Boenisch, Peter (2016) The Theatre of Thomas Ostermeier. Routledge, London. ISBN 9781138914476

Brennan, Amanda (2016) The Energetic Performer: An Integrated Approach to Acting for Stage and Screen. Singing Dragon, London. ISBN 9781848190979

Chow, Broderick D.V., Laine, Eero and Warden, C (2016) Performance and Professional Wrestling. Routledge, London. ISBN 9781138937239

Farrier, Stephen and Campbell, Alyson (2016) Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Palgrave Macmillan, Basingstoke. ISBN 9781137411839

Low, Katharine and Baxtor, Veronica (2016) Applied Theatre: Performing Health and Wellbeing. Applied Theatre . Bloomsbury Methuen, London. ISBN 9781472584571

Moran, Nick (2016) The Right Light. Red Grove Press, London. ISBN 9781137334770

Moseley, Nick (2016) Actioning and How To Do It. Nick Hern Books, London. ISBN 9781848424234

Radosavljevic, Duska (2016) Theatre Criticism: Changing Landscapes. Methuen Drama, London. ISBN 9781472577092

Shepherd, Simon (2016) The Cambridge Introduction to Performance Theory. Cambridge Introductions to Literature . Cambridge University Press, Cambridge. ISBN 9781139600194

Abrams, Joshua (2016) On Oysters. In: Sketch. Absolute Press, Bath, p. 201. ISBN 9781472906854

Alexander, Catherine (2016) The Magic Flute and L’Ecole Jacques Lecoq: A Conversation between William Kentridge and Simon McBurney. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 316-322. ISBN 9781138818422

Astles, Cariad (2016) Swazzles of Subversion: Puppets Under Dictatorship. In: Performing (for) Survival: Theatre, Crisis and Extremity. Palgrave, Basingstoke, pp. 103-120. ISBN 9781137454263

Brown, Ross (2016) Bruit Pittoresque / Cadres Musicaux. La Composition Pittoresque et Mélodramatique du Son au Théâtre. In: Le Son du Theatre (XIXe-XXle Siecle): Histoire Intermediale D'un Lieu D'ecoute Moderne. CNRS, Paris, France, pp. 135-162. ISBN 9782271093561

Brown, Ross (2016) Fix Your Eyes on the Horizon and Swing Your Ears About: Corwin's Theatre of Sound. In: Anatomy of Sound: Norman Corwin and Media Authorship. University of California Press, Oakland, California, pp. 171-194. ISBN 9780520285323

Colman, Geoffrey (2016) A Close Friendship Among the Debris. Acting, Breath and Truth in Jasmin Vardimon's Justitia. In: Justitia: Multidisciplinary Readings of the Work of the Jasmin Vardimon Company. Playtexts . Intellect, Bristol, pp. 159-168. ISBN 9781783205288

Cornford, Tom (2016) Jacques Lecoq and the Studio Tradition. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, 43 -51. ISBN 9781138818422

Damian Martin, Diana (2016) Criticism as a Political Event. In: Theatre Criticism: Changing Landscapes. Bloomsbury Methuen Drama, London, pp. 219-235. ISBN 9781472577092

Delgado, Maria M. (2016) Los Amantes Pasajeros/I'm So Excited! (2013) 'Performing La Crisis'. In: Performance and Spanish Film. Manchester University Press, Manchester, pp. 252-268. ISBN 9780719097720

Delgado, Maria M. (2016) Sergi López (Capt. Vidal). In: Guillermo del Toro’s ‘The Devil’s Backbone’ and ‘Pan’s Labyrinth’: Studies in the Horror Film. Centipede Press, Lakewood, Colorado, pp. 359-362. ISBN 9781613471012

Kendrick, Lynne (2016) Aurality and Performing the Unheard. In: Le Son du Théâtre (XIXe-XXIe siècle) - Histoire Intermédiale D'un Lieu D'écoute Moderne. CNRS, Paris, pp. 191-201. ISBN 9782271093561

Mackey, Sally (2016) Performing Location: Place and Applied Theatre. In: Critical Perspectives on Applied Theatre. Cambridge University Press, Cambridge, pp. 106-126. ISBN 9781107642287

Stuart Fisher, Amanda (2016) A Choreography of Words: Reflections on Justitia. In: Justitia: Multidisciplinary Readings of the Work of Jasmin Vardimon Company. Playtext . Intellect, Bristol, pp. 133-143. ISBN 9781783205288

Stuart Fisher, Amanda (2016) Imagining Theatre in Auschwitz: Performance, Solidarity and Survival in the Works of Charlotte Delbo. In: Performing (for) Survival: Theatre, Crisis, Extremity. Palgrave Macmillan, Basingstoke, pp. 78-99. ISBN 9781349568574

Tashkiran, Ayse (2016) British Movement Directors. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, pp. 227-235. ISBN 9781138818422

Harradine, David (2016) Men and Girls Dance: Nottingham Edition. [Artefact]

Abraham, Nicola (2016) Marginalised Youth in the App Generation: Making the Case for the Integration of Digital Technologies in Process Drama. TVORIVA DRAMATIKA - Casopis O Dramaticke Vychove, Literature a Divadle Pro Deti a Mladez, 27 (3). pp. 5-12. ISSN 1211-8001

Anderson, Joel (2016) Between Theatre and Photography, Between Photography and Performance, Between Performance and Theatre. Drama Studies, 49. pp. 5-35. ISSN 1738-9267

Brennan, Amanda (2016) Women on Screen. Arts Professional. ISSN N/A

Damian Martin, Diana (2016) Archives, Hindsight and Change. Performance Magazine.

