Gilli, Davis, Jim, Normington, Katie and Bratton, Jacky (2010) Researching Theatre History and Historiography. In: Research Methods in Theatre and Performance. Edinburgh University Press, Edinburgh. ISBN 9780748641581

Donger, Simon (2010) Preface 1: Restless Corporealities. In: ORLAN: A Hybrid Body of Artworks. Routledge, London, xiv-xvi. ISBN 9780415562348

Elswit, Kate (2018) Letters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories. In: The Oxford Handbook of Dance and Reenactment. Oxford University Press, Oxford, pp. 177-214. ISBN 9780199314201

Ploeger, Daniel (2017) Making and Breaking: Electronic Waste Recycling as Methodology. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Macmillan, Basingstoke, pp. 49-64. ISBN 9781349952403

Article

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Abraham, Nicola (2016) Marginalised Youth in the App Generation: Making the Case for the Integration of Digital Technologies in Process Drama. TVORIVA DRAMATIKA - Casopis O Dramaticke Vychove, Literature a Divadle Pro Deti a Mladez, 27 (3). pp. 5-12. ISSN 1211-8001

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Anderson, Joel (2016) Between Theatre and Photography, Between Photography and Performance, Between Performance and Theatre. Drama Studies, 49. pp. 5-35. ISSN 1738-9267

Bryon, Experience, Bishop, Mark and McLaughlin, Deirdre (2017) Transdisciplinary and Interdisciplinary Exchanges Between Embodied Cognition and Performance Practice: Working Across Disciplines in a Climate of Divisive Knowledge Cultures. Connection Science, 29 (1). pp. 2-20. ISSN 0954-0091

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Damian Martin, Diana (2017) Library of Unfinished Texts. Performance Research, 22 (1). pp. 130-133. ISSN 1352-8165

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Delgado, Maria M. (2015) Memory, Silence, and Democracy in Spain: Frederico Garcia Lorca, the Spanish Civil War, and the Law of Historical Memory. Theatre Journal, 67 (2). pp. 177-196. ISSN 0192-2882

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Delgado, Maria M. and Thelwell, Mike (2015) Arts and Humanities Research Evaluation: No Metrics Please, Just Data. Journal of Documentation, 71 (4). pp. 817-833. ISSN 0022-0418

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Elswit, Kate (2014) Inheriting Dance’s Alternative Histories. Dance Research Journal, 46 (1). pp. 5-22. ISSN 0149-7677

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Elswit, Kate (2019) A Living Cabinet of Breath Curiosities: Somatics, Bio-media, and the Archive. International Journal of Performance Arts and Digital Media. pp. 1-20.

Elswit, Kate (2008) Petrified? Some Thoughts on Practical Research and Dance Historiography. Performance Research, 13 (1). pp. 61-69. ISSN 1352-8165

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Elswit, Kate (2016) What is a Question? ASAP, 2 (1). pp. 34-36. ISSN 2381-4721

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Fisher, Tony (2013) Castellucci's Theatre of the ‘Abject/Sublime’: or, The Theatre of Failed Transcendence. Somatechnics, 3 (1). pp. 31-49. ISSN 2044-0138

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Fisher, Tony (2015) Thinking Without Authority: Performance Philosophy as the Democracy of Thought. Performance Philosophy Journal, 1. pp. 175-184. ISSN 2057-7176

Grochala, Sarah (2011) A Form of Ethics: The Disrupted and Misappropriated Story in the Monodramas of Mark Ravenhill. Contemporary Drama in English 18, 18. pp. 141-154. ISSN 978-3-86821-315-7

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Mackey, Sally (2016) Applied Theatre and Practice as Research: Polyphonic Conversations. Research in Drama Education, 21 (4). pp. 478-491. ISSN 1356-9783

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Mackey, Sally (2015) Move Over, There's Room Enough: Performance Making Diploma: Training for Learning Disabled Adults. Research in Drama Education, 20 (4). pp. 506-510. ISSN 1356-9783

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Mackey, Sally and Cole, Sarah (2013) Cuckoos in the Nest: Performing Place, Artists and Excess. Applied Theatre Research, 1 (1). pp. 43-61. ISSN 2049-3010

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Oram, Daron (2015) Research and Practice in Voice Studies: Searching for a Methodology. Voice and Speech Review, 9 (1). pp. 15-27. ISSN 2326-8271

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Ploeger, Daniel (2017) Abject Digital Performance: Engaging the Politics of Electronic Waste. Leonardo, 50 (2). pp. 138-142. ISSN 0024-094X

Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

Conference or Workshop Item

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Arias, Lola (2016) Memory is a Minefield: The Art of Re-enactment, the 2016 Edward Gordon Craig lecture by Lola Arias, chaired by Prof. Maria Delgado. In: The 2016 STR Edward Gordon Craig Lecture, 6th June 2016, King's College, University of London.

