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Items where RCSSD Subject Area is "Gender"

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    • Gender (51)
Group by: Creators | Item Type
Number of items at this level: 51.

Book

Farrier, Stephen and Edward, Mark, eds. (2021) Drag Histories, Herstories and Hairstories. Drag in a Changing Scene Volume 2. Methuen Drama Engage, 2 . Bloomsbury Methuen, London. ISBN 9781350104365

Orenstein, Claudia, Mello, Alissa and Astles, Cariad, eds. (2019) Women and Puppet Theatre: Critical and Historical Investigations. Routledge, London. ISBN 9780415787390

Astles, Cariad, Mello, Alissa and Orenstein, Claudia (2019) Women and Puppetry: Critical and Historical Investigations. Routledge, London. ISBN 9780415787390

Boston, Jane (2009) Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley Publishers, London. ISBN 9781843109426

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Bush-Bailey, Gilli (2011) Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections. Manchester University Press, Manchester. ISBN 9780719079214

Bush-Bailey, Gilli (2012) Plays and Performance Text by Women 1880-1930: An Anthology of Plays by British and American Women from the Modernist Period. Manchester University Press, Manchester. ISBN 9780719082047

Bush-Bailey, Gilli (2009) Treading the Bawds: Actresses and Playwrights on the Late-Stuart Stage. Manchester University Press, Manchester. ISBN 9780719072512

Farrier, Stephen and Edward, Mark (2020) Contemporary Drag Practices and Performers: Drag in a Changing Scene Volume 1. Metheun Drama, London. ISBN 97813550082946

Paxton, Naomi (2018) The Methuen Drama Book of Suffrage Plays: Taking the Stage. Methuen Drama, London. ISBN 9781350082984

Paxton, Naomi (2018) Stage Rights! : the Actresses Franchise League, Activism and Politics 1908-1958. Women, Theatre and Performance . Manchester University Press, Manchester. ISBN 9781526114785

Paxton, Naomi, Gale, Maggie and Dorney, Kate (2019) Stage Women 1900-50: Female Theatre Workers and Professional Practice. Women, Theatre and Performance . Manchester University Press, Manchester. ISBN 978526100702

Book Chapter

Boston, Jane (2009) Breathing the Verse. In: Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley, London, pp. 199-214. ISBN 9781843109426

Busby, Selina and Farrier, Stephen (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

Busby, Selina and McNamara, Catherine (2013) A Theatre for Social Justice Project in the UK. In: Staging Social Justice: Collaborating to Create Activist Theatre. Theater in the Americas . Southern Illinois University Press, Carbondale and Edwardsville, pp. 174-185. ISBN 9780809332380

Bush-Bailey, Gilli (2014) The Gerbini Letters, or, A Tale of Two Mothers. In: Stage Mothers: Women, Work and the Theater 1660-1830. Bucknell University Press, Lewisburg, pp. 233-251. ISBN 9781611486032

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Bush-Bailey, Gilli (2019) Mabel Constanduros: Different Voices, Voicing Difference. In: Stage Women 1900-50 Female Theatre Workers and Professional Practice. Women in Theatre and Performance . Manchester University Press, Manchester, pp. 262-285. ISBN 9781526100702

Bush-Bailey, Gilli (2009) The Mystery of Revival: Performance and Reception of Susanna Centlivre on the Modern Stage. In: The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars, Newcastle Upon Tyne, pp. 283-299. ISBN 9781443801737

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Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

Farrier, Stephen (2021) Kinging the Stage: Male Impersonators and Drag Kings, Exploring Shared Historical Narratives. In: Drag Histories, Herstories and Hairstories. Bloomsbury, London, pp. 57-68.