Damian Martin, Diana (2016) Deliberation, Embodiment and Oral Criticism: A Case Study on Spill Festival of Performance. Critical Stages (13). ISSN 2409-7411

Damian Martin, Diana (2016) Nando Messias: Homophobia, Marching Bands and the 'Sissy's Progress'. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Foreignisation on Stage: Les Serpents. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Holy Smoke at the Southbank Centre 4th - 5th November 2016. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Performance and the New Tate Modern. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Performing for the Camera at Tate Modern - 16th February - 12th June 2016. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Sponge at the Barbican Barbican Pit 13th - 21st December 2016. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Steakhouse: Live Art, Live Writing. Exeunt Magazine.

Damian Martin, Diana (2016) Review: Two Man Show at the Soho Theatre 6th September - 1st October 2016. Exeunt Magazine.

Damian Martin, Diana (2016) Unpeeling Action: Critical Writing, Training and Process. Theatre, Dance and Performance Training, 7 (2). pp. 195-211. ISSN 1944-3927

Delgado, Maria M. (2016) Spain: Runaway Hits and Ephemeral Memorabilia. European Stages, 8. ISSN 1050-199X

Delgado, Maria M. (2016) The Unknown, the Unexpected and the Uncanny: A New Lorca, Three New Catalan Productions, and a Few Extras. European Stages, 6 (1). ISSN 1050-199X

Elswit, Kate (2016) What is a Question? ASAP, 2 (1). pp. 34-36. ISSN 2381-4721

Elswit, Kate and Bench, Harmony (2016) Mapping Movement on the Move: Dance Touring and Digital Methods. Theatre Journal, 68 (4). pp. 575-596. ISSN 0192-2882

Mackey, Sally (2016) Applied Theatre and Practice as Research: Polyphonic Conversations. Research in Drama Education, 21 (4). pp. 478-491. ISSN 1356-9783

Mackey, Sally (2016) The Mattering of Drama. Scene, 4. pp. 4-7. ISSN 2044-3714

Ong, Adelina (2016) The Path is Place: Skateboarding, Graffiti and Performances of Place. Research in Drama Education, 21 (2). pp. 229-241. ISSN 1356-9783

Pecorari, Giulia (2016) Critical Costume: A Conference and Exhibition where Theory and Practice Come Together. Studies in Costume and Performance, 1 (1). pp. 129-132. ISSN 2052-4013

Ploeger, Daniel (2016) Teaching Performance Art in Violent Times. Ice Hole – Live Art Journal (4).

Radosavljevic, Duska and Rodosthenous, George (2016) Reversing the Process: Investigating Multi-Disciplinary Compositional Practices in The Fall of Icarus [2009]. Theatre Topics, 26 (1). pp. 105-116. ISSN 1054-8378

White, Gareth (2016) Theatre in the Forest of Things and Signs. Journal of Contemporary Drama in English, 4 (1). pp. 21-33. ISSN 2195-0156

Arias, Lola (2016) Memory is a Minefield: The Art of Re-enactment, the 2016 Edward Gordon Craig lecture by Lola Arias, chaired by Prof. Maria Delgado. In: The 2016 STR Edward Gordon Craig Lecture, 6th June 2016, King's College, University of London.

Brown, Ross (2016) Theatre Immersed: Auditorium as an Architecture for Fantastic Space and Aural Vision. In: Presenting the Theatrical Past. Interplays of Artefacts, Discourses and Practices, 14th July 2016, Stockholm University. (Unpublished)

Mackey, Sally (2016) Border Stories: From There to Here: How Innovative Research Into Personal Experiences Can Help The EU Address Intra-European Union Mobility and Third Country Migration. In: London Higher Europe Conference, 2nd and 3rd February 2016, Brussels. (Unpublished)

Mackey, Sally (2016) Performing Places: A Participatory Practice. In: Out-Topias, 1st October 2016, Athens, Greece.

Mackey, Sally (2016) Unfamiliar Eyes: Forget What You Know. In: Unfamiliar Eyes: Forget What You Know, 1st March 2016, The Royal Central School of Speech and Drama.

Mackey, Sally (2016) Unfamiliar Eyes: Forget What You Know. In: Unfamiliar Eyes: Forget What You Know, 7th March 2016, Oldham, OL1 1AL.

Damian Martin, Diana and Bojana, Jankovic (2016) Steakhouse Live: A Collective of Artists and Producers Creating New Spaces for Live Art and Performance. Steakhouse Live.

Damian Martin, Diana and Patterson, Annette Theresa (2016) Critics in Conversation. Critics in Conversation, London.

Ballou, Hannah (2016) Hoo:Ha: Illuminating and Exploiting a Dissonance Between Funniness and Sexiness with the Female Comic Body in Performance. Doctoral thesis, The Royal Central School of Speech and Drama.

Davison, Jon (2016) The Self-Deconstruction of Clowning. Doctoral thesis, The Royal Central School of Speech and Drama.

De Almeida Libanio, Marcelo (2016) Poetics of the Clown. Doctoral thesis, The Royal Central School of Speech and Drama.

Kapadocha, Christina (2016) Being an Actor/Becoming a Trainer: The Embodied Logos of Intersubjective Experience in a Somatic Acting Process. Doctoral thesis, The Royal Central School of Speech and Drama.

Thomas, Phoenix Ariel (2016) Fabricating Alternative Realities: The Craft of Queering Costume Design. Doctoral thesis, The Royal Central School of Speech and Drama.