Abraham, Nicola (2020) Wonder VR: Creating Meaningful Experiences for Patients in the Midst of Uncertainty. UNSPECIFIED.

Abraham, Nicola (2020) Wonder VR: Interactive Storytelling Through VR 360 Video with NHS Patients Living with Dementia. Contemporary Theatre Review, 30 (4). pp. 474-489. ISSN 1048-6801

Alexander, Catherine and McBurney, Simon (2007) A Disappearing Number - Complicite Performance Video. [Performance]

Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

Elswit, Kate (2019) A Living Cabinet of Breath Curiosities: Somatics, Bio-media, and the Archive. International Journal of Performance Arts and Digital Media, 15 (3). pp. 340-359. ISSN Print ISSN: 1479-4713 Online ISSN: 2040-0934

Elswit, Kate and Bench, Harmony (2020) Dance History and Digital Humanities Meet at the Archives: An Interim Project Report on Dunham’s Data. Dance Research, 38 (2). pp. 289-295. ISSN 0264-2875

Elswit, Kate and Bench, Harmony (2019) Dance Touring and Embodied Data: Some Approaches to Katherine Dunham’s Movement on the Move. Current Research in Digital History, 2. ISSN 2637-5923

Elswit, Kate and Bench, Harmony (2020) Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday. Theatre Survey, 61 (3). pp. 305-330. ISSN 1475-4533

Elswit, Kate and Bench, Harmony (2016) Mapping Movement on the Move: Dance Touring and Digital Methods. Theatre Journal, 68 (4). pp. 575-596. ISSN 0192-2882

Elswit, Kate and Bench, Harmony (2021) Visceral Data for Dance Histories: Katherine Dunham’s People, Places, and Pieces, 1947-60. TDR/The Drama Review. (In Press)

Moran, Nick (2018) Performance Lighting Design: How to Light for the Stage, Concerts and Live Events. Metheun Drama, London. ISBN 9781350017092

Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

Ploeger, Daniel (2017) Abject Digital Performance: Engaging the Politics of Electronic Waste. Leonardo, 50 (2). pp. 138-142. ISSN 0024-094X

Ploeger, Daniel (2014) Eerie Prostheses and Kinky Strap-Ons: On the Ableist Ideology of Mori’s Uncanny Valley. Body, Space & Technology, 13 (1). ISSN 1470-9120

Ploeger, Daniel (2019) Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies. In: The Oxford Handbook of Sound and Imagination. Oxford University Press, Oxford. ISBN 9780190460242

Ploeger, Daniel (2017) Making and Breaking: Electronic Waste Recycling as Methodology. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Macmillan, Basingstoke, pp. 49-64. ISBN 9781349952403

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

Ploeger, Daniel and Lepage, Louise (2014) Drama and Performance Studies (2014). The Year’s Work in Critical and Cultural Theory, 22 (1). pp. 304-333. ISSN 1077-4254

Ploeger, Daniel and Verstraete, Pieter (2015) Drama and Performance Studies (2015). The Year’s Work in Critical and Cultural Theory, 23 (1). pp. 351-372. ISSN 1077-4254

Ripley, David (2019) AutoCAD a Handbook for Theatre Users, 4th Edition. Application and Techniques (4). Entertainment Technology Press, Cambridge. ISBN 9781904031901

Rushe, Sinéad and Kemp, Margaret Laurena (2021) AntigoneNOW: Mourning and Connection Across 4 Time Zones. American Theatre.

Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)