Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

Elswit, Kate (2019) A Living Cabinet of Breath Curiosities: Somatics, Bio-media, and the Archive. International Journal of Performance Arts and Digital Media, 15 (3). pp. 340-359.

Elswit, Kate and Bench, Harmony (2019) Dance Touring and Embodied Data: Some Approaches to Katherine Dunham’s Movement on the Move. Current Research in Digital History, 2. ISSN 2637-5923

Elswit, Kate and Bench, Harmony (2016) Mapping Movement on the Move: Dance Touring and Digital Methods. Theatre Journal, 68 (4). pp. 575-596. ISSN 0192-2882

McBurney, Simon, Alexander, Catherine, Power, Ben, Sawhney, Nitin, Levine, Michael, Shutt, Christopher, Anderson, Paul, Cunningham, Christina, Reeves, Saskia, Bhattercharjee, Paul, Pandya, Chetna, Gould, Victoria, Du Sautoy, Marcus, Bamjee, Firdous, Shambu, Shane, Kasturi, Divya, Chate, Hirin, Annen, David and Ortel, Sven (2007) A Disappearing Number - Complicite Performance Video. [Performance]

Moran, Nick (2018) Performance Lighting Design: How to Light for the Stage, Concerts and Live Events. Bloomsbury Methuen, London. ISBN 9781350017092

Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

Ploeger, Daniel (2017) Abject Digital Performance: Engaging the Politics of Electronic Waste. Leonardo, 50 (2). pp. 138-142. ISSN 0024-094X

Ploeger, Daniel (2014) Eerie Prostheses and Kinky Strap-Ons: On the Ableist Ideology of Mori’s Uncanny Valley. Body, Space & Technology, 13 (1). ISSN 1470-9120

Ploeger, Daniel (2019) Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies. In: The Oxford Handbook of Sound and Imagination. Oxford University Press, Oxford. ISBN 9780190460242

Ploeger, Daniel (2017) Making and Breaking: Electronic Waste Recycling as Methodology. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Macmillan, Basingstoke, pp. 49-64. ISBN 9781349952403

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

Ploeger, Daniel and Lepage, Louise (2014) Drama and Performance Studies (2014). The Year’s Work in Critical and Cultural Theory, 22 (1). pp. 304-333. ISSN 1077-4254

Ploeger, Daniel and Verstraete, Pieter (2015) Drama and Performance Studies (2015). The Year’s Work in Critical and Cultural Theory, 23 (1). pp. 351-372. ISSN 1077-4254

Ripley, David (2019) AutoCAD a Handbook for Theatre Users, 4th Edition. Application and Techniques (4). Entertainment Technology Press, Cambridge. ISBN 1904031900