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Items where RCSSD Subject Area is "Gender"

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Number of items at this level: 54.

A

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Astles, Cariad (2020) Puppets, Women and Health in Togo: An Interview with Vicky Tsikplonou. Journal of Applied Arts and Health, 11 (1 & 2). pp. 185-188. ISSN 2040-2457

Astles, Cariad, Mello, Alissa and Orenstein, Claudia (2019) Women and Puppetry: Critical and Historical Investigations. Routledge, London. ISBN 9780415787390

B

Ballou, Hannah (2016) Hoo:Ha: Illuminating and Exploiting a Dissonance Between Funniness and Sexiness with the Female Comic Body in Performance. Doctoral thesis, The Royal Central School of Speech and Drama.

Boston, Jane (2009) Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley Publishers, London. ISBN 9781843109426

Boston, Jane (2009) Breathing the Verse. In: Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley, London, pp. 199-214. ISBN 9781843109426

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Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

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Boston, Jane (2019) Pitch and Gender in Voice Training: New Methodological. Theatre Dance and Performance Training, 10 (3). pp. 332-336. ISSN 1944-3919

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Boston, Jane (2014) Poetic Text in Contemporary Voice Training: A Repositioning. Voice and Speech Review, 8 (2). pp. 131-148. ISSN 2326-8271

Boston, Jane (2018) Voice: Readings in Theatre practice. Readings in Theatre Practice . Palgrave, London. ISBN 9781137301949

Boston, Jane (1997) Voice: The Practitioners, Their Practices, And Their Critics: Reassessing The Controversy In Its Historical Context. New Theatre Quarterly, XIII (51). pp. 248-254. ISSN 0266-464X

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Brennan, Amanda (2016) Women on Screen. Arts Professional. ISSN N/A

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Buratta, Ben (2020) And The Rest of Me Floats: Capturing Queer Potentiality through a Dance-floor Dramaturgy (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-3-2

Buratta, Ben (2020) Dance-Floor Dramaturgy: Unlearning the Shame and Stigma of HIV Through Theatre. Theatre Topics, 30 (02). pp. 57-68. ISSN 1054-8378

Busby, Selina and Farrier, Stephen (2007) The Fluidity of Bodies, Gender, Identity and Structure in the Plays of Sarah Kane. In: Alternatives Within Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Publishing, Cambridge, pp. 142-159. ISBN 9781847183064

Busby, Selina and McNamara, Catherine (2013) A Theatre for Social Justice Project in the UK. In: Staging Social Justice: Collaborating to Create Activist Theatre. Theater in the Americas . Southern Illinois University Press, Carbondale and Edwardsville, pp. 174-185. ISBN 9780809332380

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Bush-Bailey, Gilli (2014) Advance Notice. Studies in Theatre and Performance, 34 (2). pp. 111-114. ISSN 1468-2761

Bush-Bailey, Gilli (2014) The Gerbini Letters, or, A Tale of Two Mothers. In: Stage Mothers: Women, Work and the Theater 1660-1830. Bucknell University Press, Lewisburg, pp. 233-251. ISBN 9781611486032

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Bush-Bailey, Gilli (2019) Mabel Constanduros: Different Voices, Voicing Difference. In: Stage Women 1900-50 Female Theatre Workers and Professional Practice. Women in Theatre and Performance . Manchester University Press, Manchester, pp. 262-285. ISBN 9781526100702

Bush-Bailey, Gilli (2009) The Mystery of Revival: Performance and Reception of Susanna Centlivre on the Modern Stage. In: The Public’s Open to Us All: Essays on Women and Performance in Eighteenth-Century England. Cambridge Scholars, Newcastle Upon Tyne, pp. 283-299. ISBN 9781443801737

Bush-Bailey, Gilli (2011) Performing Herself: Autobiography and Fanny Kelly's Dramatic Recollections. Manchester University Press, Manchester. ISBN 9780719079214

Bush-Bailey, Gilli (2012) Plays and Performance Text by Women 1880-1930: An Anthology of Plays by British and American Women from the Modernist Period. Manchester University Press, Manchester. ISBN 9780719082047

Bush-Bailey, Gilli (2009) Treading the Bawds: Actresses and Playwrights on the Late-Stuart Stage. Manchester University Press, Manchester. ISBN 9780719072512

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Bush-Bailey, Gilli (2014) 'Women Like Us'? Comedy Studies, 3 (2). pp. 151-159. ISSN 2040-6118

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Chow, Broderick D.V. (2020) The Dynamic Tensions Physical Culture Show: A Counter-Genealogy of Built Masculinities (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-4-9

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Chow, Broderick D.V. (2020) Epistemology of the Locker Room: A Queer Glance at the Physical Culture Archive. Contemporary Theatre Review Print ISSN 1048-6801 Online ISSN 1477-2264, 31 (1/2). (In Press)

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Chow, Broderick D.V. and Laine, Eero (2019) Between Antagonism and Eros: The Feud as Couple Form and Netflix’s GLOW. Women & Performance: a journal of feminist theory, 29 (3). pp. 218-234. ISSN 0740-770X

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Cornford, Tom (2018) Willful Distraction: Katie Mitchell, Auteurism and the Canon. In: The Theatre of Katie Mitchell. 4x45 . Routledge, Abingdon, pp. 72-92. ISBN 9781138600058

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Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

E

Elswit, Kate (2009) Accessing Unison in the Age of its Mechanical Reproducibility. Art Journal, 68 (2). pp. 50-61. ISSN 0004-3249

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Elswit, Kate and Bench, Harmony (2020) Katherine Dunham's Global Method and the Embodied Politics of Dance's Everyday. Theatre Survey, 61 (3). pp. 305-330. ISSN 1475-4533

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Farrier, Stephen (2021) Kinging the Stage: Male Impersonators and Drag Kings, Exploring Shared Historical Narratives. In: Drag Histories, Herstories and Hairstories. Bloomsbury, London, pp. 57-68.

