INSTITUTIONAL REPOSITORY

CENTRAL RESEARCH AND CREATIVITY ONLINE

Items where RCSSD Subject Area is "Acting and Actors"

Up a level
Export as [feed] RSS
  • (36)
    • Acting and Actors (36)
Group by: Creators | Item Type
Number of items at this level: 36.

Book

[img]
Boston, Jane (2009) Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley Publishers, London. ISBN 9781843109426

[img]
Boston, Jane and J. Clifford, Turner (2007) Voice and Speech in the Theatre. Metheun, London. ISBN 9780713681888

[img]
Bryon, Experience (2014) Integrative Performance: Practice and Theory for the Interdisciplinary Performer. Routledge, Abingdon. ISBN 9780415694483

Bryon, Experience (2018) Performing Interdisciplinarity: Working Across Disciplinary Boundaries Through an Active Aesthetic. Routledge, Abingdon. ISBN 9781138678859

Bryon, Experience, McLaughlin, Deirdre, Bishop, J. Mark and Kaufman, Jessica (2018) Embodied Cognition, Acting and Performance. Routledge, Abingdon. ISBN 9780815385769

Ewan, Vanessa and Sagovsky, Kate (2018) Laban's Efforts in Action: A Movement Handbook for Actors with On-line Video Resources. Bloomsbury Methuen, London. ISBN 9781472533241

Moseley, Nick (2019) Getting Into Drama School. The Compact Guide . Nick Hern Books, London. ISBN 9781848426467

[img]
Rushe, Sinéad (2019) Michael Chekhov's Acting Technique: A Practitioner's Guide. Bloomsbury Methuen Drama, London. ISBN 9781408156889

Book Chapter

[img]
Boston, Jane (2009) Breathing the Verse. In: Breath in Action: The Art of Breath in Vocal and Holistic Practice. Jessica Kingsley, London, pp. 199-214. ISBN 9781843109426

Bryon, Experience (2018) Awareness Performing: Practice to Protocol. In: Routledge Companion to Theatre, Performance and Cognitive Science. Routledge Companions . Routledge, London. ISBN 9781138048898

[img]
Bush-Bailey, Gilli (2014) The Gerbini Letters, or, A Tale of Two Mothers. In: Stage Mothers: Women, Work and the Theater 1660-1830. Bucknell University Press, Lewisburg, pp. 233-251. ISBN 9781611486032

[img]
Bush-Bailey, Gilli (2019) Mabel Constanduros: Different Voices, Voicing Difference. In: Stage Women 1900-50 Female Theatre Workers and Professional Practice. Women in Theatre and Performance . Manchester University Press, Manchester, pp. 262-285. ISBN 9781526100702

[img]
Bush-Bailey, Gilli (2014) Shifting Screens: The Child Performer and Her Audience Revisited in the Digital Age. In: Entertaining Children: The Participation of Youth in the Entertainment Industry. Palgrave Macmillan, London, pp. 111-127. ISBN 9781137305459

[img]
Cornford, Tom (2016) Jacques Lecoq and the Studio Tradition. In: The Routledge Companion to Jacques Lecoq. Routledge, Abingdon, 43 -51. ISBN 9781138818422

[img]
Preview
Cornford, Tom (2019) Michael Chekhov: Directing an Actors' Theatre. In: Russian Theatre in Practice: The Director's Guide. Performance Books . Bloomsbury, London, pp. 95-107. ISBN 9781474284431

[img]
Preview
Rushe, Sinéad (2019) Polyphonic Characterisation in Bernard-Marie Koltès’s Night Just Before the Forests: An Exploration of Michael Chekhov’s Feeling of Form. In: Technika aktorska Michaila Czechowa w historii, teorii i praktyce. Vademecum, Akademia Teatralna Warszawie, Bialystok, pp. 159-176. ISBN 978-83-88358-09-8 (In Press)

Article

Astles, Cariad (2017) Presence and Memory. Kantor's Living Puppet Theatre. Polish Theatre: Perspectives: Tadeusz Kantor Twenty Years Later, 1 (2). ISSN 2081-4844

