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Items where Year is 2019

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Number of items: 48.

A

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Abrams, Joshua (2019) Presidential Address to the 2019 ATHE Conference. Theatre Topics, 30 (1). ISSN 1054-8378 (In Press)

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Alexander, Catherine (2019) A Concise Introduction to: Complicité. Digital Theatre, London.

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Anderson, Joel (2019) Snapshots on Theatre Photography. kød – konkrétne o divadle, March.

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Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography - Special Edition of Photography and Culture. Photography and Culture, 11 (2). pp. 121-235. ISSN 1751-4517

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Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272 (In Press)

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Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Photography & Culture, 11 (2). pp. 121-138. ISSN 1751-4517

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Astles, Cariad (2019) Postcolonialism and Hybridity in British Puppetry. Critical Stages (19). ISSN 2409-7411

Astles, Cariad, Mello, Alissa and Orenstein, Claudia (2019) Women and Puppetry: Critical and Historical Investigations. Routledge, London. ISBN 9780415787390

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Astles, Cariad and Piragibe, Mario (2019) Nine Questions on Teaching Directing for Puppetry: a Trans-cripting Recreation of a Dialogue. Moin-Moin, 15:11 (21). pp. 432-457. ISSN 2595-0347

B

Boenisch, Peter (2019) The hopeless courage of confronting contemporary realities: Milo Rau’s “globally conceived theatre of humanity". In: The Routledge Companion to Theatre and Politics. Routledge, Abingdon, UK, pp. 243-246. ISBN 9781138303485

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Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

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Boston, Jane (2019) Pitch and gender in voice training: new methodological. Theatre Dance ad Performance Training, 10 (3). pp. 332-336. ISSN 1944-3919

Busby, Selina (2019) 'The Biggest Youth Festival on the Planet': A year in the life of the National Theatre Connections Project. In: Education and Theatre: Beyond the Four Walls. Springer, London, pp. 115-130. ISBN 978-3-030-22223-9

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Bush-Bailey, Gilli (2019) Mabel Constanduros: Different Voices, Voicing Difference. In: Stage Women 1900-50 Female Theatre Workers and Professional Practice. Women in Theatre and Performance . Manchester University Press, Manchester, pp. 262-285. ISBN 9781526100702

C

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Cornford, Tom (2019) Michael Chekhov: Directing an Actors' Theatre. In: Russian Theatre in Practice: The Director's Guide. Performance Books . Bloomsbury, London, pp. 95-107. ISBN 9781474284431

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Cornford, Tom (2019) The Racist Case for Diversity? Contemporary Theatre Review, 28 (4). pp. 553-556. ISSN 1048-6801

D

Damian Martin, Diana (2019) Between art and criticism: a phenomenological poiesis. In: Performance Phenomenology: The Thing Itself. Routledge, London and New York, pp. 217-236. ISBN 9783319980591

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Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

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Delgado, Maria M. (2019) Adiós Arturo: La Cubana de Vuelta:. Primer Acto, 357 (11/19). pp. 249-52. ISSN 0032-8367

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Delgado, Maria M. (2019) A Poetics of Memory on the Madrid Stage (2018). European Stages, 13. ISSN 1050-199

Delgado, Maria M. (2019) The Return of the Repressed: The Ghosts of the Past Haunt Barcelona’s Stages. European Stages, 13. ISSN 1050-199X

E

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Elswit, Kate (2019) A Living Cabinet of Breath Curiosities: Somatics, Bio-media, and the Archive. International Journal of Performance Arts and Digital Media, 15 (3). pp. 340-359.

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Elswit, Kate and Bench, Harmony (2019) Dance Touring and Embodied Data: Some Approaches to Katherine Dunham’s Movement on the Move. Current Research in Digital History, 2. ISSN 2637-5923

F

Fisher, Tony and Katsouraki, Eve (2019) Beyond Failure: New Essays on the Cultural History of Failure in Theatre and Performance. Routledge, London. ISBN 9780815370994

L

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Leister, Wiebke and Anderson, Joel (2019) Pro-photographic Gestures. Photography and Culture, 11 (2). pp. 237-243. ISSN 1751-4517

Lobel, Brian (2019) Theatre & Cancer. Red Globe Press, Macmillan Education, London. ISBN 9781352006469

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Low, Katharine and Damian Martin, Diana (2019) Surviving, But Not Thriving: The Politics of Care and the Experience of Motherhood in Academia. Research in Drama Education, 24 (3). pp. 426-432. ISSN 1356-9783

M

Moseley, Nick (2019) Getting Into Drama School. The Compact Guide . Nick Hern Books, London. ISBN 9781848426467

O

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Oram, Daron (2019) Decolonizing Listening: Towards an Equitable Approach to Speech Training for the Actor. The Voice and Speech Review, 13 (3). pp. 279-297. ISSN 2326-8263 (In Press)

P

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Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

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Parry-Davies, Ella (2019) Performing the Intercultural City. Contemporary Theatre Review, 29 (1). pp. 99-100. ISSN 1477-2264

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Parry-Davies, Ella (2019) The Sea is Not a Highway: Performing Maritime Histories in the Not-Quite-Global-City. Theatre Journal, 71 (4). pp. 437-453. ISSN 0192-2882

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Parry-Davies, Ella and Larkin, Craig (2019) War Museums in Postwar Lebanon: Memory, Violence, and Performance. Nationalism and Ethnic Politics, 25 (1). pp. 78-96. ISSN 1353-7113

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Parslow, Joseph (2019) When the Lights are Shining on Them: Drag Performance and Queer Communities in London. Doctoral thesis, The Royal Central School of Speech and Drama.

Paxton, Naomi (2019) Suffragette Judy: Punch and Judy at Suffrage Fairs and Exhibitions in Edwardian London. In: Women and Puppetry: Critical and Historical Investigations. Routledge, London, pp. 126-140. ISBN 9780415787390

Paxton, Naomi (2019) 'Very much alive and kicking': the Actresses' Franchise League from 1914-1928. In: Stage Women: Female theatre workers and professional practice. Manchester University Press, Manchester, pp. 118-137. ISBN 9781526100702

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Ploeger, Daniel (2019) Between Smart Technologies and Soviet Guns: Imaging the New Heroic Figure in Postdigital Warfare. International Journal of Performance Arts and Digital Media, 15 (2). pp. 215-226. ISSN 1479-4713

Ploeger, Daniel (2019) Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies. In: The Oxford Handbook of Sound and Imagination. Oxford University Press, Oxford. ISBN 9780190460242

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Postigo Gomez, Alejandro (2019) The Copla Musical: An Intercultural Exploration of Spanish Musical Form. Doctoral thesis, The Royal Central School of Speech and Drama.

R

Ripley, David (2019) AutoCAD a Handbook for Theatre Users, 4th Edition. Application and Techniques (4). Entertainment Technology Press, Cambridge. ISBN 1904031900

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Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

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Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

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Rushe, Sinéad and Cornford, Tom (2019) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). ISSN 1477-2264 (Submitted)

W

White, Gareth (2019) The Audience in Intermedial Theatre. In: Intermedial Theatre: Principles and Practice. Red Globe Press, London, pp. 136-158. ISBN 9781137611574

White, Gareth (2019) The Promise of Participation Revisited: Affective Strategies of Participation. In: Staging Spectators in Immersive Theatre: Commit Yourself. Routledge Studies in Affective Societies . Routledge, London, pp. 159-168. ISBN 0367187965

This list was generated on Sun Sep 27 20:03:19 2020 UTC.