Farrier, Stephen (2020) Not a Cock in a Frock, But a Hole Story. Drag and the Mark of the 'Bioqueens'. In: Contemporary Drag Practices and Performers, Drag in a Changing Scene Vol. 1. Methuen Drama Engage, 1 . Bloomsbury, London, pp. 102-115. ISBN 97813550082946

Farrier, Stephen (2018) Theater, Queer - An Entry In: Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) History, 1st Edition. Charles Scribner's Sons, part of Macmillan Reference USA,, USA.

Farrier, Stephen and Edward, Mark (2020) Contemporary Drag Practices and Performers: Drag in a Changing Scene Volume 1. Metheun Drama, London. ISBN 97813550082946

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Harradine, David (2020) Men & Girls Dance (REF 2021 Practice Research Submission). The Royal Central School of Speech and Drama, University of London. ISBN 978-1-8383967-8-7

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Low, Katharine and Damian Martin, Diana (2019) Surviving, But Not Thriving: The Politics of Care and the Experience of Motherhood in Academia. Research in Drama Education, 24 (3). pp. 426-432. ISSN 1356-9783

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Murphy, Helen (2018) "Faint Flickerings" : Women as a Genre. Gender, Pleasure and Modernity. Doctoral thesis, The Royal Central School of Speech and Drama.

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Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

Parslow, Joe (2018) Come Hear the Music Play: The Politics of Queer Failure and Practices of Survival. In: Beyond Failure New Essays on the Cultural History of Failure in Theatre and Performance. Routledge, Abingdon, pp. 80-94. ISBN 9780815370994

Parslow, Joe (2020) Dragging the Mainstream: RuPaul's Drag Race and Moving Drag Practices Between the USA and the UK'. In: Contemporary Drag Practices and Performers Drag in a Changing Scene Volume 1. Methuen Drama Engage, 1 . Bloomsbury Publishing, London, pp. 19-31. ISBN 9781350082946

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Parslow, Joe (2021) Not Another Drag Competition From Amateur to Professional Drag Performance. Performance Research, 25 (1). pp. 18-24. ISSN 1352-8165

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Parslow, Joe (2018) Queer Stages: LGBTQ+ Venues, Drag Performance, and Hope. Urban Pamphleteer #7, 7. pp. 22-24.

Paxton, Naomi (2018) The Methuen Drama Book of Suffrage Plays: Taking the Stage. Methuen Drama, London. ISBN 9781350082984

Paxton, Naomi (2018) Stage Rights! : the Actresses Franchise League, Activism and Politics 1908-1958. Women, Theatre and Performance . Manchester University Press, Manchester. ISBN 9781526114785

Paxton, Naomi (2019) Suffragette Judy: Punch and Judy at Suffrage Fairs and Exhibitions in Edwardian London. In: Women and Puppetry: Critical and Historical Investigations. Routledge, London, pp. 126-140. ISBN 9781315225999

Paxton, Naomi (2019) 'Very Much Alive and Kicking': The Actresses' Franchise League From 1914-1928. In: Stage Women 1900-1950: Female Theatre Workers and Professional Practice. Manchester University Press, Manchester, pp. 118-137. ISBN 9781526100702

Paxton, Naomi, Gale, Maggie and Dorney, Kate (2019) Stage Women 1900-50: Female Theatre Workers and Professional Practice. Women, Theatre and Performance . Manchester University Press, Manchester. ISBN 978526100702

Ploeger, Daniel (2014) Thinking Critical / Looking Sexy: A Naked Male Body in Performance. In: Theatre as Voyeurism: The Pleasures of Watching. Palgrave Macmillan, London, pp. 147-165. ISBN 9781137478801

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Rushe, Sinéad, Kemp, Margaret Laurena, Ellis, Roger and Posner, Dassia N. (2021) Unity Over Unison: Creating AntigoneNOW in Lockdown. A Conversation between Margaret Laurena Kemp, Sinéad Rushe, and Roger Ellis; moderated by Dassia N. Posner. Theatre Topics. ISSN 1054-8378 (In Press)

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Tashkiran, Ayse (2018) Chapter 25 in The Routledge Companion to Jacques Lecoq. In: The Routledge Companion to Jacques Lecoq. Routledge Companion, 1 . Routledge, Oxford, pp. 227-235. ISBN 9781138611849

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Tashkiran, Ayse (2020) Movement Directors in Contemporary Theatre: Conversations on Craft. Methuen Drama, 1 . Bloomsbury, London and New York. ISBN 9781350054462

This list was generated on Fri Jan 21 08:57:22 2022 UTC.