Orenstein, Claudia, Mello, Alissa and Astles, Cariad, eds. (2019) Women and Puppet Theatre: Critical and Historical Investigations. Routledge, London. ISBN 9780415787390

Abraham, Nicola (2019) The Intuit: An Investigation into the Definitions, Applications, and Possibilities offered by Intuitive Applied Theatre Practice with Vulnerable Youth. Applied Theatre Research, 7 (2). pp. 233-249. ISSN 2049-3010

Alexander, Catherine (2019) A Concise Introduction to: Complicité. Digital Theatre, London.

Anderson, Joel (2019) Royal Central School of Speech and Drama's Joel Anderson on What Dramaturgy Is and How it is Taught. Broadway World.

Anderson, Joel (2019) Snapshots on Theatre Photography. kød – konkrétne o divadle, March.

Anderson, Joel (2019) Theatre Photography Between Theatre and Performance. Focales, 3 2019 (2019). pp. 1-10. ISSN 2556-5125

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography - Special Edition of Photography and Culture. Photography and Culture, 11 (2). pp. 121-235. ISSN 1751-4517

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography/Le Théâtre de la Photographie. Sens Public. ISSN 2104-3272

Anderson, Joel and Leister, Wiebke (2019) The Theatre of Photography: Dialogues. Photography & Culture, 11 (2). pp. 121-138. ISSN 1751-4517

Astles, Cariad (2019) Postcolonialism and Hybridity in British Puppetry. Critical Stages (19). ISSN 2409-7411

Astles, Cariad, Mello, Alissa and Orenstein, Claudia (2019) Women and Puppetry: Critical and Historical Investigations. Routledge, London. ISBN 9780415787390

Astles, Cariad and Piragibe, Mario (2019) Nine Questions on Teaching Directing for Puppetry: a Trans-cripting Recreation of a Dialogue. Moin-Moin, 15:11 (21). pp. 432-457. ISSN 2595-0347

Baker, Sylvan, Inchley, Maggie, Dar, Sadhvi and Pujara, Susmita (2019) The Verbatim Formula: Caring for Care Leavers in the Neoliberal University. Research in Drama Education, 24 (3). pp. 413-419. ISSN 1356-9783

Boenisch, Peter (2019) The Hopeless Courage of Confronting Contemporary Realities: Milo Rau’s “Globally Conceived Theatre of Humanity". In: The Routledge Companion to Theatre and Politics. Routledge, Abingdon, UK, pp. 243-246. ISBN 9781138303485

Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

Boston, Jane (2019) Pitch and Gender in Voice Training: New Methodological. Theatre Dance and Performance Training, 10 (3). pp. 332-336. ISSN 1944-3919

Busby, Selina (2019) 'The Biggest Youth Festival on the Planet': A year in the life of the National Theatre Connections Project. In: Education and Theatre: Beyond the Four Walls. Springer, London, pp. 115-130. ISBN 978-3-030-22223-9

Bush-Bailey, Gilli (2019) Mabel Constanduros: Different Voices, Voicing Difference. In: Stage Women 1900-50 Female Theatre Workers and Professional Practice. Women in Theatre and Performance . Manchester University Press, Manchester, pp. 262-285. ISBN 9781526100702

Chow, Broderick D.V. (2019) Sculpting Masculinities in 19th- and 20th-Century Physical Culture: The Practiced Life of Stanley Rothwell. TDR, 2 (242). pp. 34-56. ISSN 1531-4715

Chow, Broderick D.V. and Laine, Eero (2019) Between Antagonism and Eros: The Feud as Couple Form and Netflix’s GLOW. Women & Performance: a journal of feminist theory, 29 (3). pp. 218-234. ISSN 0740-770X

Cornford, Tom (2019) Michael Chekhov: Directing an Actors' Theatre. In: Russian Theatre in Practice: The Director's Guide. Performance Books . Bloomsbury, London, pp. 95-107. ISBN 9781474284431

Cornford, Tom (2019) The Racist Case for Diversity? Contemporary Theatre Review, 28 (4). pp. 553-556. ISSN 1048-6801

Damian Martin, Diana (2019) Between Art and Criticism: A Phenomenological Poiesis. In: Performance Phenomenology: The Thing Itself. Routledge, London and New York, pp. 217-236. ISBN 9783319980591

Damian Martin, Diana (2019) Hopeful Acts in Troubled Times: Thinking as Interruption and the Poetics of Nonconforming Criticism. Performance Philosophy Journal, 5 (1). ISSN 2057-7176

Damian Martin, Diana (2019) Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy. Performance Philosophy Journal, 5 (1). ISSN 2057-7176

Damian Martin, Diana, Paterson, Mary and Costa, Maddy (2019) Letters to (of) the Future. Global Performance Studies, 2 (2).