Farrier, Stephen (2020) Not a Cock in a Frock, But a Hole Story. Drag and the Mark of the 'Bioqueens'. In: Contemporary Drag Practices and Performers, Drag in a Changing Scene Vol. 1. Methuen Drama Engage, 1 . Bloomsbury, London, pp. 102-115. ISBN 97813550082946

Parslow, Joe (2018) Come Hear the Music Play: The Politics of Queer Failure and Practices of Survival. In: Beyond Failure New Essays on the Cultural History of Failure in Theatre and Performance. Routledge, Abingdon, pp. 80-94. ISBN 9780815370994

Parslow, Joe (2020) Dragging the Mainstream: RuPaul's Drag Race and Moving Drag Practices Between the USA and the UK'. In: Contemporary Drag Practices and Performers Drag in a Changing Scene Volume 1. Methuen Drama Engage, 1 . Bloomsbury Publishing, London, pp. 19-31. ISBN 9781350082946

Paxton, Naomi (2019) Suffragette Judy: Punch and Judy at Suffrage Fairs and Exhibitions in Edwardian London. In: Women and Puppetry: Critical and Historical Investigations. Routledge, London, pp. 126-140. ISBN 9781315225999

Paxton, Naomi (2019) 'Very Much Alive and Kicking': The Actresses' Franchise League From 1914-1928. In: Stage Women 1900-1950: Female Theatre Workers and Professional Practice. Manchester University Press, Manchester, pp. 118-137. ISBN 9781526100702

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

Article

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Astles, Cariad (2020) Puppets, Women and Health in Togo: An Interview with Vicky Tsikplonou. Journal of Applied Arts and Health, 11 (1 & 2). pp. 185-188. ISSN 2040-2457

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Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

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Boston, Jane (2019) Pitch and Gender in Voice Training: New Methodological. Theatre Dance and Performance Training, 10 (3). pp. 332-336. ISSN 1944-3919

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Boston, Jane (2014) Poetic Text in Contemporary Voice Training: A Repositioning. Voice and Speech Review, 8 (2). pp. 131-148. ISSN 2326-8271

Boston, Jane (1997) Voice: The Practitioners, Their Practices, And Their Critics: Reassessing The Controversy In Its Historical Context. New Theatre Quarterly, XIII (51). pp. 248-254. ISSN 0266-464X

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Brennan, Amanda (2016) Women on Screen. Arts Professional. ISSN N/A

Buratta, Ben (2020) Dance-Floor Dramaturgy: Unlearning the Shame and Stigma of HIV Through Theatre. Theatre Topics, 30 (02). pp. 57-68. ISSN 1054-8378

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Bush-Bailey, Gilli (2014) Advance Notice. Studies in Theatre and Performance, 34 (2). pp. 111-114. ISSN 1468-2761

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Bush-Bailey, Gilli (2014) 'Women Like Us'? Comedy Studies, 3 (2). pp. 151-159. ISSN 2040-6118

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Chow, Broderick D.V. (2020) Epistemology of the Locker Room: A Queer Glance at the Physical Culture Archive. Contemporary Theatre Review Print ISSN 1048-6801 Online ISSN 1477-2264, 31 (1/2). (In Press)

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Chow, Broderick D.V. and Laine, Eero (2019) Between Antagonism and Eros: The Feud as Couple Form and Netflix’s GLOW. Women & Performance: a journal of feminist theory, 29 (3). pp. 218-234. ISSN 0740-770X

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Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61.

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Elswit, Kate and Bench, Harmony (2020) Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday. Theatre Survey, 61 (3). pp. 305-330. ISSN 1475-4533

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Low, Katharine and Damian Martin, Diana (2019) Surviving, But Not Thriving: The Politics of Care and the Experience of Motherhood in Academia. Research in Drama Education, 24 (3). pp. 426-432. ISSN 1356-9783

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Parslow, Joe (2021) Not Another Drag Competition From amateur to professional drag performance. Performance Research, 25 (1). pp. 18-24.

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Parslow, Joe (2018) Queer Stages: LGBTQ+ Venues, Drag Performance, and Hope. Urban Pamphleteer #7, 7. pp. 22-24.

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Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

Other

Farrier, Stephen (2018) Theater, Queer - An Entry In: Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History, 1st Edition. Charles Scribner's Sons, part of Macmillan Reference USA,, USA.

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Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

Performance

Thesis

Ballou, Hannah (2016) Hoo:Ha: Illuminating and Exploiting a Dissonance Between Funniness and Sexiness with the Female Comic Body in Performance. Doctoral thesis, The Royal Central School of Speech and Drama.

Murphy, Helen (2018) "Faint Flickerings" : Women as a Genre. Gender, Pleasure and Modernity. Doctoral thesis, The Royal Central School of Speech and Drama.

Video

This list was generated on Wed Oct 27 22:15:09 2021 UTC.