Items where RCSSD Subject Area is "Gender"

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    • Gender (37)
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Number of items at this level: 37.


Orenstein, Claudia, Mello, Alissa and Astles, Cariad, eds. (2019) Women and Puppet Theatre: Critical and Historical Investigations. Routledge, London. ISBN 9780415787390

Astles, Cariad, Mello, Alissa and Orenstein, Claudia (2019) Women and Puppetry: Critical and Historical Investigations. Routledge, London. ISBN 9780415787390

Boston, Jane (2009) Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley Publishers, London. ISBN 9781843109426

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Bush-Bailey, Gilli (2011) Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections. Manchester University Press, Manchester. ISBN 9780719079214

Bush-Bailey, Gilli (2012) Plays and Performance Text by Women 1880-1930: An Anthology of Plays by British and American Women from the Modernist Period. Manchester University Press, Manchester. ISBN 9780719082047

Bush-Bailey, Gilli (2009) Treading the Bawds: Actresses and Playwrights on the Late-Stuart Stage. Manchester University Press, Manchester. ISBN 9780719072512

Farrier, Stephen and Edward, Mark (2020) Contemporary Drag Practices and Performers: Drag in a Changing Scene, Volume 1. Methuen Drama Engage, 1 . Bloomsbury, London. ISBN 97813550082946

Paxton, Naomi (2018) The Methuen Drama Book of Suffrage Plays: Taking the Stage. Bloomsbury Methuen, London. ISBN 9781350082984

Book Chapter

Boston, Jane (2009) Breathing the Verse. In: Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley, London, pp. 199-214. ISBN 9781843109426

Busby, Selina and Farrier, Stephen (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

Busby, Selina and McNamara, Catherine (2013) A Theatre for Social Justice Project in the UK. In: Staging Social Justice: Collaborating to Create Activist Theatre. Theater in the Americas . Southern Illinois University Press, Carbondale and Edwardsville, pp. 174-185. ISBN 9780809332380

Bush-Bailey, Gilli (2014) The Gerbini Letters, or, A Tale of Two Mothers. In: Stage Mothers: Women, Work and the Theater 1660-1830. Bucknell University Press, Lewisburg, pp. 233-251. ISBN 9781611486032

Bush-Bailey, Gilli (2019) Mabel Constanduros: Different Voices, Voicing Difference. In: Stage Women 1900-50 Female Theatre Workers and Professional Practice. Women in Theatre and Performance . Manchester University Press, Manchester, pp. 262-285. ISBN 9781526100702

Bush-Bailey, Gilli (2009) The Mystery of Revival: Performance and Reception of Susanna Centlivre on the Modern Stage. In: The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars, Newcastle Upon Tyne, pp. 283-299. ISBN 9781443801737

Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

Farrier, Stephen (2020) Not a Cock in a Frock, but a Hole Story. Drag and the Mark of the 'Bioqueens'. In: Contemporary Drag Practices and Performers, Drag in a Changing Scene Vol. 1. Methuen Drama Engage, 1 . Bloomsbury, London, pp. 102-115. ISBN 97813550082946

Paxton, Naomi (2019) Suffragette Judy: Punch and Judy at Suffrage Fairs and Exhibitions in Edwardian London. In: Women and Puppetry: Critical and Historical Investigations. Routledge, London, pp. 126-140. ISBN 9780415787390

Paxton, Naomi (2019) 'Very much alive and kicking': the Actresses' Franchise League from 1914-1928. In: Stage Women: Female theatre workers and professional practice. Manchester University Press, Manchester, pp. 118-137. ISBN 9781526100702

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801


Astles, Cariad (2020) Puppets, Women and Health in Togo: An Interview with Vicky Tsikplonou. Journal of Applied Arts and Health, 11 (1 & 2). pp. 185-188. ISSN 2040-2457

Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

Boston, Jane (2019) Pitch and gender in voice training: new methodological. Theatre Dance ad Performance Training, 10 (3). pp. 332-336. ISSN 1944-3919

Boston, Jane (2014) Poetic Text in Contemporary Voice Training: A Repositioning. Voice and Speech Review, 8 (2). pp. 131-148. ISSN 2326-8271

Boston, Jane (1997) Voice:The Practitioners, Their Practices, And Their Critics: Reassessing The Controversy In Its Historical Context. New Theatre Quarterly, XIII (51). pp. 248-254. ISSN 0266-464X

Brennan, Amanda (2016) Women on Screen. Arts Professional. ISSN N/A

Bush-Bailey, Gilli (2014) Advance Notice. Studies in Theatre and Performance, 34 (2). pp. 111-114. ISSN 1468-2761

Bush-Bailey, Gilli (2014) 'Women Like Us'? Comedy Studies, 3 (2). pp. 151-159. ISSN 2040-6118

Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61.

Low, Katharine and Damian Martin, Diana (2019) Surviving, But Not Thriving: The Politics of Care and the Experience of Motherhood in Academia. Research in Drama Education, 24 (3). pp. 426-432. ISSN 1356-9783


Farrier, Stephen (2018) Theater, Queer - An Entry In: Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History, 1st Edition. Charles Scribner's Sons, part of Macmillan Reference USA,, USA.

Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.



Ballou, Hannah (2016) hoo:ha: Illuminating and Exploiting a Dissonance Between Funniness and Sexiness with the Female Comic Body in Performance. Doctoral thesis, The Royal Central School of Speech and Drama.

Murphy, Helen (2018) "Faint Flickerings" : Women as a Genre. Gender, Pleasure and Modernity. Doctoral thesis, The Royal Central School of Speech and Drama.


This list was generated on Wed Sep 30 08:43:02 2020 UTC.