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Baugh, Christopher, Gale, Maggie, Scheer, Edward and Singleton, Brian (2009) Round Table: Research Organisations for Theatre and Performance. In: Research Organisations for Theatre and Performance, 25 February 2009, The Royal Central School of Speech and Drama. (Unpublished)

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Davison, Jon, Smith, Julian Maynard and Watson, Nenagh (2009) Central School of Speech & Drama's AHRC Fellows in the Creative and Performing Arts. In: The Royal Central School of Speech and Drama's AHRC Fellows in the Creative and Performing Arts, 7th October 2009, Royal Central School of Speech and Drama. (Unpublished)

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Hougham, Richard (2013) A Practice-Based Enquiry into Therapeutic Presence. In: A Practice-Based Enquiry into Therapeutic Presence, 29 May 2013, The Royal Central School of Speech and Drama. (Unpublished)

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Mackey, Sally (2013) The Arts Faring Well. In: Southwark Theatres' Education Partnership (STEP) Conference, 1st February 2013, Canada Water Culture Space. (Unpublished)

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Mackey, Sally (2016) Border Stories: From There to Here: How Innovative Research Into Personal Experiences Can Help The EU Address Intra-European Union Mobility and Third Country Migration. In: London Higher Europe Conference, 2nd and 3rd February 2016, Brussels. (Unpublished)

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Mackey, Sally (2011) Challenging Place 'Live Poster'. In: TaPRA Conference, 7th September 2011, Kingston University. (Unpublished)

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Mackey, Sally (2012) Challenging Places: Performance and Discomforts. In: Seminar to Staff and Students, 28th February 2012, University of Cape Town, South Africa. (Unpublished)

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Mackey, Sally (2012) Challenging Places: Performance, Community and Discomforts. In: PLaCE Research Centre, 26th January 2012, University of the West of England. (Unpublished)

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Mackey, Sally (2014) Creative Practice for Change: A Micro-Example of People and Places. In: Cultural Engagement, Policy and Practice Research Symposium, 28th November 2014, University of Leeds. (Unpublished)

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Mackey, Sally (2013) Our Town. In: Oldham Theatre, 13th January 2013, Oldham. (Unpublished)

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Mackey, Sally (2016) Performing Places: A Participatory Practice. In: Out-Topias, 1st October 2016, Athens, Greece.

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Mackey, Sally (2013) Pour/Ous Place. In: Seminar to Staff and Students, 15th February 2013, University of Manchester. (Unpublished)

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Mackey, Sally (2012) Two Aberystwyths. In: PSI Conference, 27th June 2012, University of Leeds. (Unpublished)

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Mackey, Sally (2016) Unfamiliar Eyes: Forget What You Know. In: Unfamiliar Eyes: Forget What You Know, 1st March 2016, The Royal Central School of Speech and Drama.

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Mackey, Sally (2016) Unfamiliar Eyes: Forget What You Know. In: Unfamiliar Eyes: Forget What You Know, 7th March 2016, Oldham, OL1 1AL.

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Mackey, Sally, Adam, S. and Billson, V. (2012) What is Place? How Do We Think About Place? In: Half Moon Young People's Theatre, 4th July 2012, London. (Unpublished)

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Mackey, Sally, Ames, M and Pearson, M (2012) Capel: The Lights Are On. In: Bronant, 13th-15th June 2012, Caredigion, Wales. (Unpublished)

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Mackey, Sally, Atherton, J. and Harris, C. (2013) Oldham Theatre Workshop Intensive. In: Oldham Theatre, 13th August 2013, Oldham. (Unpublished)

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Mackey, Sally and Murphy, A. (2014) Performing Places Symposium. In: Performing Places Symposium, 9th October 2014, The Royal Central School of Speech and Drama. (Unpublished)

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Stuart Fisher, Amanda (2012) Zdenka's Journey. In: Zdenka's Journey, 8th October 2011 & 26th January 2012, University of York & The Royal Central School of Speech and Drama. (Unpublished)

Show/Exhibition

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Mackey, Sally (2004) Performing Place: The Caer Llan Trilogy. [Show/Exhibition]

Other

Elswit, Kate and Bench, Harmony (2018) Dunham's Data Website and Research Blog. N/A.

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Harradine, David (2015) It's The Skin You're Living In. Fevered Sleep.

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Mackey, Sally (2014) Performing Places. The Royal Central School of Speech and Drama, University of London. (Unpublished)

Performance

Harradine, David (2013) Above Me the Wide Blue Sky. [Performance]

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Harradine, David (2010) On Ageing. [Performance]

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Harradine, David (2012) Stilled. [Performance]

Jane, Munro and White, Gareth (2012) Invitation. [Performance]

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Munro, Jane (2009) Salt Piece. [Performance]

Teaching Resource

White, Gareth and Munro, Jane (2012) Pretty War. [Teaching Resource] (Unpublished)

Thesis

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Chow, Dick Veloso (2010) How To Do Things With Jokes: Relocating the Political Dimension of Performance Comedy. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Danylyuk, Olha (2015) 'Virtually True': Intermedial Strategies in the Staging of War Conflict. Doctoral thesis, The Royal Central School of Speech and Drama.

Mercier, Jospeh (2014) Fucking with Ballet: Performing Queer Negativity. Doctoral thesis, The Royal Central School of Speech and Drama.

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Messias, Luiz Fernando Fernandes (2011) Towards a New Sissiography: The Sissy in Body, Abuse and Space in Performance Practice. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

Pinchin, William (2018) Myth in Contemporary Mask Praxis: A Jungian Approach to Mask Making and Performance Within Lecoq-based Actor Created Theatre. Doctoral thesis, The Royal Central School of Speech and Drama.

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Postigo Gomez, Alejandro (2019) The Copla Musical: An Intercultural Exploration of Spanish Musical Form. Doctoral thesis, The Royal Central School of Speech and Drama.

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Scott, Joanne Emma (2014) Live Intermediality: A New Mode of Intermedial Praxis. Doctoral thesis, The Royal Central School of Speech and Drama, University of London.

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Woynarski, Lisa Christine (2015) Towards an Ecological Performance Aesthetic for the Bio-Urban: A Non-Anthropocentric Theory. Doctoral thesis, The Royal Central School of Speech and Drama.

This list was generated on Sun Aug 18 08:46:24 2019 UTC.