INSTITUTIONAL REPOSITORY

CENTRAL RESEARCH AND CREATIVITY ONLINE

Items where RCSSD Subject Area is "Technology for Performance"

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Number of items at this level: 38.

A

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Abraham, Nicola (2021) Digital Reciprocity: The Surprises of Zoom Based Applied Theatre Practice with Patients Living with Dementia. In: Creativity and Wellbeing Week, 16/05/2021, Online. (Unpublished)

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Abraham, Nicola (2021) Finding Ways to Collaborate: In the Eye of the Storm. UNSPECIFIED.

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Abraham, Nicola (2021) …In the Age of COVID-19… Applied Theatre & Technology Adopt #TheWaterMethodology. DramapädagogikTage 2019 Drama in Education Days. (Submitted)

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Abraham, Nicola (2020) Wonder VR: Interactive Storytelling Through VR 360 Video with NHS Patients Living with Dementia. Contemporary Theatre Review, 30 (4). pp. 474-489. ISSN 1048-6801

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Abraham, Nicola (2020) Wonder VR: creating bespoke VR360 with NHS patients to improve patient wellbeing in acute hospital settings (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London, London. ISBN 978-1-8383967-0-1

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Abraham, Nicola and Colley, Ruby (2021) Digital Applied Theatre Practice for Patients Living with Dementia. In: Digital Storytelling in Health,, 15 - 17th June 2021, Swansea. (Unpublished)

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Abraham, Nicola and Hudpsith, Rachel (2021) Care Home Residents as Artists: Digital Connections in the Age of Disconnect. Cambridge University Press, Online.

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Abraham, Nicola and James, Joanna (2021) Angel of Love: The Story of Film-Making in an Acute Dialysis Unit in a Time of Covid-19. British Medical Journal Open Quality, Online.

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Abraham, Nicola and James, Joanna (2021) Making Hospitals Better: Digital Applied Theatre Practice in Acute Hospital Contexts for Patients Living with Dementia in the Midst of a Pandemic. In: SDEA Singapore DiE, 22/05/2021 - 30/05/2021, Online. (Unpublished)

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Abraham, Nicola and Ruddock, Victoria (2021) Creating Joy in Hospitals in the Midst of a Global Pandemic. In: TEDx RoyalCentral 2021, 13/02/2021, Online. (Unpublished)

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Alexander, Catherine and McBurney, Simon (2007) A Disappearing Number - Complicite Performance Video. [Performance]

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Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

B

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Baker, Sylvan (2020) The Verbatim Formula (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-2-5

C

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Cornford, Tom (2020) Creating Something that Feels Alive: Sound Design for Katie Mitchell. Interview with Donato Wharton. Contemporary Theatre Review, 30 (2). pp. 245-252. ISSN 1048-6801

E

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Elswit, Kate (2020) Digital Methods for Dance Historical Inquiry (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-7-0

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Elswit, Kate (2019) A Living Cabinet of Breath Curiosities: Somatics, Bio-media, and the Archive. International Journal of Performance Arts and Digital Media, 15 (3). pp. 340-359. ISSN Print ISSN: 1479-4713 Online ISSN: 2040-0934

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Elswit, Kate and Bench, Harmony (2020) Dance History and Digital Humanities Meet at the Archives: An Interim Project Report on Dunham’s Data. Dance Research, 38 (2). pp. 289-295. ISSN 0264-2875

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Elswit, Kate and Bench, Harmony (2019) Dance Touring and Embodied Data: Some Approaches to Katherine Dunham’s Movement on the Move. Current Research in Digital History, 2. ISSN 2637-5923

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Elswit, Kate and Bench, Harmony (2018) Dunham's Data Website and Research Blog. UNSPECIFIED.

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Elswit, Kate and Bench, Harmony (2020) Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday. Theatre Survey, 61 (3). pp. 305-330. ISSN 1475-4533

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Elswit, Kate and Bench, Harmony (2016) Mapping Movement on the Move: Dance Touring and Digital Methods. Theatre Journal, 68 (4). pp. 575-596. ISSN 0192-2882

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Elswit, Kate and Bench, Harmony (2022) Visceral Data for Dance Histories: Katherine Dunham’s People, Places, and Pieces. TDR/The Drama Review, 66 (1). pp. 37-61. ISSN 1054-2043

M

Moran, Nick (2018) Performance Lighting Design: How to Light for the Stage, Concerts and Live Events. Metheun Drama, London. ISBN 9781350017092

P

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Parker, Joanna (2020) Aida, Opera North 2019 (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-3-1

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Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

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Ploeger, Daniel (2017) Abject Digital Performance: Engaging the Politics of Electronic Waste. Leonardo, 50 (2). pp. 138-142. ISSN 0024-094X

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Ploeger, Daniel (2014) Eerie Prostheses and Kinky Strap-Ons: On the Ableist Ideology of Mori’s Uncanny Valley. Body, Space & Technology, 13 (1). ISSN 1470-9120

Ploeger, Daniel (2019) Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies. In: The Oxford Handbook of Sound and Imagination. Oxford University Press, Oxford. ISBN 9780190460242

Ploeger, Daniel (2017) Making and Breaking: Electronic Waste Recycling as Methodology. In: Digital Bodies: Creativity and Technology in the Arts and Humanities. Palgrave Macmillan, Basingstoke, pp. 49-64. ISBN 9781349952403

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Ploeger, Daniel (2020) Recycled Coil: a cyborg to engage the politics of electronic waste (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383968-5-5

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

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Ploeger, Daniel and Lepage, Louise (2014) Drama and Performance Studies (2014). The Year’s Work in Critical and Cultural Theory, 22 (1). pp. 304-333. ISSN 1077-4254

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Ploeger, Daniel and Verstraete, Pieter (2015) Drama and Performance Studies (2015). The Year’s Work in Critical and Cultural Theory, 23 (1). pp. 351-372. ISSN 1077-4254

R

Ripley, David (2019) AutoCAD a Handbook for Theatre Users, 4th Edition. Application and Techniques (4). Entertainment Technology Press, Cambridge. ISBN 9781904031901

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Rushe, Sinéad and Kemp, Margaret Laurena (2021) AntigoneNOW: Mourning and Connection Across 4 Time Zones. American Theatre.

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Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

This list was generated on Thu Jun 30 13:15:29 2022 UTC.