[img]
Boston, Jane (2019) In Memory Of A Radical: Cicely Berry. Journal of Interdisciplinary Voice Studies, 4 (No 1). pp. 55-70. ISSN 2057-035X

[img]
Preview
Boston, Jane (2014) Poetic Text in Contemporary Voice Training: A Repositioning. Voice and Speech Review, 8 (2). pp. 131-148. ISSN 2326-8271

Boston, Jane (1997) Voice:The Practitioners, Their Practices, And Their Critics: Reassessing The Controversy In Its Historical Context. New Theatre Quarterly, XIII (51). pp. 248-254. ISSN 0266-464X

[img]
Brennan, Amanda (2016) Women on Screen. Arts Professional. ISSN N/A

Bryon, Experience, McLaughlin, Deirdre, Bishop, Mark and Kaufman, Jessica (2017) Embodied Cognition, Acting and Performance. Connection Science, 29 (1). pp. 1-118. ISSN 0954-0091

[img]
Preview
Cornford, Tom (2015) Acting, Skill and Artistry. Shakespeare Studies, 43. pp. 88-98. ISSN 0582-9399

[img]
Preview
Cornford, Tom (2018) Review: The Routledge Companion to Michael Chekhov. Theatre Research International, 43 (3). pp. 339-341. ISSN 0307-8833

[img]
Preview
Delgado, Maria M. (2018) Maria Casares: l'Espagne, L'Exil et le Repoussoir. Revue d'Histoire du Théâtre, 1 (277). ISSN 1291-2530

[img]
Farrier, Stephen (2015) Playing With TIme: Gay Intergenerational Performance Work and the Productive Possibilities of Queer Temporalities. Journal of Homosexuality, 62 (10). pp. 1398-1418. ISSN 0091-8369

[img]
Preview
Kendrick, Lynne (2011) A Paidic Aesthetic: An Analysis of Games in the Ludic Pedagogy of Philippe Gaulier. Theatre, Dance and Performance Training, 2 (1). pp. 72-85. ISSN 1944-3927

[img]
Preview
McAllister, Peter (2018) Lee Strasberg's Method. Stanislavski Studies, 6 (1). pp. 105-110. ISSN 2056-7790

[img]
Preview
Moseley, Nick (2013) The Pyscho and the Physical in Psycho-Physical Actioning. Stanislavski Online Journal, 1 (2). pp. 150-189. ISSN 2054-4170

[img]
Oram, Daron (2019) Decolonizing Listening: Towards an Equitable Approach to Speech Training for the Actor. The Voice and Speech Review, 13 (3). pp. 279-297. ISSN 2326-8263 (In Press)

[img]
Preview
Oram, Daron (2018) Losing Sight of Land: Tales of Dyslexia and Dyspraxia in Psychophysical Actor Training. Theatre Dance and Performance Training, 9 (1). pp. 53-67. ISSN 1944-3919

[img]
Rushe, Sinéad and Cornford, Tom (2019) A Feeling of Form: Directing Concert from the Michael Chekhov Perspective: A Conversation Between Sinéad Rushe and Tom Cornford. Contemporary Theatre Review, 30 (2). ISSN 1477-2264 (Submitted)

Conference or Workshop Item

[img]
Preview
[img]
Preview
Boston, Jane (2012) The Physical Voice in the Moving Body. In: The Physical Voice in the Moving Body, November 2012, The Royal Central School of Speech and Drama. (Unpublished)

Performance

Thesis

Palm, James (2014) Acting Towards the Possibility of Good Faith: A Paradigm of Actor Training and Acting. Doctoral thesis, The Royal Central School of Speech and Drama.

[img]
Preview
Parslow, Joseph (2019) When the Lights are Shining on Them: Drag Performance and Queer Communities in London. Doctoral thesis, The Royal Central School of Speech and Drama.

This list was generated on Wed Sep 30 04:41:43 2020 UTC.