Delgado, Maria M. (2019) Adiós Arturo: La Cubana de Vuelta:. Primer Acto, 357 (11/19). pp. 249-52. ISSN 0032-8367

Delgado, Maria M. (2019) A Poetics of Memory on the Madrid Stage (2018). European Stages, 13. ISSN 1050-199

Delgado, Maria M. (2019) The Return of the Repressed: The Ghosts of the Past Haunt Barcelona’s Stages. European Stages, 13. ISSN 1050-199X

Elswit, Kate (2019) A Living Cabinet of Breath Curiosities: Somatics, Bio-media, and the Archive. International Journal of Performance Arts and Digital Media, 15 (3). pp. 340-359. ISSN Print ISSN: 1479-4713 Online ISSN: 2040-0934

Elswit, Kate and Bench, Harmony (2019) Dance Touring and Embodied Data: Some Approaches to Katherine Dunham’s Movement on the Move. Current Research in Digital History, 2. ISSN 2637-5923

Fisher, Tony (2019) Politics of City and Nation: Tragic Politics and the Incommunicable Experience. In: A Cultural History of Tragedy In the Modern Age. Bloomsbury, London, pp. 109-126. ISBN 978-1-4742-8809-5

Fisher, Tony and Gotman, Kelina (2019) Foucaults Theatre. Manchester University Press, Manchester. ISBN 9781526135704

Fisher, Tony and Katsouraki, Eve (2019) Beyond Failure: New Essays on the Cultural History of Failure in Theatre and Performance. Routledge, London. ISBN 9780815370994

Leister, Wiebke and Anderson, Joel (2019) Pro-photographic Gestures. Photography and Culture, 11 (2). pp. 237-243. ISSN 1751-4517

Lobel, Brian (2019) Theatre & Cancer. Red Globe Press, Macmillan Education, London. ISBN 9781352006469

Low, Katharine and Damian Martin, Diana (2019) Surviving, But Not Thriving: The Politics of Care and the Experience of Motherhood in Academia. Research in Drama Education, 24 (3). pp. 426-432. ISSN 1356-9783

Moseley, Nick (2019) Getting Into Drama School. Nick Hern Books, London. ISBN 9781848426467

Naylor, Ben, Healey, Anna and Wyver, John (2019) Cymbeline 19. [Video] (Unpublished)

Ong, Adelina, Conroy, Colette and Rodricks, Dirk (2019) On Access in Applied Theatre and Drama Education. Special Issues as Books . Routledge, UK. ISBN 9780367367534

Oram, Daron (2019) Decolonizing Listening: Towards an Equitable Approach to Speech Training for the Actor. The Voice and Speech Review, 13 (3). pp. 279-297. ISSN 2326-8263 (In Press)

Parker, Joanna (2019) Joanna Parker Performance Designer. UNSPECIFIED.

Parry-Davies, Ella (2019) Communities are Stepping Up for Migrant Women – Now What About Politicans? The Guardian Newspaper.

Parry-Davies, Ella (2019) Performing the Intercultural City. Contemporary Theatre Review, 29 (1). pp. 99-100. ISSN 1477-2264

Parry-Davies, Ella (2019) The Sea is Not a Highway: Performing Maritime Histories in the Not-Quite-Global-City. Theatre Journal, 71 (4). pp. 437-453. ISSN 0192-2882

Parry-Davies, Ella (2019) Time To Listen: Go For A Walk With Sounds Made by Migrant Domestic Workers. The Theatre Times. ISSN 0732-300X

Parry-Davies, Ella and Larkin, Craig (2019) War Museums in Postwar Lebanon: Memory, Violence, and Performance. Nationalism and Ethnic Politics, 25 (1). pp. 78-96. ISSN 1353-7113

Parslow, Joe (2019) When the Lights are Shining on Them: Drag Performance and Queer Communities in London. Doctoral thesis, The Royal Central School of Speech and Drama.

Paxton, Naomi (2019) Suffragette Judy: Punch and Judy at Suffrage Fairs and Exhibitions in Edwardian London. In: Women and Puppetry: Critical and Historical Investigations. Routledge, London, pp. 126-140. ISBN 9781315225999

Paxton, Naomi (2019) 'Very Much Alive and Kicking': The Actresses' Franchise League From 1914-1928. In: Stage Women 1900-1950: Female Theatre Workers and Professional Practice. Manchester University Press, Manchester, pp. 118-137. ISBN 9781526100702

Paxton, Naomi, Gale, Maggie and Dorney, Kate (2019) Stage Women 1900-50: Female Theatre Workers and Professional Practice. Women, Theatre and Performance . Manchester University Press, Manchester. ISBN 978526100702

Ploeger, Daniel (2019) Between Smart Technologies and Soviet Guns: Imaging the New Heroic Figure in Postdigital Warfare. International Journal of Performance Arts and Digital Media, 15 (2). pp. 215-226. ISSN 1479-4713

Ploeger, Daniel (2019) Imagining the Seamless Cyborg: Computer System Sounds as Embodying Technologies. In: The Oxford Handbook of Sound and Imagination. Oxford University Press, Oxford. ISBN 9780190460242

Postigo Gomez, Alejandro (2019) The Copla Musical: An Intercultural Exploration of Spanish Musical Form. Doctoral thesis, The Royal Central School of Speech and Drama.

Ripley, David (2019) AutoCAD a Handbook for Theatre Users, 4th Edition. Application and Techniques (4). Entertainment Technology Press, Cambridge. ISBN 9781904031901

Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

Shearing, David (2019) Black Rock: Routes Through Scenographic Translation, from Mountain Climbing to Performance. Performance Research, 24 (2). pp. 36-44. ISSN 1352-8165

White, Gareth (2019) The Audience in Intermedial Theatre. In: Intermedial Theatre: Principles and Practice. Red Globe Press, London, pp. 136-158. ISBN 9781137611574

White, Gareth (2019) The Promise of Participation Revisited: Affective Strategies of Participation. In: Staging Spectators in Immersive Theatre: Commit Yourself. Routledge Studies in Affective Societies . Routledge, London, pp. 159-168. ISBN 0367187965